A brilliant collection of personal, meditative and investigative essays on all that we lose in a virtual world; a joyous book about the nature, grace and importance of everyday, face-to-face human interactions.

Kenneth Fly went from town living to the life of a farm boy during the 1940s, 1950s, and early 1960s. It was a life of hard work without luxury. Instead of watching television and playing video games, he grew up working in the fields of North Carolina, handling firearms, operating machinery, and participating in other activities and tasks that are foreign to the youngsters, youth, and even men of today. In this series of personal narratives and anecdotes, Fly recalls those days with detail and humor. Life wasn't always easy, but his mother did whatever was necessary to make a good home and loving environment for her family. His dad was a hardworking master carpenter whose behavior showed anyone watching that life is about morals, hard work, and self-respect. The Fly family is special because they so rarely complained and always managed to stay happy. For them, life wasn't fancy, but relying on common sense and each other made it sweet.

"The ESSENTIAL strategy guide for dominating the t-shirt design business." Jeffrey Kalmikoff, former CCO of Threadless.com What if the most prolific and influential people in the modern t-shirt design scene got together and discussed everything they wish they knew when they started? That's exactly what we have here. Thread's Not Dead is the essential strategy guide to the t-shirt design business. Written by successful graphic designer and diy entrepreneur Jeff Finley of the creative agency Go Media. Learn the secrets and strategies employed by the industry's most successful indie apparel designers and brands. Whether you want to design merchandise for your favorite bands and indie clothing companies or start your own fashion brand, this book has it all. Its goal is to help you dominate the apparel industry. Key topics include design, freelancing, band merchandise, personal branding, marketing, sales, printing & production, retail, business strategy, and e-commerce. Featuring contributions from the people behind Threadless, Emptees, DesignByHumans, Big Cartel, I Am The Trend, Go Media, Jakprints, Glamour Kills, Paint the Stars, Cure Apparel, Fright-Rags, and more

Focusing on fine art and documentary photography, this book provides a diverse and inclusive version of photography history and its contemporary manifestations. Through 40 interviews with and profiles of photographers from underrepresented communities—those of African, Asian, Latino, Native American, Pacific Islander and Aleutian heritage, and other indigenous communities—this collection turns on its head homogenous visual culture. Essential reading for photography students and practitioners, this book celebrates the diversity of the real world with fascinating accounts of artists and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, technical conversations, and more.

Career Suicide is about the realities of working in the contemporary art world for most professional artists, the thousands of unfashionable, little-known and underpaid ones who have to do all manner of unfashionable, little-known and underpaid things to survive. It will also answer some of the questions that outsiders often ask about contemporary art, and some that they don't: Why do some artists spend their whole careers doing stupid stuff like mutilating mannequins or painting old bits of wood with baffling phrases? Why does everyone in the art world get paid, apart from the artists? Why do most art students spend years doing their MA, closely followed by them doing sweet FA? Who are the HoWiAs, and what the hell do they think they're doing? How and why did a bunch of paintings that looked like vandalised portraits of SpongeBob get taken so seriously at an international art fair?

PROLOGUE: Michael Izzo was born on 6/3/1987 in San Diego, CA. to be put up for adoption; but, was quickly moved back to LI, New York for reasons unknown... Michael's Grandparents were of German, Jewish decent, and his mother was the 1st generation American. Erna Avramavich was born and lived in Germany from April 8, 1928 to the mid 1950's. Erna Avram, a child of 12 moved solely to America, fleeing Germany, and escaped the damage caused by Adolph Hitler; as it's been told. Hitler's primary mission, was to kill all Jews & oppressors; because he was consumed by the Devil's mission to prevent the 2nd birth of Jesus Christ. Although, his motives are widely debated. However, God knew of this treachery and decided it would be best to disguise Jesus' new ancestors as German-Jews. Allowing Michael to be born one day in a free country, ridden of persecution to uncover his truth of being Jesus Christ. Similar to Jesus Christ, Michael Izzo also became quickly known at the age of 12; when he was published in the local town's newspaper: As a well known, local aggressive roller skater. In addition, no formal records are kept of Michael's teenage or young adult life; other than schooling and some medical records. However, Michael Izzo being who he is in nature, quickly started questioning & rebelling against society. As a result, he would fall into the hands of the law and even worse; the Devil & his mighty temptations. However, being as blessed and powerful as he is through trials, error, and sheer faith; Michael kept strong and asked God to forgive him in every testament of his faith. As of today, there are no official records of Michael's past dealings with criminal behavior or acts of Demonic pleasures. However, Michael finds the need for speaking only the truth through his music: as a form of forgiveness, for such trials of faith for Gods Will. He quoted to me - "I believe that there are no records of these days; meaning after turning 12, from than and now; because God didn't want the world to remember me for the bad times, only for the good ones. It is only on Earth that we SIN; but in Heaven we are Sinless." In Jesus' first existence, his mission was to bridge the gap between Heaven & Earth, and to be crucified in the process. Michael's mission is to finish what was started, by defeating Satan's evil eternally. In this autobiography, we shall embark upon the lost chapters of the life and times of Jesus Christ from age 13-26; with insights of Michael's proposed plans for himself, after his current age of 26. Such plans, can only be revealed with time and through the permission of God. However, Michael shall reveal his current mission to us; which is to salvage the remaining souls of humanity, during the end of days. Whilst destroying the Devil or known as the anti-Christ; creating, an eternal kingdom of peace in both Heaven and on the new Earth, AKA New Jerusalem. Aside from his lost journals; we shall see his prophecy revealed, through Michael's music of scriptures. This novel, shall uncover many secrets & truths of what is to come for the world; during the end of times, in order for a new world to begin. These truths, shall describe the outcome for all things; including, righteous followers of Jesus Christ, followers of the Devil, as well as everyone else thereof... In the bible, under (Luke 21:7-25) it states the following: (21:16) - "And ye shall be betrayed both by parents, & brethren & kinsfolk, & friends; and some of you shall they cause to be put to death." (21:17) - "And ye shall be hated of all men for my name's sake." (21:18) - "But there shall not an hair of your head perish." (21:20) - "And when ye shall see Jerusalem compassed with armies, then know that the desolation thereof is nigh." (21:21) - "Then let them which are in Judea flee to the mountains; and let them which are in the midst of it depart out; and let not them that are in the countries enter thereinto."

Design Philosophy is becoming increasingly important as the nature of design practice and design education change. "The Design Philosophy Reader" presents and explains the recent emergence of Design Philosophy, illustrates the main concerns of Design Philosophy and demonstrates why Design Philosophy has emerged in recent years, why it is needed, what it can do, how it can be done and where it is going. Comprised of an eight thematic sections, each with a short introduction, to contextualise theory and highlight its implications, and annotated bibliographies, the Reader presents both an argument for the need for Design Philosophy and an overview of its emergence. With texts ranging from writing on design that is informed by philosophy; philosophically informed writing on culture, relevant to the thinking of design; ancient and contemporary philosophy that directly, or by implication, addresses design; and exegesis and commentary on philosophical texts relevant to design.

Kombineer weggooigoed en optelgoed met konvensionele kunsmateriaal en omskep dit in uitstalgoed! Leer hoe om met dryfhout, herwinde blikkies en ander metaal- en glashouers, asook alledaagse items soos botteldoppies en gebruikte teesakkies kunswerke te skep wat in die beste galerye vertoon kan word. Vir beeldhoumateriaal is daar klei, draad en papierpap, gekombineer met boumateriaal soos sement, en handwerkelemente soos krale en goudblad, alles uniek en skeppend gekombineer. Die foto's van elke voltooide projek, aangevul deur duidelik geillustreerde stap-vir-stap aanwysings en verdere idees sal ongetwyfeld die kunstenaar in elke handwerker wakker maak en na 'n verfkwas laat gryp.

The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines. -- .

Edgar Degas the Realist Artist with his contemporaries including, Monet, Renoir, Gauguin, Cesanne, Cassatt, Morrisot, Pissaro and others rebelled from the harsh criticism of the Salon Judges. These artists started their own breakthrough in art called the "Impressionist School." Mary Cassatt and American Painter living in Paris befriends Edgar Degas and leads us through this story of a revolution in art involving challenge, rejection, dedication and ultimately world fame.

This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity's great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.

Kelly Ives explores the worlds sexual representation in art and pornography, from a feminist viewpoint.

The book includes chapters on the depiction of sexuality in art, from contemporary art and pornography back through the Renaissance to prehistory; on the problematic relations between showing sexuality and censorship; the history of porn; and women's art and how women artists have depicted sexual acts and identities.

Fully illustrated, with images from the history of representing sexuality from prehistory to the present day.

Includes notes and bibliography.

KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Julia Kristeva and Helene Cixous.

EXTRACT FROM THE INTRODUCTION

Firstly, there are as many definitions of art and pornography as there are people. Everyone has their own opinions, their own interests and realms to defend. There are the liberals who say that nothing should be censored, including pornography. Pornography is seen as part of artistic expression, and if people want to express themselves, they should, and if they want pornography, they should have it. This is the view of liberals such as Peter Webb, who campaigns for freedom of expression, and an art that should 'celebrate' eroticism. This is a familiar viewpoint, which we have heard made many times. In the (male) liberal view, sex is OK, so sexual art must be OK, so that much of pornography must be OK. The 'experts' on sex, the so-called 'sexologists' (Eduard Fuchs, Richard von Krafft-Ebbing, Sigmund Freud, Wilhelm Reich) argue that sex is a normal part of life, so it is natural that it should abound in art. Fuchs wrote; ' a]rt has treated erotic themes at almost all periods... it] lies at the root of all human life.'

Everyone seems to have their cut-off points, however, their 'standards' of 'taste' and 'decency'. It's a very subjective business, the debates between art and pornography, and between pornography and censorship. As Wendy Moore writes: ' c]ensorship like freedom is an entirely subjective term'. What you like defines yourself. As Pierre Bourdieu put it: ' t]aste classifies, and it classifies the classifier.'

Taste, choice, categorization and classification, then, defines the viewer, the reader, the consumer. Censorship, you might say, defines the culture. And 'sensitive' novelists are wary of writing 'sex scenes', because they know that what they write defines themselves. Yet sex is crucial to art, many artists say. As Gertrude Stein wrote: ' l]iterature - creative literature - unconnected with sex is inconceivable.'