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Books > Humanities > Religion & beliefs > Christianity > The Bible
Who are we when nobody's looking? Do we practise what we preach, or do
we take the easy way out and follow the crowd?
This 30-day devotional, part of the Food for the Journey series,
reminds us of what true biblical holiness looks like, and how glorious
it can be when fully understood and lived out.
Exploring passages from throughout the Bible, in this devotional some
of the Keswick Convention’s most inspirational preachers – including
Don Carson, Jonathan Lamb and John Stott – unpack the bible’s teaching
on holiness. In self-contained devotions perfect for a daily quiet time
they look at God's holiness and show us how we can reflect it in every
part of our lives
In a small, slim paperback format, Holiness: Food for the Journey is
perfect for carrying around with you and reading while you’re on the go
to carve out some quiet time with God. Whether on your commute, over
coffee, or during a lunch break, these devotions will help you make
Bible reading part of every day. Like all the Food for the Journey
books, its undated format means you can start and finish at any time of
the year, and work through it at your own pace.
If you are looking to understand what holiness means for our lives,
trying to find more quiet time with God or just want to dig more deeply
into what the Bible teaches us about God’s holiness, this little
devotional is packed full of wisdom that will help us in the pursuit of
holy living and our divine calling.
Adam and Eve in Scripture, Theology, and Literature: Sin,
Compassion, and Forgiveness is an extended consideration of the
narrative of Adam and Eve, first seen in the Hebrew Bible but given
new life by St. Paul in the New Testament. Paul's treatment of Adam
and Eve, especially his designation of Christ as a second Adam, has
had an enormous influence in Christianity. Peter Ely follows this
rich narrative as it develops in history, providing the basis of
the doctrine of original sin in Christianity, giving rise in modern
times to theological speculation, and entering thematically into
mysticism and literature. The power of the adamic narrative can
only be realized if one treats it as a true but non-historical
myth. The "truth" of the myth lies in its ability to stimulate
thinking and so reveal the depths of human experience. Augustine
understood that, so did Julian of Norwich, and even the Belgian
author of mystery stories, Georges Simenon, who had a deep sense of
the universality of human weakness and the possibilities of
redeeming what was lost. Simenon's detective Maigret saw himself as
a "mender of destinies." The doctrine of original sin, the notion
that human beings share a common vulnerability, can open the way to
compassion and forgiveness. As Shakespeare illustrates in Measure
for Measure, the awareness of weakness in ourselves should move us
to compassion for others. The recognition of a kind of "democracy
of sin" can keep us from considering ourselves better than others,
unlike them in their weakness, and entitled to stand in judgment of
them. Thus, compassion opens the door to forgiveness. The progress
from sin to compassion to forgiveness forms the heart of this work.
Pikor anaylzes the land of Israel in the book of Ezekiel showing
how its preoccupation with the Babylonian exile and the loss of the
Promised Land that this entails is directly linked to the danger
this poses to Israel's covenant with God. Pikor examines the motif
of land in its literary and historical contexts and in relation to
the oracles of salvation in chapters 34-39 as well as the vision of
the new Israel and the return of Yahweh's Glory to the temple.
Pikor begins by examining the motif of land in its literary and
historical contexts. The main body of the book then addresses
specific sections of Ezekiel. Chapter two analyzes the oracles of
punishment addressed to Israel, in which the land undergoes a
process of anthropomorphization. Chapter three situates the
punishment experienced by Ezekiel and his listeners in a broader
historical context suggested by the prophet in Ezekiel 20. Chapter
four analyses the oracles of salvation in Ezekiel 34-39, in which
the restoration of the land of Israel remains intertwined with the
promise of the new covenant. Finally, chapter five addresses the
closing vision of the new Israel (Ezekiel 40-48), which is
characterized by the territorial dimension of the future
restoration. This feature is shown via analysis of the rhetoric of
the land, the crucial element of which is the return of Yahweh's
Glory to the temple. God's presence adds sacral value to the land
in which his covenant with his people is to be realized. The
covenant will be finalized through Israel's repopulation of the
renewed land.
How can we, in our times, understand the biblical concept that
human beings have been created in the image of an invisible God?
This is a perennial but increasingly pressing question that lies at
the heart of theological anthropology. Humanity in God's Image: An
Interdisciplinary Exploration clarifies the meaning of this
concept, traces different Jewish and Christian interpretations of
being created in God's image, and reconsiders the significance of
the imago Dei in a post-Holocaust context. As normative,
counter-factual notions, human dignity and the imago Dei challenge
us to see more. Claudia Welz offers an interdisciplinary
exploration of theological and ethical 'visions' of the invisible.
By analysing poetry and art, Welz exemplifies human
self-understanding in the interface between the visual and the
linguistic. The content of the imago Dei cannot be defined apart
from the image carrier: an embodied creature. Compared to verbal,
visual, and mental images, how does this creature as a 'living
image' refer to God-like a metaphor, a mimetic mirror, or an
elusive trace? Combining hermeneutical and phenomenological
perspectives with philosophy of religion and philosophy of
language, semiotics, art history, and literary studies, Welz
regards the imago Dei as a complex sign that is at once iconic,
indexical, and symbolical-pointing beyond itself.
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