From his 1887 literary debut to his many film and television adaptations, Sir Arthur Conan Doyle's Sherlock Holmes has lost none of his appeal. Besides Holmes himself, no character in Conan Doyle's stories proves as interesting as the astute detective's constant companion, Dr. Watson, who somehow seems both superfluous and essential. While Conan Doyle does not depict Holmes and Watson as equals, he avoids presenting Watson as incompetent, as he was made to appear on screen for decades. A variety of reimagined Holmeses and Watsons in recent years have depicted their relationship as more nuanced and complementary. Focusing on the Guy Ritchie films, the BBC's Sherlock and CBS's Elementary, this collection of new essays explores the ideas and implications behind these adaptations.

This book makes a unique contribution to the field of media studies by analyzing the perpetuation of sexual scripts through news articles, films, TV shows, lifestyle magazines, advertisements, and other forms of popular mediated culture. Focusing on cultural differences between North America and Europe, the book catalogues and contextualizes common sexual scripts by looking at the ways in which people have or do not have sex, eroticize each other's bodies, penetrate each other's bodies, and give meaning to all these activities. Other such analyses have explored whether, when, and why people decide to have sex, and so on. This book instead focuses on how the sexual interaction itself is culturally scripted to occur - what sequence of events takes place after a couple have decided to have sex. While the first half of the book catalogues sexual scripts in a general way, based on geography and sexual orientation, the second half is framed around sexual discourses associated with some degree of shame and social stigmatization. The book ends by addressing the hegemonic perpetuation of mediated sexual scripts across cultures and the role of sexuality in fourth-wave feminism. Mediated Eros is suitable as the primary or secondary text in seminars on media, culture, and sexuality, and would also be of interest to journalists and freelance writers whose work explores the sociocultural construction of sex and the sexual self.

Translating Culture Specific References on Television provides a model for investigating the problems posed by culture specific references in translation, drawing on case studies that explore the translational norms of contemporary Italian dubbing practices. This monograph makes a distinctive contribution to the study of audiovisual translation and culture specific references in its focus on dubbing as opposed to subtitling, and on contemporary television series, rather than cinema. Irene Ranzato's research involves detailed analysis of three TV series dubbed into Italian, drawing on a corpus of 95 hours that includes nearly 3,000 CSR translations. Ranzato proposes a new taxonomy of strategies for the translation of CSRs and explores the sociocultural, pragmatic and ideological implications of audiovisual translation for the small screen.

Over the past twenty years, presidential candidates have developed an entertainment talk show strategy in which they routinely chat with the likes of Oprah Winfrey, David Letterman, and Jon Stewart. In fact, between 1992 and 2012, there have been more than 200 candidate interviews on daytime and late night talk shows with nearly every presidential candidate-from long shot primary contender to major party nominee-hitting the talk show circuit at some point during the campaign. This book explores the development of the entertainment talk show strategy and assesses its impact on presidential campaigns. The chapters mix detailed narrative with extensive empirical data on audiences, content, viewer reaction, and press coverage to explain why candidates have embraced this strategy and the conditions under which these interviews are most likely to meet their expectations. The book also explores how these interviews can enhance campaigns by connecting a critical segment of the voting population with candidates who provide useful political information in a casual setting. Talk Show Campaigns shows that this is more than a gimmick-it's a key part of how candidates communicate with voters, which reveals a lot about how campaigns have changed over the past two decades.

The adult-oriented science-fiction cartoon series Rick and Morty, shown on Cartoon Network as part of its late-night Adult Swim feature, is famous for its nihilistic anti-hero Rick Sanchez. Rick is a character who rejects God, religion, and meaning, but who embraces science and technology. This leads to a popular show that often presents a world view favorable to science and dismissive of spirituality. It is existentialism mashed up with absurdism with a healthy (or unhealthy) dose of dick jokes thrown in. Rick and Morty and Philosophy focuses on the philosophical underpinnings of the show. The authors explain and develop ideas that are mentioned or illustrated in various episodes, so that fans can get really solid evidence for what they know already: this show is awesome and deep. Rick has access to technology that allows him to jump between dimensions or realities. He brings his grandson, Morty, along with him on these adventures, often putting Morty in mortal danger. However, Rick's attitude is that there are an infinite number of Mortys in the multiverse, so if his Morty dies, he can always replace his Morty with another Morty from a different dimension. One question that arises is, are these Mortys really identical to each other? And if one of them dies, can he really be replaced without loss? Another character in the show is Jerry, the husband of Rick's daughter. Jerry is a complete and total loser with no self-respect, desperate to get any kind of respect from others. Why is it so important that he has self-respect? How does his lack of self-respect affect those around him? In one adventure, Jerry finds himself in a position where he can save one of the greatest civil rights leaders in the universe whose heart is failing. Jerry can save his life by donating his penis, which is the perfect organ to match the alien's failing heart. Does Jerry have a moral obligation to do so? Recently, ethicists such as Peter Singer and Julian Savulescu have argued that people have a moral obligation to donate a kidney to people who need one. Why wouldn't the same apply to Jerry's penis? Is such a donation above and beyond a moral obligation, and consequently optional, or is it a basic moral obligation and therefore required, as noted ethicists like Singer and Savulescu suggest? This volume also includes chapters that examine the experience of watching Rick and Morty. One writer argues that many of the Rick and Morty episodes induce within viewers a state of "Socratic aporia," or confusion. Viewers are forced to reflect on their own moral beliefs about the world when characters do something that seems good but results in horrendous consequences.

There are two ages in the history of television: before HBO and after HBO. Before the launch of Home Box Office in 1972, the industry had changed little since the birth of broadcast network television in the late 1940s. The arrival of the premium cable channel began a revolution in the business and programming of TV. For the generation that has grown up with the vast array of viewing choices available today, it is almost inconceivable that our ever-expanding media universe began with a few hours of unimpressive programming on a single cable channel. This is the story of HBO's reconfiguration of television and the company's continual reinvention of itself in a competitive and dynamic industry.

This book explores a hybrid model of broadcasting and takes a close look at public TV broadcasting operating in a market-driven environment. While media and media institutions play an important role in democratic societies, their management is a complex process and has to coordinate the various demands of the public, the owners, advertisers and society. Managing media institutions also has to take into account technological developments, changes in the regulatory framework and social trends. Whereas media performance reflects social developments, their management often represents catching the uncatchable: providing for the public good and offering attractive market products.

In the wake of Gretchen Carlson s lawsuit against former Fox News chairman and CEO Roger Ailes, her memoir of her time at Fox working alongside Megyn Kelly, Bill O Reilly, Steve Doocy, and other prominent conservative news personalities is more relevant than ever. In this candid memoir, celebrity news anchorwoman Gretchen Carlson shares her inspiring story and offers important takeaways about what it means to strive for and find success in the real world. With warmth and wit, she takes readers from herMinnesota childhood, when she became a violin prodigy, through attending Stanford and later rising to anchor ofThe Real Story with Gretchen Carlsonon Fox News after working her way up from local television stations. Carlson addresses the intense competitive effort of winning the Miss America Pageant, the challenges she s faced as a woman in broadcast television, and how she manages to balance work and family as the wife of high-profile sports agent Casey Close and devoted mother to their two children. An unceasing advocate for respect and equality for women, Carlson writes openly about her own struggles with body image, pageant stereotypes, building her career, and having the courage to speak her mind. Encouraging women to believe in themselves, chase their dreams, and never give up, Carlson emerges inGetting Realas a living example of personal strength and perseverance. From the Hardcover edition."

This book explores the written and unwritten requirements Black journalists face in their efforts to get and keep jobs in television news. Informed by interviews with journalists themselves, Lewis examines how raced Black journalists and their journalism organizations process their circumstances and choose to respond to the corporate and institutional constraints they face. She uncovers the social construction and attempted control of "Blackness" in news production and its subversion by Black journalists negotiating issues of objectivity, authority, voice, and appearance along sites of multiple differences of race, gender, and sexuality.

Impasse and Innovation in Psychoanalysis offers a rare perspective on the technical difficulties and creative responses to them that typify clinical psychoanalysis. The four seminars at the heart of this volume are not case reports in the usual sense. Rather, each seminar revolves around the challenges of translating an understanding of difficult process issues into an effective therapeutic response. What emerges in each case is a vivid picture of an analyst's subjective experience in conceptualizing and managing a particularly demanding treatment, supplemented by data about the patient's history and free associations and enlivened by seminar leader John Gedo's challenging questions and clinical commentary. Each seminar is framed by Mark Gehrie's introduction and commentary, the latter addressing the interplay of theory and technique in the preceding case. Gehrie's commentary is then followed by Gedo's notes, which are keyed to specific points in the seminar transcript. Gedo not only clarifies issues left in doubt by the original discussion but offers his own second thoughts about the clinical material and its technical handling. The uniquely dialogic format of this volume brings different voices to bear on issues at the forefront of the evolution of clinical psychoanalysis. Edifying reading for practicing analysts and analytic therapists, Impasse and Innovation in Psychoanalysis is a wonderful teaching tool, introducing candidates, residents, and students to the demands of coping with stressful transferences and enactments and sparkling, throughout, with Gedo's wit and wisdom.

Black Women in Reality Television Docusoaps explores representations of Black women in one of the most powerful, popular forms of reality television - the docusoap. Viewers, critics, and researchers have taken issue with what they consider to be unflattering, one-dimensional representations. This book discusses images of Black women in reality television during the 2011 viewing year, when much criticism arose. These findings provide a context for a more recent examination of reality television portrayals during 2014, following many reality stars' promises to offer new representations. The authors discuss the types of images shown, potential readings of such portrayals, and the implication of these reality television docusoap presentations. The book will be useful for courses examining topics such as popular culture; mass media and society; women's studies; race and media; sex and gender; media studies; African American issues in mass communication; and gender, race and representation, as well as other graduate-level classes.

With over twenty different casts, multiple spin-off series, and five international locations, The Real Housewives franchise is a television phenomenon. The women on these shows have reinvented the soap opera diva and in doing so, have offered television viewers a new opportunity to embrace a loved, yet waning, genre. As the popularity and prevalence of the docu-drama genre of reality TV continues to increase, the time is ripe for a collection of this sort. The Fantasy of Reality: Critical Essays on 'The Real Housewives' explores the series and the women of The Real Housewives through the lens of race, class, gender, sexuality, and place. The contributing authors use an expansive and impressive array of methodological approaches to examine particular aspects of the series, offering rich analysis and insight along the way. This collection takes seriously what some may mock and others adore. Chapters are both fun and informative, lending themselves well to Housewives fans and media scholars alike.

This book presents an analysis of television histories across China, Hong Kong, Taiwan, Japan, Korea, Singapore, Malaysia, Indonesia, Philippines, Thailand, Vietnam, India and Sri Lanka. It offers a set of standard data on the history of television's cultural, industrial and political structures in each specific national context, allowing for cross-regional comparative analysis. Each chapter presents a case study on a salient aspect of contemporary television culture of the nation in question, such as analyses of ideology in television content in Japan and Singapore, and transformations of industry structure vis-a-vis state versus market control in China and Taiwan. The book provides a comprehensive overview of TV histories in Asia as well as a survey of current issues and concerns in Asian television cultures and their social and political impact.

This revised edition of a standard textbook combines an examination of the cinema and television industries with a detailed analysis of their aesthetic and semiotic characteristics. John Ellis draws on his experience as an independent television producer to provide a comprehensive and challenging overview of the place of film, television and video in our daily lives and their future prospects in a changing media landscape.

Global News explores how media representation is conceived and enacted in a world of diversity and transborder flows. Among the 'new media' crowding the global mediascape are influential television outlets that promise viewers alternative vantage points to those of established Western broadcasters. The different worlds depicted by Al Jazeera English and Russia Today are compared with those of CNN International and BBC World. At a time when media organizations are slashing their budgets for international reporting, these channels represent a spectrum of financing solutions and relations to political power, being variously privately-, publicly-, or state-owned, backed by corporations, democratic states, authoritarian regimes, and ruling dynasties. Despite their differences, however, they have much in common. Their journalists espouse the universal values of professionalism and objectivity and speak to their global audiences in English. This book explores the different theoretical worlds of global media studies, takes a rare look at content, has a comparative perspective, and moves beyond the conflict frame that has dominated much of the literature in the field.

Gather your best girlfriends and celebrate Galentine's Day with this delightful entertaining guide inspired by Parks and Recreation! Join America's most upbeat public servant, Leslie Knope, in the year's best tradition-ladies celebrating ladies! Made popular by Parks and Recreation, before growing into an international phenomenon, this special day for embracing female friendship is the perfect excuse to pull out all the stops, just like Leslie. Complete with food and drink recipes, DIY decorations, ideas for party activities, and more, this official guide will help you throw an inspired Galentine's Day party for the women in your life. Fun and comprehensive, this is a must-have event-planning guide for every Parks and Recreation fan.

Combining thematic analysis and stimulating close readings, 'The Collar' is a wide-ranging study of the many ways - heroic or comic, shrewd or dastardly - in which Christian clergy have been represented in literature, from George Herbert and Laurence Sterne, via Anthony Trollope, G.K. Chesterton, T.S. Eliot, and Graham Greene, to Susan Howatch and Robertson Davies, and in film and television, such as 'Pale Rider', 'The Thorn Birds', 'The Vicar of Dibley', and 'Father Ted'. Since all Christians are expected to be involved in ministry of some type, the assumptions of secular culture about ministers affect more than just clergy. Ranging across several nations (particularly Britain, the U.S., and Canada), denominations, and centuries, 'The Collar' encourages creative and faithful responses to the challenges of Christian leadership and develops awareness of the times when leadership expectations become too extreme.Using the framework of different media to make inquiries about pastoral passion, frustration, and fallibility, Sue Sorensen's well-informed, sprightly, and perceptive book will be helpful to anyone who enjoys evocative literature and film as well as to clergy and those interested in practical theology.

The past decade and a half has seen an impressive resurgence of popular interest in the Middle Ages. In particular, television presents us with a wide and diverse array of ""medieval"" offerings. Yet, there exists very little scholarship on the image of the Middle Ages in television. Unlike film, whose use of the medieval has been examined repeatedly by scholars, television medievalism has garnered little critical attention. This collection begins to fill this gap by focusing on the depiction and utilization of the Middle Ages in popular culture and by questioning the role of television in shaping contemporary ideas about past and present. Each of the ten essays that make up the volume celebrates the currency and power of television medievalism, emphasizing the need for anyone interested in contemporary medievalism to pay attention to its manifestations on the small screen. Despite this shared common goal, each contributor addresses the topic from a unique perspective, and the collection covers a wide range of issues such as genre, gender, sexuality--amongst others--in Anglophone and European programs. The collection's ten chapters thus complement each other, collaborating and engaging with one another to bring to light the very special nature of television medievalism.

One of Britain's foremost TV practitioners, Andrew Davies is the creator of programmes such as 'A Very Peculiar Practice', 'To Serve Them All My Days', 'Pride and Prejudice', 'Othello' and 'The Way We Live Now'. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television. Cardwell also explores the conventional notions of authorship and auteurism which are challenged by Davies's work. Can we identify Davies as the author of the varied texts attributed to him? If so, does an awareness of his authorial role aid our interpretation and evaluation of those texts? How does the phenomenon of adaptation affect the issue of authorship? How important is 'the author' to television? This book will appeal to both an academic readership, and to the many people who have taken pleasure in Davies's work. -- .

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

In September 1960 a television show emerged from the mists of prehistoric time to take its place as the mother of all animated sitcoms. The Flintstones spawned dozens of imitations, just as, two decades later, The Simpsons sparked a renaissance of primetime animation. This fascinating book explores the landscape of television animation, from Bedrock to Springfield, and beyond.
The contributors critically examine the key issues and questions, including: How do we explain the animation explosion of the 1960s? Why did it take nearly twenty years following the cancellation of The Flintstones for animation to find its feet again as primetime fare? In addressing these questions, as well as many others, essays in the first section examine the relation between earlier, made-for-cinema animated production (such as the Warner Looney Toons shorts) and television-based animation; the role of animation in the economies of broadcast and cable television; and the links between animation production and brand image. Contributors also examine specific programmes like The Powerpuff Girls, Daria, The Simpsons, Ren and Stimpy and South Park from the perspective of fans, exploring fan cybercommunities, investigating how ideas of 'class' and 'taste' apply to recent TV animation, and addressing themes such as irony, alienation, and representations of the family.

Netflix's Speculative Fictions: Financializing Platform Television argues that Netflix's scaled expansion has hinged upon its ability not only to create, but more importantly to communicate, new forms and flows of potential value in platform capitalism, wherein capital is mobilized not only from direct revenue streams but also the new value assigned to inputs and investments of data, debt, attention, behavior, taste, time, sociality, and speculation. To interpret and critique these new communications and projections of value, Colin Jon Mark Crawford performs a discursive analysis of the platform television industry leader Netflix and its 'investor lore': the multi-sited narrative of value found in the company's investor relations materials and corporate communications, such as letters to shareholders, financial earnings reports, executive interviews, press releases, and blog posts. Netflix best represents the increasingly ubiquitous nexus of culture, tech, and finance industries that is platform television. To better understand the emergent financial logics of this relatively new media industry, we must first understand the speculative narratives and discourses of value which organize it. Scholars of media studies, television studies, technology studies, and economics will find this book particularly useful.

While some have argued that we live in a 'postfeminist' era that renders feminism irrelevant to people's contemporary lives this book takes 'feminism', the source of eternal debate, contestation and ambivalence, and situates the term within the popular, cultural practices of everyday life. It explores the intimate connections between the politics of feminism and the representational practices of contemporary popular culture, examining how feminism is 'made sensible' through visual imagery and popular culture representations. It investigates how popular culture is produced, represented and consumed to reproduce the conditions in which feminism is valued or dismissed, and asks whether antifeminism exists in commodity form and is commercially viable. Written in an accessible style and analysing a broad range of popular culture artefacts (including commercial advertising, printed and digital news-related journalism and commentary, music, film, television programming, websites and social media), this book will be of use to students, researchers and practitioners of International Relations, International Political Economy and gender, cultural and media studies.

Scholars and teachers from all disciplines will find practical examples of how to implement HBO's The Wire in any course using this, the first book length project dedicated to teaching The Wire in the college classroom. Each chapter details the pedagogical goals behind the choice to teach the show, how the show was employed in class, and student response to it. Some chapters address using a whole season; others focus on how to teach a specific episode; all of them detail how they utilized the show to engage students in critical and creative intellectual inquiry. As a whole, the book provides disciplinary and theoretical frameworks for using The Wire within the disciplines of Media, Writing and Narrative, Ethics and Rhetoric, Education and Literacy. Fans of The Wire--inside and outside of higher education--will be interested in how it is being leveraged in classrooms across the country and how these discussions are shaping cultural criticism.