Mark Yarbrough assesses the question of whether traditional 'preformed' material contributes to the message and understanding of Paul's first letter to Timothy. The issue is addressed in three sections. Part one evaluates previous works interacting with 'traditional' material in the New Testament. Through a critique of historically proposed criteria, Yarbrough identifies eight criteria as the primary tools by which to discern units of preformed material. In the second part of the book Yarbrough evaluates nineteen passages in "1 Timothy" according to the criteria previously determined. From this base he embraces twelve of the nineteen passages as preformed material. These passages are subsequently examined in depth according to the author's distinct methodology. Part three demonstrates four functions of the preformed traditions in "1 Timothy". Firstly, that they may be seen as strengthening the literary cohesion of the letter. Secondly, that the traditional units afford the author rhetorical leverage which may be best identified as the provision of authority, the establishment of an instant rapport with the primary audience, and the assistance conferred in addressing this implied audience. Thirdly, they present theological directives that confront the character and belief of the false teachers. Finally, Yarbrough asserts that the preformed traditions exist as a combatant against counter-mission doctrine. In conclusion, this study displays that the traditional material which may be discerned within the letter contributes significantly to the overall message and understanding of "1 Timothy". Formerly the "Journal for the Study of the New Testament Supplement", a book series that explores the many aspects of New Testament study including historical perspectives, social-scientific and literary theory, and theological, cultural and contextual approaches. "The Early Christianity in Context" series, a part of "JSNTS", examines the birth and development of early Christianity up to the end of the third century CE. The series places Christianity in its social, cultural, political and economic context. European Seminar on Christian Origins and "Journal for the Study of the Historical Jesus Supplement" are also part of "JSNTS".

A neglected area of study of the letter to the Hebrews is the function of the Old Testament in the letter's logic. Compton addresses this neglect by looking at two other ideas that have themselves received too little attention, namely (1) the unique and fundamental semantic contribution of Hebrews' exposition (vis-a-vis its exhortation) and (2) the prominence of Ps 110 in the author's exposition. The conclusion becomes clear that Hebrews' exposition-its theological argument-turns, in large part, on successive inferences drawn from Ps 110:1 and 4. Compton observes that the author uses the text in the first part of his exposition to (1) interpret Jesus' resurrection as his messianic enthronement, (2) connect Jesus' enthronement with his fulfillment of Ps 8's vision for humanity and, thus, (3) begin to explain why Jesus was enthroned through suffering. In the second and third parts of his exposition, the author uses the text to corroborate the narrative initially sketched. Thus, he uses the text to (1) show that messiah was expected to be a superior priest and, moreover, (2) show that this messianic priest was expected to solve the human problem through death.

Spiritual but broken, theological but flawed-these are the words critics use to describe the Gospel of John. Compared to the Synoptics, John's version of the life of Jesus seems scrambled, especially in the area of time and chronology. But what if John's textual and temporal flaws have more to do with our implicit assumptions about time than a text that is truly flawed? This book responds to that question by reinventing narrative temporality in light of modern physics and applying this alternative temporal lens to the Fourth Gospel. From the singularity in the epic prologue to the narrative warping of event-like objects, this work explodes the elemental temporalities simmering below the surface of a spiritual yet superior Gospel text.

Susan Niditch's commentary on the book of Judges pays careful attention to the literary and narrative techniques of the text and yields fresh readings of the book's difficult passages: stories of violence, ethnic conflict, and gender issues. Niditch aptly and richly conveys the theological impact and enduring significance of these stories.

The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.

The KJV Super Giant Print Bible offers the classic King James Version in super giant print with a thematic Scripture verse finder, one-year Bible reading plan, full-color maps, a handy concordance, cross-referencing, the words of Christ in red and a presentation page, making it a Bible to be treasured for years to come.

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Kids know how important it is to read and know the Bible: after all, it contains God’s message of love for the world. But where do young readers start when they want to really find out what goes on between the pages of this Book?

The Kids Bible is a full-text King James Version Bible specially designed for readers ages 8-12, to encourage them to begin the adventure of lifelong Bible reading. The 40 full-color pages interspersed throughout the Old and New Testaments of the Bible offer study helps to expand young readers’ Bible knowledge and guide them to connect to the biblical people, places, and events they are reading about.

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In its wanton celebration of violence, the book of Nahum poses ethical challenges to the modern reader. O'Brien offers the first full-scale engagement with this dimension of the book, exploring the ways in which the artfulness of its poetry serves the book's violent ideology, highlighting how its rhetoric attempts to render the Other fit for annihilation. She then reads from feminist, intertextual and deconstructionist angles and uncovers the destabilizing function of the book's aesthetics. Finally, she demonstrates how mining Nahum's ambiguities and tensions can contribute to an ethical response to its violence. This is a reprint of the 2002 edition.

Mark's Gospel tells the complete story of the life, death and resurrection of Jesus Christ. Accurate and readable, the NIV (New International Version) is the world's most popular modern English Bible translation.

Across the pages of 2 Chronicles a colourful cast of characters passes in breathless parade before the reader. The tales of the kings of Judah are told in sequence, from Rehoboam 'the Enlarger' (who on the contrary shrinks the kingdom) to Zedekiah 'the Righteous' (who equally contrariwise profanes the divine name). These motley monarchs are preceded by the unparalleled King Solomon of All Israel and succeeded by the imperial King Cyrus of Persia, and all the while the tellers of the tales weave an insistent ideological thread through the fabric of their stories. John Jarick's reading of Chronicles brings out the fascination and discomfort of handling an ancient scroll that presents itself as the authoritative account of how things were and how they ought to be.

The relationship between the Bible and literature continues to fascinate many scholars working in both fields. In this book, as the Gospels and the work of four Scottish writers are read together, their correspondences become manifest. The four writers, James Hogg, Robert Louis Stevenson, Mrs Oliphant and Lewis Grassic Gibbon, offer distinctive and accessible readings of the Gospels. Bringing the biblical texts and the work of these writers into conversation with one another highlights the changing ways the Bible influenced the fiction of the nineteenth and early twentieth centuries. Alison Jack shows that these novels function as exegeses of Gospel texts and ideas. What is offered here is not a simple noting of biblical allusions, but a narrative exploration of Gospel themes, ideas and stories, such as the Parable of the Prodigal Son, as they are woven through the content and form of the novels discussed, among them Hogg's Confessions of a Justified Sinner and Stevenson's The Master of Ballantrae. This weaving is never untouched by the influence of Calvinism on the imagination of these Scottish writers; but the influence, informed by the polymorphism of gospel discourse, is often surprising and certainly not static. This book offers an insight into a shifting literary world that will be of interest to biblical critics working on the reception history of the Gospels and to scholars of nineteenth- and twentieth-century Scottish literature, as well as to general readers who want to explore the hermeneutical issues raised by reading the Bible and literature together.

This is a ground breaking analysis of the "Song of Deborah" through a comparative study of heroic poetry that elucidates the otherwise enigmatic role of Yahweh.The so-called "Song of Deborah" celebrates a decisive victory during the era of the Judges, and praises Jael and the Israelites for their defeat of a Canaanite coalition led by Sisera. Despite generations of scholarship, virtually every aspect of the poem remains disputed because it has been misunderstood in previous research. This study explains both the enigmatic role of Yahweh of the poem and its heroic ethos through a comparative study of heroic poetry.Over the last 30 years this pioneering series has established an unrivalled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

Rodney Thomas addresses the question of whether the book of "Revelation" was written as an 'anti-magical' polemic and explores the concept and definition of 'magic' from both modern and first-century standpoints. Thomas presents the first century as a time dominated by belief in spiritual forces and magical activity which the author of "Revelation" sought to put into proper perspective. This aim was achieved through a variety of highly creative literary techniques which Thomas examines in this book. At times it is possible to argue that unacceptable magical practices are condemned by being labelled as farmakeia. At other times such practices are carefully placed within the context of Israel's ancient enemies. In addition standard polemical material against magical practices Thomas asserts that it is also possible to identify instances where the author of "Revelation" wholly appropriates imagery commonly associated with 'magic' and recasts it into a new Christian context. As a result it is possible to view the magical motifs within "Revelation" as weighty polemic aimed against certain practices and beliefs in the first century. Formerly the "Journal for the Study of the New Testament Supplement", a book series that explores the many aspects of New Testament study including historical perspectives, social-scientific and literary theory, and theological, cultural and contextual approaches. "The Early Christianity in Context" series, a part of "JSNTS", examines the birth and development of early Christianity up to the end of the third century CE. The series places Christianity in its social, cultural, political and economic context. European Seminar on Christian Origins and Journal for the Study of the Historical Jesus Supplement are also part of "JSNTS".

"A Mechanical Translation of the Book of Exodus" is the second book in the Mechanical Translation of the Hebrew Bible series which literally translates the book of Exodus using the "Mechanical Translation" methodology and philosophy. This new and unique style of translation will allow a reader who has no background in Hebrew to see the text from an Hebraic perspective, without the interjection of a translator's theological opinions and bias. Because the translation method identifies the morphology of each Hebrew word it is also a tool for those who are learning to read Biblical Hebrew. Book Features: The Hebrew text of Exodus and a transliteration of the text into Roman characters. * The Mechanical Translation, which translates each Hebrew word, prefix and suffix exactly the same way it occurs in the text, and in the same word order as found in the Hebrew. * The Revised Mechanical Translation, which rearranges the words of the Mechanical Translation so that it can be understood by the average reader who does not understand Hebrew syntax. * About five hundred footnotes on the Hebrew grammar, idioms, alternate translations and meanings of specific words and phrases. * A dictionary and concordance for each word used in the Mechanical Translation. * Several appendices detailing specific word and phrase translations.

In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God's covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.

The Old Testament book of Leviticus is the sequel to Exodus in that it deals with a deeper dimension of the Sinaitic covenant, giving various rules for the life of the Israelites, and for the sacrifices and offerings to be performed in the sanctuary. It addresses the question of how the Israelites - human beings - can live in proximity to the holy God who has promised to dwell in their midst. In this excellent commentary, Nobuyoshi Kiuchi offers in-depth discussion of the theology and symbolism of Leviticus. He argues that its laws present an exceedingly high standard, arising from divine holiness, and the giving of these laws to the Israelites is intended to make them aware of their sinfulness, lead them to hopelessness, and ultimately to destroy their egocentric nature. To be confronted by the laws in Leviticus is to recognize the vast distance that separates the holy from the unclean and sinful, and so to appreciate afresh the grace of God, ultimately expressed in the life and work of Christ.

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• “Word Wealth”–More than 650 word studies shed light on key terms, drawing important meaning from the original Greek and Hebrew
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