Violence disturbs. And violent depictions, when encountered in the biblical texts, are all the more disconcerting. Isaiah 63:1-6 is an illustrative instance. The prophetic text presents the "Arriving One" in gory details ('trampling down people'; 'pouring out their lifeblood' v.6). Further, the introductory note that the Arriving One is "coming from Edom" (cf. v.1) may suggest Israel's unrelenting animosity towards Edom. These two themes: the "gory depiction" and "coming from Edom" are addressed in this book. Irudayaraj uses a social identity reading to show how Edom is consistently pictured as Israel's proximate and yet 'other'-ed entity. Approaching Edom as such thus helps situate the animosity within a larger prophetic vision of identity construction in the postexilic Third Isaian context. By adopting an iconographic reading of Isaiah 63:1-6, Irudayaraj shows how the prophetic portrayal of the 'Arriving One' in descriptions where it is clear that the 'Arriving One' is a marginalised identity correlates with the experiences of the "stooped" exiles (cf 51:14). He also demonstrates that the text leaves behind emphatic affirmations ('mighty' and 'splendidly robed' cf. v.1; "alone" cf. v.3), by which the relegated voice of the divine reasserts itself. It is in this divine reassertion that the hope of the Isaian community's reclamation of its own identity rests.

The letters of James, 1 and 2 Peter, and Jude are among the most neglected letters of the NT. Thus, methodological advances in NT study tend to arise among the Gospels or Pauline letters. But these letters are beginning to receive increased attention in the scholarly community. Reading Second Peter With New Eyes is the third of four volumes that incorporate research in this area. The essays collected here examine the impact of recent methodological developments in New Testament studies to Second Peter, including, for example, rhetorical, social-scientific, socio-rhetorical, ideological and hermeneutical methods, as they contribute to understanding this letter and its social context.

This critically acclaimed series provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The authors are scholars of international standing.

This book examines the concept of 'zeal' in three Pauline texts (Rom 10:2; Gal 1:14; Phil 3:6) as a way-in to discussion of the 'New Perspective' on Paul. The concept of zeal has been discussed in a sustained way by James D. G. Dunn, who argues that Paul was drawing on a long and venerable tradition of Jewish zeal for the nation of Israel, that is, a concern to maintain Israel's distinction from the surrounding nations by defending and reinforcing its boundaries. Ortlund interacts with Dunn, agreeing that this concern for distinctiveness was a crucial, and neglected, concern of Paul's before his conversion. Nevertheless, Ortlund contends that Dunn has presented an overly narrow understanding of Pauline zeal that does not sufficiently locate zeal in the broader picture of general obedience to Torah in Jewish tradition. As such, Ortlund shows in this work that zeal refers most immediately to general obedience to Torah - including, but not to be centrally circumscribed as, ethnic distinction.

Elaine Jordan has written her first book with personal reflections on a wide variety of biblical and spiritual subjects ranging from the providence of God, to faith, children have free will, situation ethics, management, etc. A delightful group of short essays by a Christian author.

As Mark's Gospel moves toward its climax, four stories of women challenge Jesus in his mission to establish the empire of God against the backdrop of the Roman Empire: those of the poor widow (12.41-44), the anointing woman (14.1-11), the women at the cross and the burial (15.40-41, 47), and the women at the empty tomb (16.1-8). They are stories that would seem to demand both a feminist and a postcolonial perspective on the part of their readers-yet Kim's is the first reading of the Gospel that has taken an explicitly postcolonial feminist stance. In addition to the feminist and the postcolonial themes, the third strand in Seong Hee Kim's approach arises from her Korean context, which provides her with the concept of Salim interpretation, that is, 'making things alive'. Starting from the reader's context, she develops a Salim hermeneutics for each of the four stories by engaging in a dialogue between the biblical story and the reader's use of her or his own imagination. The goal of her interpretation is such a making things alive, a mending of broken things, and an opening up of meaning-in contrast to the tendency of historical criticism, which has striven to identify a single, correct meaning in the biblical text.

By a poetic analysis of Isaiah 34-35 as a single poem, the reading explores in depth its imagery, themes and structure. Attention to detail is combined with wide-ranging discussions of reading and interpretation, which revolve around the contrasting, and strangely interrelated, scenes of destruction (nightmare) and restoration (dream) found in the two parts of the poem. The poem emerges as an integral part of Isaiah, which is treated as a single work. The consistency is revealed in parallel terms, images and structure. Implications of the analysis and mode of reading for the whole of Isaiah are commented on throughout.

It has long been noted that the "Book of Lamentations" shares, at least in part, a theological outlook with the prophetic literature that the destruction of Jerusalem was the result of Yahweh's decisive action against the sins of the nation. Too often, however, this relationship has simply been presupposed, or assumed to be a relationship of shared perspective. To date, there has been no systematic exploration of how it is that Lamentations accepts and/or modifies the theological outlook of the prophetic literature. In addition, when the theology of the prophets has been discussed in relation to "Lamentations", there has been a tendency to group all the prophetic books together as if they existed as a homogeneous whole, and shared amongst themselves a singular outlook. This tendency to simplify the theological complexity of the prophetic literature coincides with a similar tendency to reduce the theology of "Lamentations" to simple, monotheistic assertions. Drawing on the literary insights of Mikhail Bakhtin, this study explores in detail the nature of the relationship between "Lamentations" and the pre-exilic/exilic prophetic literature. Drawing on the notions of dialogism, polyphony and double-voicing, the study argues that "Lamentations" enters into a dialogic relationship with prophetic literature, a relationship that both affirms and subverts that literature. Central to the acknowledgement of the dialogic interaction between Lamentations and the prophetic literature is the recognition of "Lamentations" as a multivalent, polyphonic text in which unmerged viewpoints exist in a tension-filled relationship.

This book maps the relationship between Matthew's Gospel and the Didache. No consensus regarding the nature of this relationship has yet been achieved, neither has serious consideration been given to the possibility that Matthew depended directly on the Didache. If it may be shown that such was the case, then this infamously enigmatic text may finally be used to answer a series of tantalizing questions: what is the pattern of the Synoptic relationships? How did the earliest Jewish Christians incorporate Gentiles? What was the shape of Eucharistic worship in the first century?

Few parts of the Bible have captured the imagination of individuals in the way that the book of Jonah has. James Limburg examines this well-known book, keeping several questions in mind: How did the story originate? What is its place in the Bible? How did the New Testament understand the story? How has the story been understood in Judaism and in Islam? What might it mean for people today? And what does it have to say about God, about the human condition, and even about God and nature? In reviewing the book, Limburg gives special attention to the many contributions of artists, musicians, painters, and sculptors who, he says, may have been the best interpreters of Jonah. He also keeps in mind the literary dimension of the texts and takes great care to follow the divisions of the book as they were defined by Jewish scribal tradition. Limburg begins his commentary with a fresh translation of the biblical book of Jonah and continues with a careful examination of the text, pointing out the significance of this old story for our own time. An extensive appendix provides highlights from the interpretation of Jonah in Judaism, Christianity, and Islam.

Direct your children onto the right path, and when they are older, they will not leave it. Proverbs 22:6

When families worship together and spend time getting to know the Lord through His Word, they build a solid foundation for future generations. The Family Heritage Bible aims to encourage family devotional time by making Bible reading more interactive.

The Family Heritage Bible answers more than 900 questions about topics relating to God, Bible characters, biblical traditions, salvation, and everyday life. It encourages interaction and discussion, whether during family devotional time or Bible study sessions with friends or fellow Christians. Close to 700 concise and thought-provoking reflections offer insights into specific passages–ideal for growing in faith.

This Bible features the complete New Living Translation that faithfully renders the message of the original Scriptural texts in contemporary language. Beautiful, artistically designed verses in the margins and at the start of each Bible book invite readers to memorize and keep these verses close to their hearts.

The family record section at the front of the Bible makes it an instant family heirloom to pass on from one generation to the next.

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The unique QR code included on the contents page of this Bible allows access to a wealth of content that will encourage purposeful family devotional time; thought-provoking questions, reading plans, prayers, music and videos. This feature will inspire profound family worship in an interactive, exciting way!

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The theme of this volume in honour of Eep Talstra is 'Tradition and Innovation in Biblical Interpretation', with an emphasis on the innovative role of computer-assisted textual analysis. It focusses on the role of tradition in biblical interpretation and of the innovations brought about by ICT in reconsidering existing interpretations of texts, grammatical concepts, and lexicographic practices. Questions addressed include: How does the role of exegesis as the 'clarification of one's own tradition, in order to understand choices and preferences' (Talstra) relate to the critical role which Scripture has towards this tradition? How does the indebtedness to tradition of computer-driven philology relate to its innovative character? And how does computer-assisted analysis of the biblical texts lead to new research methods and results?

The activity of early Christian proclaimers is seen as the backdrop for the Epistle's challenge to its readers to identify with God's order or with the earthly patronage of the rich. The significance of the Epistle of James within early Christianity, when not neglected, has been disputed. In recent years the letter, and its author, have received renewed attention, and this contribution to the revival examines the way in which the author and his addressees are depicted within the social world of emerging Christianity. Edgar finds strong points of contact with the sayings of Jesus and with early Christian itinerant proclaimers, who are often seen as having been active in preserving and transmitting these sayings. The Epistle challenges the shaky commitment of its readers to their new allegiance, and, in the light of the coming of God's eschatological ruoe, employs the model of patronage to lay out the choice between loyalty to God and identification with the earthly value system dominated by the rich.

Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.