For over half a century, television has been the most central medium in Western democracies - the political, social and cultural centrepiece of the public sphere. Television has therefore rarely been studied in isolation from its socio-cultural and political context; there is always something important at stake when the forms and functions of television are on the agenda. The digitisation of television concerns the production, contents, distribution and reception of the medium, but also its position in the overall, largely digitised media system and public sphere where the internet plays a decisive role.

The articles in this comprehensive collection are written by some of the world's most prominent scholars in the field of media, communication and cultural studies, including critical film and television studies.

Relocating Television offers readers an insight into studying television alongside the internet, participatory media and other technocultural phenomena such as DVDs, user-generated content and everyday digital media production. It also focuses on more specific programmes and phenomena, including The Wire, MSN, amateur footage in TV news, Bollywoodization of TV news, YouTube, fan sites tied to e.g. Grey's Anatomy and X Factor. Relocating Television will be highly beneficial to both students and academics across a wide range of undergraduate and postgraduate courses including media, communication and cultural studies, and television and film studies.

The popular definition characterizes celebrity as a product of manufacture rather than merit. If fame is taken to represent the recognition of achievement, then modern celebrity, in contrast, must be based on something other than achievement, for celebrity and fame are not the same thing.

This book explores the process by which celebrity is created, using the first seven seasons of Fox Television's American Idol as a framework for analysis of how celebrity is defined, generated, nurtured, and intensified.

Fame, the hugely popular 1980 musical film inspired by New York's High School of the Performing Arts, was adapted as a weekly NBC television series in 1982. Though cancelled by the network after two seasons, the TV version of Fame rose from the ashes to enjoy a long and successful run in syndication. Among the series' cast members were such gifted performers as Debbie Allen and Janet Jackson.

For five of the six years that Fame flourished on television, Michael A. Hoey was closely involved in the series' production. He has written a compelling behind-the-scenes history of the trials, tribulations and triumphs surrounding the filming of the hit series, interviewing a number of the creative principals as well as recounting his own experiences.

Screening Gender on Children's Television offers readers insights into the transformations taking place in the presentation of gender portrayals in television productions aimed at younger audiences. It goes far beyond a critical analysis of the existing portrayals of gender and culture by sharing media professionals' action-oriented recommendations for change that would promote gender equity, social diversity and the wellbeing of children.

Incorporating the author's interviews with 135 producers of children's television from 65 countries, this book discusses the role television plays in the lives of young people and, more specifically, in developing gender identity. It examines how gender images presented to children on television are intertwined with important existential and cultural concerns that occupy the social agenda worldwide, including the promotion of education for girls, prevention of HIV/AIDS and domestic violence and caring for 'neglected' boys who lack healthy masculine role models, as well as confronting the pressures of the beauty myth.

Screening Gender on Children's Television also explores how children's television producers struggle to portray issues such as sex/sexuality and the preservation of local cultures in a profit-driven market which continually strives to reinforce gender segregation. The author documents pro-active attempts by producers to advance social change, illustrating how television can serve to provide positive, empowering images for children around the world.

Screening Gender on Children's Television is an accessible text which will appeal to a wide audience of media practitioners as well as students and scholars. It will be useful on a range of courses, including popular culture, gender, television and media studies. Researchers will also be interested in the breadth of this cross-cultural study and its interviewing methodology.

The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show's imaginative and widely varied use of music, sound, and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides an exemplary overview of the functions of music and sound in the interpretation of a television show. This is done through analyses that focus on scoring and source music, the title theme, the music production process, the critically acclaimed musical episode (voted number 13 in Channel Four's One Hundred Greatest Musicals), the symbolic and dramatic use of silence, and the popular reception of the show by its international fan base. In keeping with contemporary trends in the study of popular musics, a variety of critical approaches are taken from musicology, cultural studies, and media and communication studies, specifically employing critique, musical analysis, industry studies, and hermeneutics.

The intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show's imaginative and widely varied use of music, sound, and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides an exemplary overview of the functions of music and sound in the interpretation of a television show. This is done through analyses that focus on scoring and source music, the title theme, the music production process, the critically acclaimed musical episode (voted number 13 in Channel Four's One Hundred Greatest Musicals), the symbolic and dramatic use of silence, and the popular reception of the show by its international fan base. In keeping with contemporary trends in the study of popular musics, a variety of critical approaches are taken from musicology, cultural studies, and media and communication studies, specifically employing critique, musical analysis, industry studies, and hermeneutics.

The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes of the legends. Clearly, soon after movie-making was underway, Arthur was destined to hit the screen. This revised edition of ""Cinema Arthuriana"" presents 20 essays on the topic of the recurring presence of the legend of King Arthur in film and television from 1904 to 2001. Four of the essays included are taken directly from the previous edition, ten are revised from the original, and six are newly written. The essays cover such films as ""Excalibut"" (1981), ""Monty Python and the Holy Grail"" (1975), television productions up to the televised version of ""The Mists of Avalon"" (2001), and French and German films about the Quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.

This book examines the American television legal series from its development as a genre in the 1940s to the present day. Villez demonstrates how the genre has been a rich source of legal information and understanding for Americans. These series have both informed and put myths in place about the legal system in the US. Villez also contrasts the US to France, which has seen a similar interest in legal series during this period. However, French television representations of justice are strikingly different, as is the role of fiction in offering viewers the possibility of acquiring significant understandings of their legal system. The book will be an important addition to the study of popular culture and law and will interest legal scholars, sociologists, and media scholars.

This is the definitive work on Roy Rogers, the 'King of the Cowboys'. In it, the lives and careers of Rogers and his wife, Dale Evans, are thoroughly covered, particularly their work on radio and television. The merchandising history of Roy Rogers reveals that his marketing of character-related products was second only to that of Walt Disney; Roy Rogers memorabilia are still among the most popular items. This work includes a comprehensive discography, filmography and comicography, and is heavily illustrated.

Forget fast fashion and cheap trends - Serena Baker is here to help you craft the sustainable wardrobe of your dreams! In 2021, Serena Baker became the youngest ever - and first Scottish - winner of The Great British Sewing Bee. She thrilled the judges with her incredible attention to detail and wowed viewers with her distinctive 'refashioning projects', putting sustainability at the heart of her creations. Whether you're brand new to sewing or already know the ropes but fancy trying something a little different, Serena will take you on a journey to reinvent your wardrobe. In Serena Sews, you'll learn how to: - master must-have skills - from zip insertion to pressing perfection - to boost your sewing confidence and give your garments a professional finish - work with basic pattern blocks to adapt and rework as you build your repertoire - 'refashion' existing items like an oversized shirt into a summer dress, or an old pair of jeans into a cute crop top - save money and work sustainably by choosing pre-loved garments and fabrics for your projects Serena Sews breathes fresh life into the craft of sewing to make one-off, versatile, long-lasting items to cherish. The magic of this approach makes Serena Sews a book to come back to again and again. It's brimming full of sewing happiness - for you, your friends and family, and the planet.

This book uses a social worlda "today's undergraduate students' ubiquitous everyday experience of televisiona "as a vehicle for helping awaken students to the true possibilities for learning and their responsibilities inherent in achieving those goals. The book also introduces students to the social construction of reality embedded in the experience of TV. The lead author Barney McGrane is one of the most accomplished and successful teachers of sociology in the United States today and is also the co-author with John Gunderson and the late Inge Bell of the classic book for teaching This Book Is Not Required: An Emotional Survival Manual For Students.

Heralded as "the most significant invention [for film] since the coming of sound" (The Observer 2003), by 2005 DVD players were in approximately 84 million homes in the US, making it the "fastest selling item in history of US consumer electronics market" (McDonald 2007: 135). This book examines the phenomenal growth of DVDs in relation to the cultures, economies, texts, audiences and histories of film, television and new media. Film and Television After DVD brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of "new" and "old" media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely "new" about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.

This book uses a social worlda "today's undergraduate students' ubiquitous everyday experience of televisiona "as a vehicle for helping awaken students to the true possibilities for learning and their responsibilities inherent in achieving those goals. The book also introduces students to the social construction of reality embedded in the experience of TV. The lead author Barney McGrane is one of the most accomplished and successful teachers of sociology in the United States today and is also the co-author with John Gunderson and the late Inge Bell of the classic book for teaching This Book Is Not Required: An Emotional Survival Manual For Students.

Since the first SF film produced for television - 1968's ""Shadow on the Land"" - nearly 600 of the films initially released to television have had science fiction, fantasy, or horror themes. Featuring superheroes, monsters, time travel, magic, and other elements of their big screen counterparts, these films range from the phenomenal to the forgettable, from low-budget two-hour films to blockbuster mini-series. Some, like ""The Ewok Adventure"", were based on theatrical releases, while others, like ""Babylon 5"", have developed into very popular series. Information on all of these films released in America from 1968 through 1998 is collected here. Entries are arranged alphabetically and include cast and credits, a plot synopsis, and qualitative commentary, as well as notes on interesting points (e.g., future stars, salutes to other films). Appendices include a listing of films that, while not strictly genre movies, include some science fiction, horror, or fantasy elements; a chronology of the films; and a guide to alternate video or syndication titles.

This book is about the relationship between media and globalization, explored through the unique study of the global expansion of Discovery Communications, spearheaded by the Discovery Channel, one of the world's largest providers of factual television programming and media content. The book argues that the study of Discovery's relationship with globalization provides both a specific and a more general practical and theoretical understanding of how the processes of increased linking and interweaving of media and communications unfold and develop, as well as some of the consequences of this.

This book presents serious academic scholarship on ""Buffy the Vampire Slayer"". It differs from other works because it uses ""Buffy"" as a primary text and not as a secondary instrument to explore other concepts. In doing so, it demonstrates that popular culture studies should be approached with the same serious attention paid to classic philosophy and other long-established fields. Essays assemble the ""Buffy"" canon and explore how ""Buffy"" treats Shakespeare, comics, power, sisterhood, apocalyptic revisionism, folklore, feminism(s), redemption, patriarchy, identity and education.

This book explores the trade in television program formats, which is a crucially important ingredient in the globalisation of culture, in Asia. It examines how much traffic there is in program formats, the principal direction of flow of such traffic, and the economic and cultural significance of this trade for the territories involved, and for the region as a whole. It shows how new technology, deregulation, privatisation and economic recession have greatly intensified competition between broadcasters in Asia, as in other parts of the world, and discusses how this in turn has multiplied the incidence of television format remakes, with some countries developing dedicated format companies, and others becoming net importers and adapters of formats.

Reaching back to the beginnings of television, The Greatest Cult Television Shows offers readers a fun and accessible look at the 100 most significant cult television series of all time, compiled in a single resource that includes valuable information on the shows and their creators. While they generally lack mainstream appeal, cult television shows develop devout followings over time and exert some sort of impact on a given community, society, culture, or even media industry. Cult television shows have been around since at least the 1960s, with Star Trek perhaps the most famous of that era. However, the rise of cable contributed to the rise of cult television throughout the 1980s and 1990s, and now, with the plethora of streaming options available, more shows can be added to this categorization Reaching back to the beginnings of television, the book includes such groundbreaking series as The Twilight Zone and The Prisoner alongside more contemporary examples like Crazy Ex-Girlfriend and Hannibal. The authors provide production history for each series and discuss their relevance to global pop culture. To provide a more global approach to the topic, the authors also consider several non-American cult TV series, including British, Canadian, and Japanese shows. Thus, Monty Python's Flying Circus appears alongside Sailor Moon and Degrassi Junior High. Additionally, to move beyond the conception of "cult" as a primarily white, heteronormative, fanboy obsession, the book contains shows that speak to a variety of cult audiences and experiences, such as Queer as Folk and Charmed. With detailed arguments for why these shows deserve to be considered the greatest of all time, Olson and Reinhard provide ideas for discussion and debate on cult television. Each entry in this book demonstrates the importance of the 100 shows chosen for inclusion and highlights how they offer insight into the period and the cults that formed around them.

This book examines the development of television in India since the early 1990s, and its implications for Indian society more widely. Until 1991, India possessed only a single state-owned television channel, but since then there has been a rapid expansion in independent satellite channels which came as a complete break from the statist control of the past. This book explores this transformation, explaining how television, a medium that developed in the industrial West, was adapted to suit Indian conditions, and in turn has altered Indian social practices, making possible new ways of imagining identities, conducting politics and engaging with the state. In particular, satellite television initially came to India as the representative of global capitalism but it was appropriated by Indian entrepreneurs and producers who Indianized it. Considering the full gamut of Indian television - from "national" networks in English and Hindi to the state of regional language networks this book elucidates the transformative impact of television on a range of important social practices, including politics and democracy, sport and identity formation, cinema and popular culture. Overall, it shows how the story of television in India is also the story of India's encounter with the forces of globalisation.

Buffy the Vampire Slayer transcended its cult-comic roots to achieve television success, spawning the spinoff series Angel and an academic movement along the way.

This scholarly treatment takes a multidisciplinary approach to Buffy's fandom, which has expressed itself through fiction, videos, music, art, and other media. Ten essays analyze the sociology and anthropology of the fan community and how it uses the Internet to share its passion.

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed.

Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets such as Asia and Latin America in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.

From the award-winning costume designer of Amazon Prime Video's The Marvelous Mrs. Maisel, a collection of the show's costumes, with never-before-seen photography, sketches, production stills, and more Amazon Prime Video's Emmy- and Golden Globe-winning series The Marvelous Mrs. Maisel centers on Miriam "Midge" Maisel, a 1950s New York City woman whose seemingly perfect life suddenly takes an unexpected turn, taking her from a comfortable life on Riverside Drive through the basket houses and nightclubs of Greenwich Village as she embarks on a groundbreaking standup comedy career. Created by Amy Sherman-Palladino (creator and showrunner of Gilmore Girls), and starring Rachel Brosnahan, Alex Borstein, and Tony Shalhoub, The Marvelous Mrs. Maisel has garnered fan and critical praise alike, with much of the attention focused on the exquisitely designed period costumes. Madly Marvelous: The Costumes of The Marvelous Mrs. Maisel explores the inner workings of award-winning costume designer Donna Zakowska's process, as well as the many inspirations for the show's wardrobe, including period photography, American and European fashion trends, and the various cultures and countercultures of late-1950s New York. The clothes of Mrs. Maisel are gorgeous, authentically detailed, and carefully crafted. Illustrated with sketches, photographs from Zakowska's workspace, behind-the-scenes shots, and production stills, the book follows the series from season to season, showing how the vocabulary of fashion-context, style, color, cut, accessories, and more-is integral to defining and developing the characters in the show. Madly Marvelous is a must-have for fans of the show and fashionistas alike, providing readers with a curated and well-informed look at an integral period in fashion history.

The first generation of American television programmers had few choices when selecting Saturday morning children's programs for local stations. That changed dramatically in 1963 when a Japanese animated television series called ""Tetsuan Atom"" was acquired for distribution by a division of NBC. Fred Ladd adapted the show for American television - rechristened ""Astro Boy"", it was an overnight sensation. ""Astro Boy's"" popularity sparked a new industry in importing animated television to America from Japan. Ladd went on to adapt numerous Japanese animated imports for American release, and here provides an insider's view of the creation of what has blossomed into an ongoing cultural and media phenomenon.

Completely up to date with relevant information on digital technology and HD TV, this is the only title to focus specifically on television production management, and presents an easily accessible and authoritative guide to the area.

Production Management for Television provides a reliable, factual and theoretical framework for an understanding of production management. It includes a reference directory of agencies and organizations, and addresses and contacts for training.

Subjects covered include:

the main responsibilities of the production manager
key skills needed by the production manager
routine procedures
appropriate paperwork and record keeping
health and safety issues
rights management
career structure and development for production managers
useful references and further information.

The book is supported by a companion website at www.routledge.com/textbooks/9780415424813.

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed.

Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets such as Asia and Latin America in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.