This book takes a hemispheric approach to contemporary urban intervention, examining urban ecologies, communication technologies, and cultural practices in the twenty-first century. It argues that governmental and social regimes of control and forms of political resistance converge in speculation on disaster and that this convergence has formed a vision of urban environments in the Americas in which forms of play and imaginations of catastrophe intersect in the vertical field. Schifani explores a diverse range of resistant urban interventions, imagining the city as on the verge of or enmeshed in catastrophe. She also presents a model of ecocriticism that addresses aesthetic practices and forms of play in the urban environment. Tracing the historical roots of such tactics as well as mapping their hopes for the future will help the reader to locate the impacts of climate change not only on the physical space of the city, but also on the epistemological and aesthetic strategies that cities can help to engender. This book will be of great interest to students and scholars of Urban Studies, Media Studies, American Studies, Global Studies, and the broad and interdisciplinary field of Environmental Humanities.

Like John the Baptist, the author is "one crying out in the desert" of a transient world indifferent to its ultimate goal -- a world of rushing commuters, hypnotic gadgets, clamorous socials, political bickering, and spirit-deadening amusements -- a world where death pilots myriads down the fading stream of mortality, farther and farther from its true goal, the bright haven of peace where God-lovers laugh at death -- lying defeated on Calvary -- and forever raise gleaming goblets of Christ-love in the sun-smile of their loving Lord.

This book stems from the 2019 meeting of the UNESCO UNITWIN international network for Arts Education Research for Cultural Diversity and Sustainable Development. It presents scholarly, international perspectives on issues surrounding arts education and sustainability that addresses the following questions: What value can the arts add to the education of citizens of the 21st century?; What are the challenges and ways forward to realize the potential of arts education in diverse contexts? The book discusses empirical research and exemplary practices in the arts and arts education around the world, presenting sound theoretical and methodological frames and approaches. It identifies policy implications at national, regional and global levels that cut across social, economic, environmental and cultural dimensions of sustainable development.

What Happens When Your Home Disappears? For most of us, it's hard to imagine our home vanishing. But for Nanertak, a polar bear cub, the melting of her Arctic homeland means that she has nowhere to live. She and her mother, Nanuck, are forced to escape. Their exit by iceberg is full of danger - the beginning of an incredible journey of survival. Many tears are shed along the way, but there is unexpected hope for Nanertak's future...along with a solution to the problem of her disappearing Arctic homeland. Join Nanertak and Nanuck as they search for their new home in this beautiful story that is both educational and inspiring for children and adults alike.

SHE HAS SURRENDERED TO SLUMBER records the flights of imagination, the intense emotional fluctuations, and the outcomes of the contemplating mind of the author as words crafted with passion, tenderness, and subtlety. These poems, written over a period of roughly three years of the author's young life, present the enormous changes that his mind goes through within this timeframe. The poems reflect the constant pursuit of romance, embodied by the idea of death and rebirth. From the moment of the arrival of the mysterious vision of an ideal romantic world, the author goes on to record the death of his old beliefs and his rebirth into a new way of seeing life. Thus he engages himself in a quest to know his true self, and goes through tremendous conflict between indefinable rhythm of the desires of his soul and the worldly commotion of reality. With infinitely elongated moments of pleasure, sadness, confusion, depression, hope, and recovery, Tawsif Anam survives to present a brief look into his dreams through the poems in his book. The name of the book, with the significance of slumber as a mystifying state that the author believes to be a connection between our material existence and the vast transcendental world of unknown knowledge, is a tribute to his grandmother. From the time when these poems were first being written to the final moment of its completion, the author witnessed his beloved grandmother, someone to whom he owes the nourishment of his life and his present well-being greatly, drifting from her joyful old age to a state of physical inactivity and coma. Despite her being in a deep slumber, she still breathes life into her grandson, who would forever remain indebted to her forher love, care, support and encouragement.

THE WORLD FAR AWAY is a refi ned collection of heartrending profound poems about love, nature, hope, human relations, living in poverty, politics, betrayal, provoking refl ections on everyday occurrences among other topics. Th e author takes a view into these subjects and presents them in a uniquely fresh poetic style that touches the heart and in the same breath is laced with humour. Th e collection also includes refl ections on growing up in the third world and in an insightful way takes a peek into how politics generally turns around the lives of the populace in these parts of the world.

This book studies the tension between arts and politics in four contemporary artists from different countries, working with different media. The film directors Luc and Jean-Pierre Dardenne film parts of their natal city to refer to specific political problems in interpersonal relations. The novelist Arundhati Roy uses her poetic language to make room for people's desires; her fiction is utterly political and her political essays make place for the role of narratives and poetic language. Ai Weiwei uses references to Chinese history to give consistency to its 'economic miracle'. Finally, Burial's electronic music is firmly rooted in a living, breathing London; built to create a sound that is entirely new, and yet hauntingly familiar. These artists create in their own way a space for politics in their works and their oeuvre but their singularity comes together as a desire to reconstruct the political space within art from its ruins. These ruins were brought by the disenchantment of 1970s: the end of art, postmodernism, and the rise of design, marketing and communication. Each artwork bears the mark of the resistance against the depoliticisation of society and the arts, at once rejecting cynicism and idealism, referring to themes and political concepts that are larger than their own domain. This book focuses on these productive tensions.

Originally published in the early 1900s. An illustrated history of Durer s work. Many of the earliest art books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a "disenchantment of the world"--the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both "analytical" and "continental" traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can "enchant the world," and that modern art's ambition to do so fails.

This book brings the reader a unique and creative perspective from a young african american male growing up in the south. This book features verycharismatic and intriguing writings. It offers various styles of poetry that speak on many different topics such as love, maturity and life in ageneral. This is the first book published by the author and it puts forward a collection of poems and writings that the author originally composed.

Enter the mind of secluded depth, a place where words are formed from tears and anger. Venture into the second chapter, and no longer be a stranger, but a comrade in the path of passion. Journey into the mind of a man, become his eyes and visualize all which are detrimental in life. Ponder along and witness how sorrow, fear, and rage collide into hope, ambition, and love; intertwine with passages of spiritual ode, as they are told - this is the pinnacle, listen, and hear the echo: I write what my eyes cry. I write what my mind believes. I write what my heart beats. This is me. Let me breathe.