This book has been written for all artists, teachers and aspiring students who are in crisis in the practice of their art. Readers of the original manuscript from all walks of life in the arts, including teacher-artists of the visual arts, film, drama, dance and music have indicated that this book can be read with much profit by all who consider themselves artists. As well, this book is directed to those artists who no longer view themselves as such. In a very poignant sense these are the individuals who have given up their art or performance practices. The suffering that can result from such a decision or termination can be an excruciating one whether it is consciously felt or sublimated in the most subterranean ways.

Integrated Science: Science without Borders" is the first volume of the INTEGRATED SCIENCE Book series, aiming to publish the results of the most updated ideas and reviews in transdisciplinary fields and to highlight the integration of discrete disciplines, including formal sciences, physical-chemical sciences and engineering, biological sciences, medical sciences, and social sciences. This volume primarily focuses on the research involving the integration of two or more academic fields offering an innovative, borderless view, which is one of the main focuses of the Universal Scientific Education and Research Network (USERN). The whole world is suffering from complex problems; these are borderless problems; thus, a borderless solution could merely solve such complex issues. Transdisciplinarity is a domain, that researchers work jointly, using a shared conceptual framework, drawing together disciplinary-specific theories, concepts, and approaches to address common problems. Lack of confidence, lack of expertise, complexities of healthcare, the confusing nature of healthcare environments, and lack of organization and standardization are the obstacles of successful scientific communication. Consequently, this book provides an overview of the essential elements of transdisciplinary studies and integrated science. The unique aspect of this book -privileging it from other books- is covering all aspects of science as harmonies of a single symphony.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

When thinking about the Mediterranean, Fernand Braudel's haunting words resound like an echo of the sea and its millenary history. From Prehistory until today, the Mediterranean has been setting, witness and protagonist of mythical adventures, of encounters with the Other, of battles and the rise and fall of cultures and empires, of the destinies of humans. Braudel's appeal for a long duree history of the Mediterranean challenged traditional views that often present it as a sea fragmented and divided through periods. This volume proposes a journey into the bright and dark sides of the ancient Mediterranean through the kaleidoscopic gaze of artists who from the Renaissance to the 21st century have been inspired by its myths and history. The view of those who imagined and recreated the past of the sea has largely contributed to the shaping of modern cultures which are inexorably rooted and embedded in Mediterranean traditions. The contributions look at modern visual reinterpretations of ancient myths, fiction and history and pay particular attention to the theme of sea travel and travellers, which since Homer's Odyssey has become the epitome of the discovery of new worlds, of cultural exchanges and a metaphor of personal developments and metamorphoses.

Originally published in 1901, this early works is a comprehensive and informative guide to Enamelling. Contents Include; I. Introduction, II. On the choice of a style in Enamelling, III. General principles of Enamelling upon metals, IV. The mode of Executing "Limoges Enamels," V. Cloisonne Enamels, Jewellery, and Imitation glass gems, VI. The manufacture of Enamel. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

HEREIN PROPOUNDED IS THE ANATOMY OF CAPITALIST ECONOMIC COLLAPSES - PAST, PRESENT, AND FUTURE, AND THE SOCIAL AND CULTURAL DEVASTATION FOLLOWING SAME.

This book is about faith, determination to succeed in an overland trip Journey from Rochdale through over 19 countries of the world. Prime purpose was to perform Hajj - Muslim Pilgrimage in Saudia Arabia. The overland journey lasted several months literally on the move in a Ford Cortina Mark 3 saloon car, in which the author and his parents slept in, eat their meals in and experienced by motor vehicle break downs. Their faith kept them going, and the car, which brought them back to Rochdale, after seeing different countries, customs, cultures, traditions, food dishes and languages. It was an experience never to be forgotten, but treasured, it was an experience that encouraged the family to do another overland trip in a different car, and see many more different countries in depth, and soak in their culture and language. An experience that is recommended to be taken up as a rewarding challenge, by anyone who dares to take risks, and the unexpected in a car journey miles away from home sweet home. Thank God (Shukkar Allah) This book was started in 1981 handwritten, completed in 1983 typed up. Search for a publisher failed. Now in 2008 some 25 years later with help of AuthorHouse done a self-publication of the book. Many changes have taken place since the journey was completed and the manuscript written.

'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike.

"A History of Visual Culture" is a history of ideas. The recent explosion of interest in visual culture suggests the phenomenon is very recent. But visual culture has a history. Knowledge began to be systematically grounded in observation and display from the Enlightenment. Since them, from the age of industrialization and colonialism to today's globalized world, visual culture has continued to shape our ways of thinking and of interpreting the world. Carefully structured to cover a wide history and geography, "A History of Visual Culture" is divided into themed sections: Revolt and Revolution; Science and Empiricism; Gaze and Spectacle; Acquisition, Display, and Desire; Conquest, Colonialism, and Globalization; Image and Reality; Media and Visual Technologies. Each section presents a carefully selected range of case studies from across the last 250 years, designed to illustrate how all kinds of visual media have shaped our technology, aesthetics, politics and culture.

This book provides a thorough interdisciplinary analysis of the ways in which artists have engaged with political and feminist grassroots movements to characterise a new direction in the production of feminist art. The authors conceptualise feminist art in Turkey through the lens of feminist philosophy by offering a historical analysis of how feminism and art interacts, analysing emerging feminist artwork and exploring the ways in which feminist art as a form opens alternative political spaces of social collectivities and dissent, to address epistemic injustices. The book also explores how the global art and feminist movements (particularly in Europe) have manifested themselves in the art scenery of Turkey and argues that feminist art has transformed into a form of political and protest art which challenges the hegemonic masculinity dominating the aesthetic debates and political sphere. It is an invaluable reading for students and scholars of sociology of art, gender studies and political sociology.