This book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play Ways of Seeing. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country's financial and political elite as part of its scenography. The book provides a thorough consideration of the work's reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of sousveillance to visualize the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance - grounded in feminism and ecological awareness - through the example of the Rojava experiment.

A noted comics artist himself, Santiago Garcia follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world. Garcia not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral character, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, Garcia illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics and what they can achieve.

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day.

It explores how the gallery has understood its function and its public, as a 'national' gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery's administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national - or even regional - identity?

The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the 'history' museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country's national gallery.

The absence of such a history marks a serious gap in the literature, which this study aims to fill.

In this collection of short tales born in a creative writing group, Susan Widdicombe portrays the vicissitudes of an eclectic group of characters as they struggle to overcome life's many problems. A dog's fidelity to his mistress is put to the test in 'Taking Sides' while the joys and compromises of old age are highlighted in 'A Walk in the Park' and 'Sex and Love'. Some of the stories are set in Southern Africa while others take us to France, Italy or Spain. Some celebrate the comedy of the human experience while others highlight its tragedy. But all invite us to reflect on our options and on the consequences of our choices as we navigate through the changing kaleidoscope of our individual lives on Planet Earth and elsewhere. Tales of Inner Turmoil I offers us a set of quirky short stories as entertaining as they are thought-provoking.

Art is one of the best parts of your life... are you ready to make it your living? Whether you are an art student, an aspiring artist or a longtime hobbyist, Margaret Peot offers experienced advice and empowerment for taking that next step. Chapter by chapter, she'll help you map out a personalized route toward the creative life of your dreams. With real-world advice on everything from bidding for freelance jobs and pricing artwork, to filing for taxes, to building a network of connections within the community, readers will learn to navigate the business of being an artist. Exercises and worksheets help readers figure out where their interests and strengths lie and how to use these to their advantage. Interviews with artists who have carved out successful careers for themselves and an index of useful organisations and list of additional reading provide further resources to would-be professional artists. In a world where artists are stereotyped as struggling and starving, this upbeat, down-to-earth guide will help you shape your goals, identify opportunities and earn a productive, joyful living with your artwork. Embrace your passion and shape your every day into a work of art!

This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women's life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.

A lot of songs, filled with fun and sung things of that sort, happy, sad, glad, mad, a time to share, a time to be anything you want. How about a chance? It is fun! Fun in the sun. Fun everywhere. Have a good day. Talk Show in book format by Mirjana Nikolovski.

Once in a while, it's just pure fun to peek inside other people's lives. In Una Voce, author Jennifer Larmore offers a look into her life and the lives of opera singers, their thoughts, their struggles, and their feelings. She narrates the story of her journey and working in the industry for almost thirty years. Una Voce presents a study of people who conquer fear and insecurity to stand on a stage and bare their hearts and souls. Larmore puts a positive spin on everything from anger, how money- if you can get it-changes you, dealing with crazy directors and conductors, jealousy, homesickness, friendship, philosophy, and shares her ideas on sabotage, procrastination, fear, hindsight, manipulation, plus the thrill and glory of success. Filled with anecdotes and practical tips for new musicians, Una Voce shares one singer's story of her long and illustrious music career and her life at large-one voice in a sea of many and yet, unique.