These poems are really from my heart, what I have experienced myself, seen, and got inspired from different things in life. I have written poems for a long time, and it's really great to hear that people relate to my poems and how much they have helped them through tough times. It's about struggle, how to never give up hope, and inspirational and love poems as well. I would say in short it's a part of my journey and yours through life.

Based on a groundbreaking international conference held in Sydney, Australia, under the auspices of Artspace, this anthology explores the legacy and the future of multicultural discourses for the arts. Debates on art, culture, and theory are situated within the context of globalization. The issues arising from new hybrid and complex forms of cultural identity are examined with reference to both contemporary art practice and historical accounts of national identity. Contributors include Ricardo Dominguez, senior editor of "The Thing.Net, Coco Fusco, an interdisciplinary artist teaching at Columbia University; Sneja Gunew, professor of English and women's studies at the University of British Columbia; and Fazal Rizvi, a professor of education at the University of Illinois.

A special enlarged edition of the international bestseller Coco Chanel: The Illustrated World of a Fashion Icon celebrating 50 years since Coco's death, 100 years of Chanel No.5 and five years since the original release of this beautiful illustrated biography from globally renowned illustrator Megan Hess. Discover the story of Coco's amazing early life, the iconic fashion empire that she built, and the legacy that the left behind, brought to life with Megan's stylish and whimsical illustrations. The special edition features a larger format, beautiful new cover and inside cover illustrations, and a ribbon.

The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the return of the Baroque expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond WilliamsGCO charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book provides philosophical insight into the nature of reality by reflecting on its ontological qualities through the medium of film. The main question is whether we have access to reality through film that is not based on visual representation or narration: Is film-in spite of its immateriality-a way to directly grasp and reproduce reality? Why do we perceive film as "real" at all? What does it mean to define its own reproducibility as an ontological feature of reality? And what does film as a medium exactly show? The contributions in this book provide, from a cinematic perspective, diverse philosophical analyses to the understanding of the challenging concept of "the real of reality".

The Beings of Consolation is a collection of poetic works that compel the reader to rely heavily on their own sense of the existentially absurd-with a tolerance for the ethos of the human artifice as it dwindles between subjective states of dismay and utter panic, objective misery and hopelessness, and a spiritual search for truth and beauty that toils within the mishaps of the distrust of authority and the sense of having to reform society's key institutions in order to arrive at any semblance of balance at the global level. Jeffrey B. Holl is well-versed at thought and able to transform both personal experiences and the observance of others into self-portraits, community assertions, and a collection of poetic characterizations where the protagonists are all faced with the innumerable dynamics of the human condition-throughout relations with others on the level of a psycho-spiritual inter-subjectivity, and also as pertains to a geopolitical perspective of what may be going on within the psyches of the several figures portrayed throughout many of these works. There is a light at the end of the tunnel, but it is most commonly found in the consciousness of the individual that finds illumination-the mind's eye-to act as the catalyst for social change; and to perhaps harness compassion for the less fortunate, and the survivors of the injustices that linger deep within our societal framework to this day. In the end, these works suggest that it is possible to act with moral agency while spiritual beliefs remain intact, but that administrative and corporate power should be reformed in an effort to give people the self-empowerment and spiritual enlightenment that they so desperately deserve. Jeffrey lives and works in Winnipeg, Canada.

What is art; why should we value it; and what allows us to say that one work is better than another? Traditional answers have emphasized aesthetic form. But this has been challenged by institutional definitions of art and postmodern critique. The idea of distinctively artistic value based on aesthetic criteria is at best doubted, and at worst, rejected. This book, however, champions these notions in a new way. It does so through a rethink of the mimetic definition of art on the basis of factors which traditional answers neglect, namely the conceptual link between art's aesthetic value and 'non-exhibited' epistemological and historical relations. These factors converge on an expanded notion of the artistic image (a notion which can even encompass music, abstract art, and some conceptual idioms). The image's style serves to interpret its subject-matter. If this style is original (in comparative historical terms) it can manifest that special kind of aesthetic unity which we call art. Appreciation of this involves a heightened interaction of capacities (such as imagination and understanding) which are basic to knowledge and personal identity. By negotiating these factors, it is possible to define art and its canonic dimensions objectively, and to show that aforementioned sceptical alternatives are incomplete and self-contradictory.

In May It Please the Court, artist Xavier Cortada portrays ten significant decisions by the Supreme Court of the United States that originated from people, places, and events in Florida. These cases cover the rights of criminal defendants, the rights of free speech and free exercise of religion, and the powers of states. In Painting Constitutional Law, scholars of constitutional law analyse the paintings and cases, describing the law surrounding the cases and discussing how Cortada captures these foundational decisions, their people, and their events on canvas. This book explores new connections between contemporary art and constitutional law. Contributors are: Renee Ater, Mary Sue Backus, Kathleen A. Brady, Jenny E. Carroll, Erwin Chemerinsky, Xavier Cortada, Andrew Guthrie Ferguson, Leslie Kendrick, Corinna Barrett Lain, Paul Marcus, Linda C. McClain, M.C. Mirow, James E. Pfander, Laura S. Underkuffler, and Howard M. Wasserman.

Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Imaginative Ecologies: Inspiring Change through the Humanities highlights the role literature and visual arts play in fostering sustainability. It weaves together contributions by international scholars, practitioners and environmental activists whose insights are brought together to illustrate how creative imaginations can inspire change. One of the most outstanding characteristic of this volume is its interdisciplinarity and its varied methods of inquiry. The field of environmental humanities is discussed together with ideas such as the role of the public intellectual and el buen vivir. Examples of ecofiction from the UK, the US and Spain are analysed while artistic practices aimed at raising awareness of the effects of the Anthropocene are presented as imaginative ways of reacting against climate change and rampant capitalism.