This book studies the tension between arts and politics in four contemporary artists from different countries, working with different media. The film directors Luc and Jean-Pierre Dardenne film parts of their natal city to refer to specific political problems in interpersonal relations. The novelist Arundhati Roy uses her poetic language to make room for people's desires; her fiction is utterly political and her political essays make place for the role of narratives and poetic language. Ai Weiwei uses references to Chinese history to give consistency to its 'economic miracle'. Finally, Burial's electronic music is firmly rooted in a living, breathing London; built to create a sound that is entirely new, and yet hauntingly familiar. These artists create in their own way a space for politics in their works and their oeuvre but their singularity comes together as a desire to reconstruct the political space within art from its ruins. These ruins were brought by the disenchantment of 1970s: the end of art, postmodernism, and the rise of design, marketing and communication. Each artwork bears the mark of the resistance against the depoliticisation of society and the arts, at once rejecting cynicism and idealism, referring to themes and political concepts that are larger than their own domain. This book focuses on these productive tensions.

Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge--artists, architects, writers, politicians, and the technocrats of scientific inquiry--brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.

The book is comprised of contemporary works of free verse poetry. The book is divided into three parts-Age 19, 14 and 20. All works edited by the author.

This is a musical analysis of Paul McCartney from 1970 to today. It is aimed at students of popular music theory; educators; musicians; and aspiring songwriters. It will also appeal to the general Beatles and McCartney fan who wishes to understand music on a deeper level - A beginner's guide to music theory and glossary are provided. Eighty of McCartney's post-Beatles songs are discussed in the format of short, but accessible essays. For each song, full details are provided concerning date of release; place of recording; instrumentation; and key signature. The description for each song details the musical techniques that McCartney uses, such as chord patterns; structure; use of instruments; vocal harmony; tonality; and key changes. In addition, every chapter details his life and work in each decade. A conclusion identifies the main characteristics of McCartney's style. The appendix details every recording location used. An invaluable guide to the music of the world's most successful songwriter.

Like John the Baptist, the author is "one crying out in the desert" of a transient world indifferent to its ultimate goal -- a world of rushing commuters, hypnotic gadgets, clamorous socials, political bickering, and spirit-deadening amusements -- a world where death pilots myriads down the fading stream of mortality, farther and farther from its true goal, the bright haven of peace where God-lovers laugh at death -- lying defeated on Calvary -- and forever raise gleaming goblets of Christ-love in the sun-smile of their loving Lord.

This book stems from the 2019 meeting of the UNESCO UNITWIN international network for Arts Education Research for Cultural Diversity and Sustainable Development. It presents scholarly, international perspectives on issues surrounding arts education and sustainability that addresses the following questions: What value can the arts add to the education of citizens of the 21st century?; What are the challenges and ways forward to realize the potential of arts education in diverse contexts? The book discusses empirical research and exemplary practices in the arts and arts education around the world, presenting sound theoretical and methodological frames and approaches. It identifies policy implications at national, regional and global levels that cut across social, economic, environmental and cultural dimensions of sustainable development.

What Happens When Your Home Disappears? For most of us, it's hard to imagine our home vanishing. But for Nanertak, a polar bear cub, the melting of her Arctic homeland means that she has nowhere to live. She and her mother, Nanuck, are forced to escape. Their exit by iceberg is full of danger - the beginning of an incredible journey of survival. Many tears are shed along the way, but there is unexpected hope for Nanertak's future...along with a solution to the problem of her disappearing Arctic homeland. Join Nanertak and Nanuck as they search for their new home in this beautiful story that is both educational and inspiring for children and adults alike.

The Great Festival presents and analyzes two historical festivals - the ancient Dionysus Festival and the present Roskilde Festival. The purpose is to set up two comparable structures or 'codes' to explain the universal artistic effects, structures and fascination of the festival. Olav Harslof argues that there are major structural, organizational and economic similarities which, when exposed, can give us greater insight into today's festivals. This is illuminated through a combined performance design and event analysis of the ancient Dionysus festival and today's Roskilde Festival, explaining the festival's historicity, diversity, complexity and paradigmatic strength. This will be a discussion of great interest to researchers and students in the fields of performance studies, experience economy, theater, music, classical philology and archeology.

Developing and executing marketing strategies is a vital aspect of any business and few books currently cover this with relation to creative industries. This textbook provides students and managers in the creative industries with a solid grounding in how to maximize the impact of their marketing efforts across a range of business types in the creative and cultural industries. The author, an experienced cultural marketing educator, provides sector-contextual understanding to illuminate the field by: * taking a strategic approach to developing marketing plans; * bringing together strategic planning, market research, goal setting, and marketing theory and practice; * explaining how content marketing on social media encourages a relationship with consumers so that they co-promote the creative product. With a range of learning exercises and real-life examples throughout, this text shows students how to create successful marketing plans for their creative businesses. This refreshed edition is a valuable resource for students and tutors of creative, cultural and arts marketing worldwide.

Volume 3 of A History of Pre-Cinema contains a complete reprint of Olive Cook's book Movement in Two Dimensions. In it, the author carefully describes how each of the technologies worked, but she is more concerned with the aesthetic and cultural than the technical.

SHE HAS SURRENDERED TO SLUMBER records the flights of imagination, the intense emotional fluctuations, and the outcomes of the contemplating mind of the author as words crafted with passion, tenderness, and subtlety. These poems, written over a period of roughly three years of the author's young life, present the enormous changes that his mind goes through within this timeframe. The poems reflect the constant pursuit of romance, embodied by the idea of death and rebirth. From the moment of the arrival of the mysterious vision of an ideal romantic world, the author goes on to record the death of his old beliefs and his rebirth into a new way of seeing life. Thus he engages himself in a quest to know his true self, and goes through tremendous conflict between indefinable rhythm of the desires of his soul and the worldly commotion of reality. With infinitely elongated moments of pleasure, sadness, confusion, depression, hope, and recovery, Tawsif Anam survives to present a brief look into his dreams through the poems in his book. The name of the book, with the significance of slumber as a mystifying state that the author believes to be a connection between our material existence and the vast transcendental world of unknown knowledge, is a tribute to his grandmother. From the time when these poems were first being written to the final moment of its completion, the author witnessed his beloved grandmother, someone to whom he owes the nourishment of his life and his present well-being greatly, drifting from her joyful old age to a state of physical inactivity and coma. Despite her being in a deep slumber, she still breathes life into her grandson, who would forever remain indebted to her forher love, care, support and encouragement.

THE WORLD FAR AWAY is a refi ned collection of heartrending profound poems about love, nature, hope, human relations, living in poverty, politics, betrayal, provoking refl ections on everyday occurrences among other topics. Th e author takes a view into these subjects and presents them in a uniquely fresh poetic style that touches the heart and in the same breath is laced with humour. Th e collection also includes refl ections on growing up in the third world and in an insightful way takes a peek into how politics generally turns around the lives of the populace in these parts of the world.