Considering the importance of pneumatological themes for interpreting Paul's argument of Galatians, Grant Buchanan explores how Paul draws from Jewish traditions of creation and the Spirit and presents a fresh cosmogony to the Galatian church. He suggests that Galatians outlines an epistemological shift in how Paul sees past, present, and future reality in light of Christ and the presence of the Spirit in the lives of the believers. Central to this new cosmogony is the centrality of the Spirit in Paul's argument in Galatians 3:1-6:17, with Buchanan's exegesis revealing that the Spirit, the Galatians' identity as children of God and the new creation motif are not merely elements of Paul's argument but central to it. Examining Galatians through a pneumatological lens, Buchanan demonstrates that Paul renders Jewish and Gentile identities no longer valid, instead revealing that God's favour and election is already with them by stating that those who have the promised Spirit are all children of God. He examines Jewish biblical and Second Temple extra-biblical texts that explicitly connect the Spirit to creation themes, including Genesis, Ezekiel, the Dead Sea Scrolls and the Wisdom of Solomon. Taking Galatians 6:11-17 as the body-closing of the letter, the new creation motif directly implies the activity of the Spirit in the creation of Christian identity. Analysing 6:15 from this pneumatological perspective, Buchanan argues that the new creation motif represents a key aspect of Paul's generative cosmogony and pneumatology, denoting a far broader socio-cosmic transformation than previously assumed and becomes a key to understand Paul's argument.

There are few texts as central to the mythology of Jewish literature as the Garden of Eden and its attendant motifs, yet the direct citation of this text within the Hebrew Bible is surprisingly rare. Even more conspicuous is the infrequent reference to creation, or to the archetypal first humans Adam and Eve. There have also been few analyses of the impact of Genesis 2-3 beyond the biblical canon, though early Jewish and Christian interpretations of it are numerous, and often omitted is an analysis of the expulsion narrative in verses 22-24. In Remembering Eden, Peter Thacher Lanfer seeks to erase this gap in scholarship. He evaluates texts that expand and explicitly interpret the expulsion narrative, as well as translation texts such as the Septuagint, the Aramaic Targums, and the Syriac Peshitta. According to Lanfer, these textual additions, omissions, and translational choices are often a product of ideological and historically rooted decisions. His goal is to evaluate the genetic, literary, and ideological character of individual texts divorced from the burden of divisions between texts that are anachronistic ("biblical" vs. "non-biblical") or overly broad ("Pseudepigrapha"). This analytical choice, along with the insights of classic biblical criticism, yields a novel understanding of the communities receiving and reinterpreting the expulsion narrative. In addition, in tracing the impact of the polemic insertion of the expulsion narrative into the Eden myth, Lanfer shows that the multi-vocality of a text's interpretations serves to highlight the dialogical elements of the text in its present composite state.

This volume presents the Syriac text of the books of Chronicles as well as a critical apparatus in respect of the textual witnesses.

This book investigates the various paraphrastic techniques employed by Nonnus of Panopolis (5th century AD) for his poetic version of the Gospel of John. The authors look at Nonnus' Paraphrase, the only extant poetic Greek paraphrase of the New Testament, in the light of ancient rhetorical theory while also exploring its multi-faceted relationship with poetic tradition and the theological debates of its era. The study shows how interpretation, cardinal both in ancient literary criticism and in theology, is exploited in a poem that is exegetical both from a philological and a Christian point of view and adheres, at the same time, to the literary principles of Hellenistic times and late antiquity.

Healing Verses of the Psalms is a must-have reference of excerpted verses of the Book of Psalms from the King James Version of the Bible that carries an impactful healing quality. It will serve as your ready reference to find verses that bring healing, relaxation and invigoration in times of stress or for life enhancement.Healing Verses of the Psalms includes beautiful illustrations and easy-to-understand suggestions for use along with insights, all of which can provide greater application and understanding for how this book can benefit you.It also comes complete with an index, making it easy to find a verse that applies to a specific need you may have.

70+ photos
Maps
Dictionary
Index
Footnotes and cross-references

In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.

The books of Chronicles have a certain fantasy quality about them. They create an imaginary world in which things happen just so, and in which any potentially untidy loose ends in their narrative of the past are tied together in a highly systematic way. This is storytelling with the didactic purpose of inculcating a particular ideology, bombarding the reader with a kaleidoscopic procession of heroes and villains and presenting a frontierland of danger and opportunity. John Jarick's focus on the literary world of Chronicles provides a fresh reading of the work, foregrounding the often unrecognized artistry in the telling of the tale-including at times a distinctly musical language and a careful mathematical precision. But at the same time he does not hide the dark underbelly of the writing, with its persistent note of conformity to the political and religious system advocated by the storytellers. This edition is a reprint of the original 2002 edition with different pagination. A companion volume on 2 Chronicles is published for the first time in 2007.

This volume is the result of a symposium held at Baylor University in May of 2006, entitled "Baylor University Symposium on the Psalms." The participants were carefully selected to represent the diversity of approaches currently employed in the study of the Psalter. Although a number of volumes in print offer the reader introductory information related to the Psalter, perhaps even noting various methodological approaches, very few actually "model" the diversity of such approaches. This volume exposes readers to the variety of approaches as practiced by leading scholars in the field.

The book reads the descriptions of the body in the Song of Songs as grotesque, as an alternative way of interpreting perplexing imagery and as a means to investigate the Song's politics of gender and love. The lovers' expressions of mutual affection and desire in the Song of Songs include intimate and detailed poetic descriptions of the body. These are challenging to interpret because the imagery used is cryptic, drawing on seemingly incongruous aspects of nature, architecture and war. Biblical scholarship frequently expresses some discomfort or embarrassment over this language, yet largely maintains the view that it should be interpreted positively as a complimentary and loving description of the body. If read without this hermeneutic, however, the imagery appears to construct nonsensical and ridiculous pictures of the human form, which raise interesting questions, and pose definite challenges, for the Song's readers. Fiona Black addresses the problematic nature of the Song's body imagery by using the artistic and literary construct of the grotesque body as a heuristic. The resulting reading investigates some issues for the Song that are often left to the margins, namely, the Song's presentation of desire, its politics of gender, and the affect of the text. The book concludes with the identification of some implications of this reading, including the creation of a new framework in which to understand the relevance of the Song's imagery for its presentation of love.

In Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final chapter, it is in the end the rhetoric of gender that actually constructs the text, providing the frame, the warp and woof, of the entire tapestry, and thus the prophet's primary means of persuasion.

Berossus and Genesis, Manetho and Exodus proposes a provocative new theory regarding the date and circumstances of the composition of the Pentateuch. Gmirkin argues that the Hebrew Pentateuch was composed in its entirety about 273-272 BCE by Jewish scholars at Alexandria that later traditions credited with the Septuagint translation of the Pentateuch into Greek. The primary evidence is literary dependence of Gen. 1-11 on Berossus' Babyloniaca (278 BCE) and of the Exodus story on Manetho's Aegyptiaca (c. 285-280 BCE), and the geo-political data contained in the Table of Nations. A number of indications point to a provenance of Alexandria, Egypt for at least some portions of the Pentateuch. That the Pentateuch, drawing on literary sources found at the Great Library of Alexandria, was composed at almost the same date as the Septuagint translation, provides compelling evidence for some level of communication and collaboration between the authors of the Pentateuch and the Septuagint scholars at Alexandria's Museum. The late date of the Pentateuch, as demonstrated by literary dependence on Berossus and Manetho, has two important consequences: the definitive overthrow of the chronological framework of the Documentary Hypothesis, and a late, 3rd century BCE date for major portions of the Hebrew Bible which show literary dependence on the Pentateuch.

Gregory the Great was pope from 590 to 604, a time of great turmoil in Italy and in the western Roman Empire generally because of the barbarian invasions. Gregory's experience as prefect of the city of Rome and as apocrisarius of Pope Pelagius fitted him admirably for the new challenges of the papacy. The Moral Reflections on the Book of Job were first given to the monks who accompanied Gregory to the embassy in Constantinople. This third volume, containing books 11 through 16, provides commentary on six chapters of Job, from 12:6 through 24:20. Whereas volume 1 concentrated largely on the moral reading of the first four chapters of Job and volume 2 on the mystical interpretation of the next seven, volume 3 offers a rapid overview of nearly thirteen chapters in their original oral format, including a brief comment at the beginning of each of the six books to explain its contents.