Application and re-Interpretation of biblical traditions in the Book of Malachi. A traditio-historical study. Six passages in Malachi, together with the superscription (Mal 1:1) and the additions (Mal 3:22a '24), are analyzed. The creative use of the traditions is demonstrated, including the prophet's exegetical techniques. Lines of connections are detected between Malachi and legal texts (Leviticus and Deuteronomy), earlier prophetic words, Chronicles, and Wisdom literature.

In the Gospel of Mark, Jesus' arrest, trial and execution ends with the Roman centurion who oversees the death process proclaiming Jesus as God's son. Gamel explores two key questions in relation to this moment: what does the centurion mean when he says that Jesus is God's son, and why does he say it? The confession is not made on the basis of any signs nor from any indication that he perceives Jesus' death as honourable or exemplary. This apparent lack of motivation itself highlights a key Markan theme: that this insight is revealed by an apocalyptic act of God, signalled by the tearing of the temple veil. Thus the confession, which we can understand to be made sincerely and knowledgeably, is the result of an act of God's revelation alone. Gamel explores the theory of Mark depicting a story in which all human characters exhibit varying levels of blindness to the spiritual realities that govern their lives. By making a thorough examination of Mark's Gospel - while placing primary focus on the centurion, the study is unlimited and presents a serious examination of the whole Gospel - Gamel concludes his argument with the point that, at the foot of the cross, this blindness is decisively confronted by God's apocalyptic act. The offer of sight to the centurion demonstrates the reconciliation of God and humanity which are otherwise in Mark's Gospel repeatedly presented as antagonistic spheres. Finally, the fact that revelation is offered to a Gentile highlights the inclusion of the nations into the promises of Israel.

Much historical-critical work on the opponents in the Pastoral Epistles has resulted in sweeping generalizations concerning their Jewish and/or Gnostic nature. Literary analyses have been somewhat more promising in focusing on the stereotypical nature of the polemic, but either fail to do justice to the urgency of the language in the Pastorals or do not provide a convincing description of the opponents. Pietersen approaches the problem of the opponents from a socio-scientific perspective. Utilizing labelling theory and social control theory from the sociology of deviance, he argues that the Pastorals function as a literary version of a status degredation ceremony whereby previously influential insiders within the community are transformed into outsiders. This is volume 264 in the Journal for the Study of the New Testament Supplement series.

Conversion is a main theological theme in the Lukan corpus. Since much attention has been paid to the issue in Acts, the present work shows how the evangelist also conveys his theological emphasis on conversion in his gospel through material either unique to it or that Luke has edited to this purpose. Attention is paid to the different issues involved in Luke's emphasis on conversion and an attempt is made to place them within the larger spectrum of his theology. The grouping of all these elements provides the basis for constructing Luke's paradigm of conversion.

Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent. This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed-the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66-are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions. The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries. The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).