This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.

ESV Illuminated Scripture Journal: Romans pairs the entirety of the book of Romans with a lightly dotted blank page opposite each page of Bible text and hand-lettered illustrations interspersed throughout-providing space to creatively engage with and reflect on the Word of God.

Mayer I. Gruber provides a new commentary on and translation of Hosea. Building upon his work that debunked the myth of sacred prostitution, Gruber now goes on to show that the book of Hosea repeatedly advocates a single standard of marital fidelity for men and women and teaches cheated women to fight back. Gruber employs the latest and most precise findings of lexicography and poetics to solve the difficulties of the text and to determine both how Hosea can be read and what this means. The translation differs from classical and recent renderings in eliminating forms and expressions, which are neither modern English nor ancient Hebrew. Referring to places, events, and material reality of the 9th and 8th centuries BCE, Gruber uncovers the abiding messages of the heretofore obscure book of Hosea. As in previous studies, Gruber employs the insights of behavioral sciences to uncover forgotten meanings of numerous allusions, idioms, similes, and metaphors. Judicious use is made also of textual history, reception history, and personal voice criticism. One of the least biblical books now speaks more clearly to present and future audiences than it did to many previous audiences.

Paul's letter to the young church in Rome has dramatically influenced Christians through the ages. It has been described as a 'gateway into heaven'. In this letter Paul gives a complete picture of the gospel - the fullest and grandest in the New Testament. His horizons are vast, taking in time and eternity, the past, present and future of humanity, and the great themes of justification, sanctification and glorification. This is the most personally rooted of John Stott's expositions, for he confesses to have re-encountered Paul's letter constantly throughout his Christian life. At the same time, her interacts with other commentators, some of whom are challenging interpretations that are time-honoured and traditional. He sees Romans as a Christian manifesto for our increasingly unstable world, emphasising the good news of freedom through Jesus Christ. Paul's vision of this freedom is astonishing. It overcomes ethnic conflict, the darkness of moral guilt, condemnation from God and alienation from others. It is a freedom to serve God and our neighbours in love.

Tom Wright has completed a tremendous task: to provide comprehensive guides to all the books of the New Testament, and to furnish them with his own fresh translation of the entire text. Each short passage is followed by a highly readable commentary with helpful background information. The format makes it appropriate also for daily study.

The Body As Property indicates that physical disfigurement functioned in biblical law to verify legal property acquisition, when changes in the status of dependents were formalized. It is based on the reality the cuneiform script, in particular, was developed in Sumer and Mesopotamia for the purpose of record keeping: to provide legal proof of ownership where the inscription of a tablet evidenced the sale, or transfer, of property. Legitimate property acquisition was as important in biblical law, where physical disfigurements marked dependents, in a similar way that the veil or the head covering identified a wife or concubine in ancient Assyrian and Judean societies. This is primarily substantiated in the accounts of prescriptive disfigurements: namely circumcision and the piercing of a slave's ear, both of which were required only when a son, or slave, was acquired permanently. It is further argued that legal entitlement was relevant also to the punitive disfigurements recorded in Exodus 21:22-24, and Deuteronomy 25:11-12, where the physical violation of women was of concern solely as an infringement of male property rights.