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Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. "Foreign But Familiar Gods" then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.

This monograph explores the joy theme in Luke- Acts as it relates to the dynamics of rhetoric, narrative and emotion. The Gospel of Luke has been called the "gospel of joy", and the joy theme has also been recognised in Acts. This theme, though, has received relatively little attention in NT scholarship. Joy in Luke-Acts examines the joy theme from a socio-rhetorical vantage point, showing that the joy theme empowers the Lukan rhetoric of reversal. The theme is a primary method in which the narrator seeks to persuade the reader to enter into the values and beliefs that characterise the 'upside-down' world in which YHWH has visited his people in Jesus.

A premier New Testament scholar explores how Jesus' trial and execution are portrayed in the New Testament and how that portrayal has affected biblical studies, Christian theology, and Jewish-Christian relations through history. Tomson has written an accessible, responsible analysis of the biblical accounts of Jesus' death, demonstrating how, through compounded misunderstandings, they contributed to anti-Jewish sentiment in the early church and later history. Tomson's question of how Jesus is to be understood in his first-century Judean context is a critical one not only for biblical scholars, but for anyone concerned about human rights and interreligious dialogue today.

Scholars generally see the aspiration of the Roman Empire and the imperial cult in Asia Minor as the great villain in "Revelation", treating the depiction of a cosmic conflict in the book mostly as metaphors that hold little or no explanatory power in the story. This book pursues the conviction that the cosmic conflict imagery is the primary and controlling element in the account. Such a reading puts the war-in-heaven theme in the foreground and calls on interpreters to pay more attention to the heavenly being whose attempt to subvert the truth about the divine government is the unremitting concern in "Revelation". This book redresses the distortion that results from leaving the larger conflict theme underexposed. Having first developed the story line, it aims is to show that the phrase 'Pistis Iesou' in "Revelation" is best understood when "Revelation" is read as a theodicy of God's handling of the reality of evil.

This book seeks to establish the inadequacy of readings of the Gospel of Matthew as intended for, and a reflection of, a local audience or community. Despite repeated challenges, the local audience thesis continues to dominate a large proportion of Matthean scholarship, and, as such, the issue of determining the Gospel's audience remains an open question. In this book, Cedric E. W. Vine posits four main critiques. The first suggests the assumptions which underpin the text-focused process of identifying the Gospel's audience, whether deemed to be local, Jewish, or universal, lack clarity. Second, local audience readings necessarily exclude plot-related developments and are both selective and restrictive in their treatment of characterisation. Third, Vine argues that many in an audience of the Gospel would have incorporated their experience of hearing Matthew within pre-existing mental representations shaped by Mark or other early traditions. Fourth, Vine suggests that early Christian audiences were largely heterogeneous in terms of ethnicity, age, sex, wealth, familiarity with Christian traditions, and levels of commitment. As such, the aural reception of the Gospel would have resulted in a variety of impacts. A number of these critiques extend beyond the local audience option and for this reason this study concludes that we cannot currently determine the audience of the Gospel.

Rudolf Bultmann was the most significant New Testament scholar we have known in the twentieth century. This study approaches his work arguing that his theology can only be understood correctly as an interpretation of the New Testament. Naturally it is a twentieth-century interpretation involving complex hermeneutical questions. But it is the New Testament which provides the subject matter to be interpreted. Bultmann's theology, stemming from the conviction that the New Testament addresses the present age, offers important solutions to many problems for Christian theology in our materialistic, relativist, pluralistic age. The book introduces the reader to: Bultmann's theology; the problem of contemporary New Testament hermeneutics; the problems of New Testament theology; the question of the relation of New Testament theology to theology as such. It makes a necessary critique of simplistic modes of interpreting Bultmann, and shows a masterly hand in assessing his continuing significance.

The book of Hebrews has often been the Cinderella of the New Testament, overlooked and marginalized; and yet it is one of the most interesting and theologically significant books in the New Testament. A Cloud of Witness examines the theology of the book in the light of its ancient historical context. There are chapters devoted to the structure of Hebrews, the person of Jesus Christ, Hebrews within the context of Second Temple Judaism and the Greco-Roman empire and the role of Hebrews in early Christian thought.