In front of the camera, Bob Barker has been invited into the homes of millions of Americans as host of The Price is Right, Truth or Consequences, Miss USA, Miss Universe, the Rose Parade, and many other programs and specials. He has been part of the lives of generations of viewers connecting with people of all ages and backgrounds. Now Bob shares stories of favorite contestants, episodes, celebrity encounters, and behind-the-scenes happenings.

Beyond his public persona, Bob opens up about his personal life, sharing a lifetime of fond memories. He recalls his early years spent on a Native American reservation and being raised by a single mother through the Great Depression and the Dust Bowl. He writes about training as a fighter pilot in the Navy during World War II and how he met, fell in love with, and married the love of his life, Dorothy Jo. It was with Dorothy Jo's encouragement and insight that he launched his career in the entertainment business, starting in radio and moving to television, where his work has been honored with nineteen Emmys (fourteen as a performer, the most any performer has ever won), induction into the Academy of Television Arts & Sciences Hall of Fame and the National Association of Broadcasters Hall of Fame, the TV Academy Lifetime Achievement Award, and the Pioneer Broadcasters Golden Mike Award, among many other awards.

Bob's support of animal rights has always been a central part of his life. In these pages he delves into stories of how and why he put his personal passion above his career, including his antifur standoff with beauty pageants, and his involvement in cases that exposed animal abuse in movies and television. He shares heartwarming personal stories of the four-legged friends he has adopted and rescued, ranging from dogs and rabbits to elephants. Bob is a complete success at retirement and continues to actively advocate on behalf of animals, including working on successful legislation to control the pet population.

For the innumerable fans who have welcomed Bob into their homes over the last fifty years, this book will be like catching up with a dear and familiar friend who continues to lead a full and endlessly interesting life.

Mr. Robot has been hailed, not only as one of the most haunting and unnerving dramas ever to appear on television, but also as the first accurate popular presentation of how computer hacking and cyberterrorism actually work. Mr. Robot and Philosophy is aimed at thoughtful fans of this addictive show who will welcome the opportunity to explore Elliot Alderson's world from a philosophical perspective. The developing story of Mr. Robot constantly raises ethical and metaphysical issues. What happens to our personal identity when it's extended into cyberspace and an array of electronic devices? Are we in control of our online lives or are we being controlled? What does our right to privacy mean in a world where millions of people can observe what we're doing and saying? Is a virtual currency true money and could it replace traditional money? Can there be healthy forms of drug addiction? Can some types of so-called mental illness be useful and beneficial? Does it make any sense to unleash destruction upon the existing corporate economic structures, and can we expect something better to emerge from the ruins of a digital meltdown?

Trekkie popular culture responds to Star Trek as a myth that serves to forge a unifying social identity. Dr. Anijar explores this phenomena in light of the influences of television in children's lives, postmodern theories of teaching and learning, and the effects of utopian interpretations of Star Trek on teaching practice.

Here, philosophers wittily and expertly uncover amazing philosophical insights from the endlessly fascinating TV show, It's Always Sunny in Philadelphia. Greg Littmann shows how the values of the gang are the same as those of Homeric heroes. Christopher Ketcham argues that the Church should make Charlie a saint, partly because It's Always Sunny is "all about free will." Russ Hamer shows how closely the gang's activities comply with the scientific method. Kyle Alkema and Adam Barkman analyze the way the gang perceives happiness and how they try to get it. Charlotte Knowles considers whether Heidegger would consider members of the gang authentic or inauthentic -- and concludes that they're a bit of both. Skyler King examines the morality of the gang's behavior by the standard of how they respond to extreme suffering. Ethan Chambers agrees that each of the five central characters is a terrible person, but argues that they are not truly to blame for their actions. Fenner Tanswell demonstrates that many of the gang's wrong actions result not from immoral motives but from illogical thinking. And Robert Arp compiles a hilarious list of historical examples where people acted even more foolishly than the Philadelphia Five.

The playful personality, casual confidence, and smooth style of Dean Martin are celebrated by friend and colleague Lee Hale in this warm-hearted, delightful tribute. Hale worked alongside the beloved entertainer as musical director and eventually producer for NBC's The Dean Martin Show. For seventeen years, Hale brought Dean and hundreds of other stars into America's living rooms.

Every chapter of this engaging book covers a year of Dean's show, from the first season in 1965 when Hale was hired to find ways to boost the ratings, through the ascent in the Nielsens and years at the top in the late sixties and early seventies, and into the final years and the show's end in 1974. The Golddiggers, the Roasts, and the Specials round out this spectacular chronological parade of hilarious skits, heart-stopping duets, and enduring friendships. Backstage at the Dean Martin Show also features anecdotes about the hundreds of stars who worked with Dean, including: the Rat Pack, Johnny Carson, Ella Fitzgerald, Ann-Margret, John Wayne, Lucille Ball, Debbie Reynolds, Jerry Lewis, Jimmy Stewart, Angie Dickinson, Bette Davis, and many more.

Best of all, Backstage at the Dean Martin Show captures Dean's spirit -- his mischievous smile and sly innuendo; the casual, smooth way he glossed over his mistakes; his inimitable rapport with both audience and stars -- and reveals the lost world of TV variety shows.

Our story begins as the mischievous Goldilocks flees from the Three Bears into the deep, dark wood. As she stumbles down a rabbit hole to escape, she finds herself in Wonderland! And all is not well... Teaming up with The Three Musketeers and a whole host of fairy tale favourites (with a little help from the audience), can Goldilocks rescue Wonderland and live happily ever after before it's too late? With original live music, songs and plenty of chances to join in, Goldilocks and The Three Musketeers is a madcap festive adventure that will keep young audiences spellbound.

Designed by writer Joss Whedon as a multilevel story with most of its meanings deeply buried in heaps of heavy irony, "Buffy the Vampire Slayer" has replaced the "X-Files" as the show that explains to Americans the nature of the powerful forces of evil continually threatening to surge into a world of everyday decency. This collection features 23 essays by young professional philosophers that examine crucial ethical and metaphysical aspects of the "Buffyverse" (the world of Buffy). In the tradition of the classic horror films, "Buffy the Vampire Slayer" addresses ethical issues that have long fascinated audiences. This book finds the ethical and metaphysical lessons from a pop-culture phenomenon. Using the insights of such philosophers as Plato, Aristotle, Nietzche and Kant, the authors provide and entertaining introduction to the field. The book also contains a programme episode guide, a biography of contributors and an index.

TV Technical Operations is an introduction for new entrants to the broadcast industry and is designed to prepare them for working in mainstream television by discussing essential techniques, technologies and work attitudes.

The author explores:
* the need to develop a professional approach
* the occupational skills needed to meet deadlines, work under pressure and within budget
* the importance of understanding the potential of broadcast equipment in program making
* the need to keep up to date with the technique and technology
* the responsibility to ensure continuity of experience and training in all craft skills that technical operators are required to work with
* the need to maintain a critical appraisal of what and who influences working practices and how these influences affect production and viewers
* an introduction to the basic skills needed to work as a multi-skilling technical operator in television
* an introduction to broadcast equipment in general production use
Peter Ward is a freelance cameraman and camerawork trainer working with international training and television consultancy. He was formerly head of cameras at Television South West.
Basic reference providing all the essentials on tv operations
Benefit from the knowledge and experience of a highly experienced international cameraman
Provides step-by-step operational advice for ease of understanding

As Doctor Who approaches its fiftieth anniversary recent series have taken the show to new heights in terms of popular appeal and critical acclaim.The Doctor and his TARDIS-driven adventures, along with companions and iconic monsters, are now recognised and enjoyed globally. The time is ripe for a detailed analytic assessment of this cultural phenomenon. Focussing on the most recent television output The Inner World of Doctor Who examines why the show continues to fascinate contemporary audiences. Presenting closely-observed psychoanalytic readings of selected episodes, this book examines why these stories of time travel, monsters, and complex human relationships have been successful in providing such an emotionally rich dramatization of human experience. The Inner World of Doctor Who seeks to explore the multiple cultural and emotional dimensions of the series, moving back and forth from behind the famous sofa, where children remember hiding from scary monsters, and onto the proverbial psychoanalytic couch.

This book is for anyone starting out or hoping to work in the ever-expanding world of television and video. Everyone involved in a TV or video production is contributing to the program making process. They all need to know and understand how it happens. Whatever you want to end up doing, whether you are part way through a course or starting from scratch, this book gives you all the essential information you will need. It takes a practical, step-by-step approach, based on the author's own 25-year experience of producing, writing and directing for broadcast television and the corporate sector on both video and film. It describes the roles people perform, the equipment they use and what it does. In simple, easy-to-read language it explains the grammar of shooting and editing and offers first-hand advice on treatments, scripts and budgets. As well as covering the technical aspects of both single and multi-camera production, it also looks at the editorial elements that create a successful program. With practical examples it demonstrates how best to turn ideas into reality, how to obtain successful interviews and how to put together programs that work. Colin Hart has his own production company making programs for corporate clients. He trained as a single and multi-camera director in local televison news and for ten years worked in BBC Current Affairs producing and directing for Nationwide and The Money Programme.
Practical, step-by-step approach with many useful flowcharts, checklists and practical examples
Written by experienced professional producer/director
Covers technical and editorial elements of successful programme-making

TV Living presents the findings of the BFI Audience Tracking Study in which 500 participants completed detailed questionnaire-diaries on their lives, their television watching, and the relationship between the two over a five year period.
Gauntlett and Hill use this extensive data to explore some of the most fundamental questions in media and cultural studies, focusing on issues of gender, identity, the impact of new technologies, and life changes. Opening up new areas of debate, the study sheds new light on audiences and their responses to issues such as sex and violence on television. A unique study of contemporary tv audience behaviour and attitudes, TV Living offers a fascinating insight into the complex relationship between mass media and people's lives today.

TV Living presents the findings of the BFI Audience Tracking Study in which 500 participants completed detailed questionnaire-diaries on their lives, their television watching, and the relationship between the two over a five year period.
Gauntlett and Hill use this extensive data to explore some of the most fundamental questions in media and cultural studies, focusing on issues of gender, identity, the impact of new technologies, and life changes. Opening up new areas of debate, the study sheds new light on audiences and their responses to issues such as sex and violence on television. A unique study of contemporary tv audience behaviour and attitudes, TV Living offers a fascinating insight into the complex relationship between mass media and people's lives today.

"Come and listen to the story 'bout a man named Jed" and the rest of the colorful Clampett family, perhaps television's most unlikely phenomenon to spring from the sixties. Hated by the critics but enthusiastically embraced by audiences around the world, to this day The Beverly Hillbillies still holds the Nielsen record for the highest rated half-hour show in the history of television. Over the years, the original television hit has inspired several highly rated network specials, an E! True Hollywood Story two-hour documentary, and even a big-screen motion picture from 20th Century Fox in 1993.

Just in time to join the fortieth anniversary celebration of the classic television sitcom, The Beverly Hillbillies is filled with all the hillbilly country corn anyone could expect. Updated and expanded from the first edition, published in 1988, it is the ultimate TV book. Readers will also find hundreds of photographs, including 16 pages of color, fascinating trivia, behind-the-scenes stories, exclusive contributions from Paul Henning, the show's creator, a list of Granny's fixin's, the story of the popular theme song, Elly May's critters, Jethro's "Double-Naught" secrets, and an introduction by 93-year-old Buddy Ebsen, who played Jed Clampett in the series. Also included are a complete episode guide, cast biographies with all the inside scoop, and highlights from guest stars (John Wayne, Gloria Swanson, Sammy Davis Jr., and others).

The Beverly Hillbillies is still shown every day on cable television's Nick at Night. This fortieth anniversary edition of the book will become a collector's item for all who loved and love the show. There's more here than you can shake a possum at. Sit a spell.

Television and Common Knowledge considers how television is and can be a vehicle for well-informed citizenship in a fragmented modern society. Grouped into thematic sections, contributors first examine how common knowledge is assumed and produced across the huge social, cultural and geographical gulfs that characterise modern society, and investigate the role of television as the primary medium for the production and dissemination of knowledge. Later contributions concentrate on specific tv genres such as news, documentary, political discussions, and popular science programmes, considering the changing ways in which they attempt to inform audiences, and how they are actually made meaningful by viewers.

eBook available with sample pages: HB:0415189284 EB:020305573X

Taking inspiration from Richard Hoggart's classic The Uses of Literacy, John Hartley considers the usefulness of both television and television studies. He re-reads the history of broadcast TV's earliest moments, tracing the critical reception television has received from the 1930s to the present. Uses of Television asks 'improper questions' about what television, and TV Studies too, have been for: about the effect of the vast, unknowable audience on television; about the role of television in promoting 'cultural citizenship' by means of 'transmodern teaching'; and about the effects of knowledge produced in the formal study of television.
Via a consideration of neglected aspects of media and domestic history, from the 1930s film Housing Problems to Clarissa Explains It All, from the fridge to Umberto Eco's daughter, Hartley argues that this much-maligned medium can be reassessed in a more positive light. 'Democratainment' and 'do-it-yourself citizenship' are the latest manifestations of a civic and cultural education that TV performs even as it entertains.

eBook available with sample pages: 0203024877

How does television function within society? Why have both its programmes and its audiences been so widely denigrated? Taking inspiration from Richard Hoggarts classic study The Uses of Literacy, John Hartleys new book is a lucid defence of the place of television in our lives, and of the usefulness of television studies.
Hartley re-conceptualizes television as a transmodern medium, capable of reuniting government, education and media, and of creating a new kind of cultural teaching which facilitates communication across social and geographical boundaries. He provides a historical framework for the development of both television and television studies, his focus ranging from an analysis of the early documentary Housing Problems, to the much-overlooked cultural impact of the refrigerator.

In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape. For more than half a century, South America's largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian. Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo's market domination but also began to change the face of Brazil's growing audiovisual landscape. Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Hector Fernandez L'Hoeste and Juan Carlos Rodriguez.

Instant New York Times bestseller! The Emmy Award-winning star of General Hospital chronicles his astonishing and emotional life journey in this powerful memoir-an inspiring story of success, show business, and family, and his struggle with mental illness. "This shocking true story is General Hospital on anabolic steroids." - Mehmet Oz, M.D., Emmy Award-winning host of The Dr. Oz Show Maurice Benard has been blessed with family, fame, and a successful career. For twenty-five years, he has played one of the most well-known characters on daytime television: General Hospital's Michael "Sonny" Corinthos, Jr. In his life outside the screen, he is a loving husband and the father of four. But his path has not been without hardship. When he was only twenty, Maurice was diagnosed with bipolar disorder. In Nothing General About It, Maurice looks back to his youth in a small town and his tenuous relationship with his father. He describes how his bipolar disorder began to surface in childhood, how he struggled to understand the jolting mood swings he experienced, and how a doctor finally saved his life. For years Maurice was relentless in his goal to be a successful actor. But even after he "made it," he still grappled with terrifying lows, breakdowns, and setbacks, all while trying desperately to maintain his relationship with his wife, who endured his violent, unpredictable episodes. Maurice holds nothing back as he bravely talks about what it was like to be medicated and institutionalized, and of how he learned to manage his manic episodes while on the set of GH. Nothing General About It is also an incredible love story about an enduring marriage that demonstrates what those vows-for better, for worse, in sickness and in health-truly mean. Maurice also pays tribute to the community that has been there for him through thick and thin, and ruminates on the importance of both inherited and created family. A shocking, riveting, and utterly candid memoir of love, adversity, and ultimately hope, Nothing General About It offers insights and advice for everyone trying to cope with mental illness, and is a motivational story that offers lessons in perseverance-of the importance of believing in and fighting for yourself through the darkest times. Nothing General About It includes a 16-page insert featuring approximately 50 photographs.

How the internet transformed television Before HBO's hit show Insecure, Issa Rae's comedy about being a nerdy black woman debuted as a YouTube web series The Misadventures of Awkward Black Girl, her response to the absence of diverse black characters on the small screen. Broad City, a feminist sitcom now on Comedy Central, originated as a web series on YouTube, developed directly out of funny women Ilana Glazer and Abbi Jacobson's real-life friendship. These unconventional stories took advantage of the freedom afforded outside the traditional television system: online. Open TV shows how we have left "the network era" far behind and entered the networked era, with the web opening up new possibilities for independent producers, entrepreneurs, and media audiences. Based on interviews with writers, producers, show-runners, and network executives, visits to festivals and award shows, and the experience of producing his own series, Aymar Jean Christian argues that the web brought innovation to television by opening up series development to new producers, fans, and sponsors that had previously been excluded. Online access to distribution provides creative freedom for indie producers, allows for more diverse storytelling from marginalized communities, and introduces new ways of releasing and awarding shows. Open TV is essential reading for anyone interested in the changing environment of television and how the internet can inspire alternatives to what's on TV tonight.

This is the first academic book to examine the long running hit series Grand Designs, which occupies a significant place in the popular imagination internationally. The authors apply an empirically grounded, critical perspective to the study of television to reveal how people use the program in their everyday lives. The emphasis on everyday uses and meanings combines creatively with understanding the program theoretically, textually and in terms of its production structures. This position challenges framings of the popular lifestyle and factual television genre that has been dominated by a neoliberal or governmentality perspective for many years. Presented by British designer and writer, Kevin McCloud, Grand Designs follows the progress of home owners as they embark on design, renovation and building projects at almost always dizzying scales of endeavour. Understanding the program as both a text to analyse and a site of material impact, the book draws on interviews with production members, home renovators, building practitioners and audiences, as well as references to associated media formats to provide contextual depth to the analysis. The authors argue that, as a cultural object, the program is both shaped by and enacts social discourses of home-making, design value and taste. Navigating public, commercial and promotional logics, Grand Designs sparks new forms of cultural production and consumer markets.

The V-chip is a highly significant part of the discussion about whether television (or broadcasting in general) deserves some special attention in terms of its accessibility to children, its particular power to affect conduct, and its invasiveness. But as this notion of filtering and labeling has caught the imagination of the regulator, the legislator, and all those who wish to consider new ways to alter bargaining over imagery in society, the very "idea" of the V-chip or its equivalent is moving across other technologies, including the Internet. The V-chip issue has also fueled the ongoing debate about violence and sexual practices in society, and how representations on television relate to those practices.
Although the initial concept of the V-chip is simple, its flow into the public realm raises so many extraordinary questions that the introduction and production of the chip virtually serves as a case study in problems of law and public policy. The very conceptualization of speech in society is being affected by this issue. Accordingly, the place of the V-chip in this debate is increasingly important; indeed, it may be argued that the V-chip's contribution to legal argumentation may be greater than its ultimate contribution to the relationship between children and imagery. Among the questions the contributors address are:
*What research basis is necessary to require a framework for labeling and rating?
*What relationship between government and the image-producing industries can be characterized--for constitutional and other reasons--as voluntary as opposed to coercive?
*Who should evaluate these images?
*To what extent should the evaluation process be centralized and/or distributed?
*What assessment is appropriate to evaluate whether the experiment is "successful?"
In addition to the V-chip's origin's in Canada and its further evolution in the United States, this book discusses the development of the V-chip and television rating systems in Europe, Australia, and throughout the world. It also includes essays which contrast the very different approaches in Canada and the United States in terms of the role of regulatory agency, industry, and government.

Vale's Technique of Screen and Television Writing is an updated and expanded edition of a valuable guide to writing for film and television. Mr. Vale takes the aspiring writer through every phase of a film's development, from the original concept to the final shooting script. Teachers of the craft as well as writers and directors have acclaimed it as one of the best books ever written on how to write a screenplay.
This book combines practical advice for the aspiring or established writer with a lucid overview of the unique features of this most contemporary art form, distinguishing film and video from other media and other kinds of storytelling. It teaches the reader to think in terms of the camera and gives practical advice on the realities of filmmaking. At the same time, Vale, who began his own career as a scriptwriter for the great French director Jean Renoir, provides a solid grounding in the history of drama from the Classical Greek theater through the great cinematic works of the twentieth century. Both philosophical and pragmatic, this is a very readable book for students and active professionals who want to improve their writing skills, and for film enthusiasts interested in knowing more about what they see on the screen.
Mr. Vale is that rare combination, a practitioner of great experience who can offer a lucid explanation of his craft.
Eugene Vale was born in Switzerland and began his career in France in the 1930s. He was an award-winning novelist, film and TV scriptwriter and teacher, whose works include the bestselling novel The Thirteenth Apostle and the scripts for Francis of Assisi, The Bridge of San Luis Rey, and The Second Face. He also worked in manyother areas of the motion picture industry, including directing, producing, cutting, distribution and finance. His archives are held by Boston University and University of Southern California. Mr. Vale died in 1997, shortly after he completed the updated version of this handbook.
- The classic textbook from the eminent novelist, playwright, and master screenwriter
- Updated, revised, and expanded to include examples from recent films
- A guidebook to scriptwriting for both beginners and professionals, and a joy for the movie-lover

The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Television culture has been changing fast. Whilst technology races on at a frightening pace programme budgets have been slashed, job descriptions widened as more people have to `multi-skill', and traditional routes of entry have become increasingly difficult to find, with diminishing access to professional training. Yet the skills and practical knowledge required to make top quality programmes remain unaltered. `The Essential .... Handbook' series offers a range of no nonsense guides to the craft of TV programme making based on tried and tested tricks of the trade. Each book is written in an entertaining and informative way providing only the essential `need to know' information for beginner broadcasting professionals and students alike. The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Peter Jarvis is a freelance producer and director of thirty years practical experience. He is Director of Television Training International and was for eight years Senior Production Instructor with BBC's Television Training Department.

This edited collection offers an interdisciplinary study of Twin Peaks: The Return, the third season of a TV program that has attracted the attention (and appreciation) of spectators, fans, and critics for over two decades. The book takes readers into several distinct areas and addresses the different approaches and the range of topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural, and the personal. The eighteen chapters constituting the volume are academic in their approach to the subject and in their methodology, whether they apply a historical, psychoanalytical, film studies, or gender studies perspective to the text under examination. The variety and range of perspectives in these aforementioned chapters reflect the belief that a study of the full complexity of Twin Peaks: The Return, as well as a timely assessment of the critical importance of the program, requires both an interdisciplinary perspective and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture.

Directing drama for the single camera is like no other form of Filmmaking, or any other medium involving actors. Experience in documentary or theatre may provide useful clues, but the techniques for drama film directors, although not basically complicated, are unique. Experienced directors in other spheres of directing will find this book invaluable if they wish to move into single camera drama, as will students setting out on their careers. Directing Single Camera Drama is a synthesis of the skills required to bring drama to the screen. Directing drama for the single camera is like no other form of Filmmaking, or any other medium involving actors. Experience in documentary or theatre may provide useful clues, but the techniques for drama film directors, although not basically complicated, are unique. Experienced directors in other spheres of directing will find this book invaluable if they wish to move into single camera drama, as will students setting out on their careers. Directing Single Camera Drama is a synthesis of the skills required to bring drama to the screen. A unique feature of the book is the inclusion of ten short film drama scripts which need only half a day's rehearsal and one short day's filming. Each have their various technical demands, and they are arranged in ascending order of dramatic and creative difficulty. They can be photocopied and used for non-broadcast training drama exercises. Mike Crisp worked as Production Manager, and later Director, on many classic BBC TV series, such as Fawlty Towers, Porridge and Steptoe and Son. He was, for 10 years, a senior producer with the BBC's TV Training Department. He is the author of The Practical Director now in its second edition and also published by Focal Press. Reviews: 'Directors in other spheres of directing who wish to move into single camera drama will find this book invaluable, as will students setting out on their careers.' Voice of the Listener