History Flows through Us introduces a new dialogue between leading historians and psychoanalysts and provides essential insights into the nature of historical trauma. The contributors - German historians, historians of the Holocaust and psychoanalysts of different disciplinary backgrounds - address the synergy between history and psychoanalysis in an engaging and accessible manner. Together they develop a response to German history and the Holocaust that is future-oriented and timely in the presence of today's ethnic hatreds. In the process, they help us to appreciate the emotional and political legacy of history's collective crimes. This book illustrates how history and the psyche shape one another and the degree to which history flows through all of us as human beings. Its innovative cross-disciplinary approach draws on the work of the historian and psychoanalyst Thomas Kohut. The volume includes an extended dialogue with Kohut in which he reflects on the study of German history and the Holocaust at the intersection of history and psychoanalysis. This book demonstrates that the fields of history and psychoanalysis are each concerned with the role of empathy and with the study of memory and narrative. History Flows through Us will appeal to general readers, students and professionals in cultural history, Holocaust and trauma studies, sociology, psychoanalysis, psychotherapy and psychology.

From Left to Right: Lucy S. Dawidowicz, the New York Intellectuals, and the Politics of Jewish History is the first comprehensive biography of Dawidowicz (1915-1990), a pioneer historian in the field that is now called Holocaust studies. Dawidowicz was a household name in the postwar years, not only because of her scholarship but also due to her political views. Dawidowicz, like many other New York intellectuals, was a youthful communist, became an FDR democrat midcentury, and later championed neoconservatism. Nancy Sinkoff argues that Dawidowicz's rightward shift emerged out of living in prewar Poland, watching the Holocaust unfold from New York City, and working with displaced persons in postwar Germany. Based on over forty-five archival collections, From Left to Right chronicles Dawidowicz's life as a window into the major events and issues of twentieth-century Jewish life. From Left to Right is structured in four parts. Part 1 tells the story of Dawidowicz's childhood, adolescence, and college years when she was an immigrant daughter living in New York City. Part 2 narrates Dawidowicz's formative European years in Poland, New York City (when she was enclosed in the European-like world of the New York YIVO), and Germany. Part 3 tells how Dawidowicz became an American while Polish Jewish civilization was still inscribed in her heart and also explores when and how Dawidowicz became the voice of East European Jewry for the American Jewish public. Part 4 exposes the fissure between Dawidowicz's European-inflected diaspora nationalist modern Jewish identity and the shifting definition of American liberalism from the late 1960s forward, which also saw the emergence of neoconservatism. The book includes an interpretation of her memoir From that Place and Time, as well as an appendix of thirty-one previously unpublished letters that illustrate the broad reach of her work and person. Dawidowicz's right-wing politics, sex, and unabashed commitment to Jewish particularism in an East European Jewish key have resulted in scholarly neglect. Therefore, this book is strongly recommended for scholars and general readers interested in Jewish and women's studies.

This is the first work in any language that offers both an overarching exploration of the flight and evacuation of Soviet Jews viewed at the macro level, and a personal history of one Soviet Jewish family. It is also the first study to examine Jewish life in the Northern Caucasus, a Soviet region that history scholars have rarely addressed. Drawing on a collection of family letters, Kiril Feferman provides a history of the Ginsburgs as they debate whether to evacuate their home of Rostov-on-Don in southern Russia and are eventually swept away by the Soviet-German War, the German invasion of Soviet Russia, and the Holocaust. The book makes a significant contribution to the history of the Holocaust and Second World War in the Soviet Union, presenting one Soviet region as an illustration of wartime social and media politics.

As child, Meryl Frank was the chosen inheritor of family remembrance. Her aunt Mollie, a formidable and cultured woman, insisted that Meryl never forget who they were, where they came from, and the hate that nearly destroyed them. Over long afternoons, Mollie told her about the city, the theater, and, above all else, Meryl's cousin, the radiant Franya Winter. Franya was the leading light of Vilna's Yiddish theater, a remarkable and precocious woman who cast off the restrictions of her Hasidic family and community to play roles as prostitutes and bellhops, lovers and nuns. Yet there was one thing her aunt Mollie would never tell Meryl: how Franya died. Before Mollie passed away, she gave Meryl a Yiddish book containing the terrible answer, but forbade her to read it. And for years, Meryl obeyed. Unearthed is the story of Meryl's search for Franya and a timely history of hatred and resistance. Through archives across four continents, by way of chance encounters and miraculous discoveries, and eventually, guided by the shocking truth recorded in the pages of the forbidden book, Meryl conjures the rogue spirit of her cousin-her beauty and her tragedy. Meryl's search reveals a lost world destroyed by hatred, illuminating the cultural haven of Vilna and its resistance during World War II. As she seeks to find her lost family legacy, Meryl looks for answers to the questions that have defined her life: what is our duty to the past? How do we honor such memories while keeping them from consuming us? And what do we teach our children about tragedy?

eBook available with sample pages: 0203214803

An exploration of the development of Holocaust research in Israel, this book ranges from the consolidation of Holocaust research as an academic subject in the late 1940s to the establishment of Yad Vashem and beyond. Research on the story of historiography is often a work on books, on the "final products" that fill academic bookshelves yet, in Israeli Holocaust Research, Boaz Cohen illustrates that the evolution of holocaust research in Israel has a more human element to it. Drawing on knowledge gained through seven years of work in ten major archives in Israel, the author reveals a previously unseen picture of the development of Israeli Holocaust research "from below," and of the social and cultural forces influencing its character. In doing so, a new facet to the picture emerges, of the story beyond the archive and the people who see Holocaust research as their mission and responsibility. This book will be a fascinating addition to the study of Holocaust research and will be of particular interest to students of history, historiography and Jewish studies

In recent news coverage of the dramatic political events in Eastern Europe, Gypsies have been a favourite sidebar topic. Some of the stories have been truly horrifying, others are written condescendingly and to amuse; but what has become clear is how little we really know about this people. In a concerted effort to uncover the modern history of the Rom in Eastern Europe, the authors examine the Gypsy experience in Albania, Czechoslovakia, Hungary, Romania and Yugoslavia, with special attention to the Nazi Holocaust as well as to the record of the forced settlement and education programmes instituted by communist regimes.

In recent news coverage of the dramatic political events in Eastern Europe, Gypsies have been a favourite sidebar topic. Some of the stories have been truly horrifying, others are written condescendingly and to amuse; but what has become clear is how little we really know about this people. In a concerted effort to uncover the modern history of the Rom in Eastern Europe, the authors examine the Gypsy experience in Albania, Czechoslovakia, Hungary, Romania and Yugoslavia, with special attention to the Nazi Holocaust as well as to the record of the forced settlement and education programmes instituted by communist regimes.

Diane Tuckman and Cecile Spiegel fled religious persecution with WWII conflicts at their heels. Separately, from Egypt and from Germany, each leaped continents, cultures, and languages as a refugee before finding a new home in the United States. Hiding in plain sight in France, Cecile eluded capture by the Nazis, but lost many dear to her. Diane came of age there, far from the Mediterranean idyll of her childhood in Egypt. They relied on family, faith, and resilience to overcome the otherness felt by displaced peoples. As they dictated their memoirs to one another, Diane and Cecile discovered the anatomy of their friendship in their parallel odysseys and the optimism of 20th-century American womanhood.

Bohemia and Moravia, today part of the Czech Republic, was the first territory with a majority of non-German speakers occupied by Hitler's Third Reich on the eve of the World War II. Tens of thousands of Jewish inhabitants in the so called Protectorate of Bohemia and Moravia soon felt the tragic consequences of Nazi racial politics. Not all Czechs, however, remained passive bystanders during the genocide. After the destruction of Czechoslovakia in 1938-39, Slovakia became a formally independent but fully subordinate satellite of Germany. Despite the fact it was not occupied until 1944, Slovakia paid Germany to deport its own Jewish citizens to extermination camps. About 270,000 out of the 360,000 Czech and Slovak casualties of World War II were victims of the Holocaust. Despite these statistics, the Holocaust vanished almost entirely from post-war Czechoslovak, and later Czech and Slovak, historical cultures. The communist dictatorship carried the main responsibility for this disappearance, yet the situation has not changed much since the fall of the communist regime. The main questions of this study are how and why the Holocaust was excluded from the Czech and Slovak history.

"Testimony" examines the nature and function of testimony, witnessing and memory, both in their general relation to the acts of writing and of reading, and in their particular relation to the Holocaust. This book takes in the texts of Dostoevsky, Freud, Mallarme, Camus and de Man, videotaped testimonial life accounts of Holocaust survivors and also the film "Shoah" by Claude Lanzmann. "Testimony" defines the uniquely devastating aspect of the Holocaust as a radical crisis of witnessing an "unprecendented historical occurrence of ...an event eliminating its own witness". Drawing on their personal experience of receiving survivors' accounts, Felman and Laub present the first "theory of testimony": a radically new conception of the relationship between art and culture and the witnessing of historical events. This book should be of interest to undergraduates and academics of literary criticism, literary theory, film theory, psychoanalysis and modern history.

Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.

Born in 1904, Brandt played a major role in the first mass killing programme of the Third Reich, the so called 'euthanasia' programme. As Reich Commissioner for Health and Sanitation, Karl Brandt became the highest medical authority in the Nazi regime; he initiated experiments on concentration camps inmates and was eventually put in charge of biological and chemical warfare. How was it that a rational, highly cultured, literate, young professional could come to be responsible for mass murder and criminal human experiments on a previously unimaginable scale? In this riveting biography, Ulf Schmidt explores in detail that Brandt belonged to a generation of a young 'expert elite', who in the 1930s and 1940s were willing, and empowered, to support and conceive an oppressive, militarist, and racist government policy, and ultimately turn its exterminatory potential into reality. Through a critical biography of Brandt, Schmidt re-evaluates the system of communication at the centre of Hitler's regime. The book extends our understanding of the culture of detachment between a regime that was geared towards total destruction, and a government that was almost totally removed from its people.

Until recently, historians believed America gave asylum only to key Nazi scientists after World War II, along with some less famous perpetrators who managed to sneak in and who eventually were exposed by Nazi hunters. But the truth is much worse, and has been covered up for decades: the CIA and FBI brought thousands of perpetrators to America as possible assets against their new Cold War enemies. When the Justice Department finally investigated and learned the truth, the results were classified and buried. Using the dramatic story of one former perpetrator who settled in New Jersey, conned the CIA into hiring him, and begged for the agency's support when his wartime identity emerged, Eric Lichtblau tells the full, shocking story of how America became a refuge for hundreds of postwar Nazis.

Given their geographical separation from Europe, ethno-religious and cultural diversity, and subordinate status within the Nazi racial hierarchy, Middle Eastern societies were both hospitable as well as hostile to National Socialist ideology during the 1930s and 1940s. By focusing on Arab and Turkish reactions to German anti-Semitism and the persecution and mass-murder of European Jews during this period, this expansive collection surveys the institutional and popular reception of Nazism in the Middle East and North Africa. It provides nuanced and scholarly yet accessible case studies of the ways in which nationalism, Islam, anti-Semitism, and colonialism intertwined, all while sensitive to the region's political, cultural, and religious complexities.

Contrary to the common notion that news regarding the genocide was unavailable or unreliable, news from Europe was often communicated to North American Poles through the Polish-language press. This work engages with the origins of this debate and demonstrates that the Polish-language press covered seminal issues during the inter-war years, the war, and the Holocaust extensively on their front and main story pages, and were extremely responsive, professional, and vocal in their journalism. From Polish-Jewish relations, to the cause of the Second World War and subsequently the development of genocide-related policy, North American Poles, had a different perspective from mainstream society on the "causes and effects" of what was happening. New research for this book examines attitudes toward Jews prior to and during the Holocaust, and how information on such attitudes was disseminated. It utilizes original research from selected Polish newspapers, predominantly the Republika-Gornik, as well as survivor testimony from 1926-1945.

Syndrome K is the story of how 80 per cent of Italy's Jews escaped the Holocaust, with the help of their fellow countrymen, the Allies and even some Germans. From claiming sanctuary in the Vatican to pitched battles by partisans, and even inventing a highly contagious 'Jewish disease', it was an ingenious, covert and complicated effort - and one that saved the lives of thousands of people. Drawing on original archive material from Italy, Germany, the Vatican City, Switzerland, the UK and US, acclaimed historian Christian Jennings tells the whole story in English for the first time.

This evocative and wide-ranging set of articles is a forceful demonstration of how much the experience of East-Central and Eastern Europe, largely neglected until now, needs to be integrated into evolving scholarship on the era of the world wars. The collection diagnoses the challenge of achieving an enlarged historical and artistic perspective, and then goes on to meet it. Themes that are universal (exile, loss, trauma, survival, memory) and the undying subjects of art and artistic efforts at representation, here find specific expression. The case of Lithuania and its diverse populations is revealed in its full significance for a modern European history of the impact of the age of the world wars.

In recent years, a lively debate has developed in Poland on the question of what responsibility the Poles share for the mass murder of the Jews, which took place largely on Polish soil. This debate was sparked off by the showing in Poland of Claude Lanzmann's film, Shoah , which revealed how deeply-rooted anti-Jewish prejudice could still be found in the Polish countryside. Anti-semitism is something which Poland has preferred to forget. But before the Second World War hostility to the Jews was widespread and this climate of pervasive anti-semitism may have facilitated the Nazis' murderous plans. But Poles now, with great courage, are facing this dark side of their past. This book, translated and edited by a leading British historian of Poland, Antony Polonsky, is a major contribution to the history of the Holocaust. It gathers together the most important contribution to the current debate, revealing the agony many Poles feel about their lack of action during the war.

To forget after Auschwitz is considered barbaric. Baer and Sznaider question this assumption not only in regard to the Holocaust but to other political crimes as well. The duties of memory surrounding the Holocaust have spread around the globe and interacted with other narratives of victimization that demand equal treatment. Are there crimes that must be forgotten and others that should be remembered? In this book the authors examine the effects of a globalized Holocaust culture on the ways in which individuals and groups understand the moral and political significance of their respective histories of extreme political violence. Do such transnational memories facilitate or hamper the task of coming to terms with and overcoming divisive pasts? Taking Argentina, Spain and a number of sites in post-communist Europe as test cases, this book illustrates the transformation from a nationally oriented ethics to a trans-national one. The authors look at media, scholarly discourse, NGOs dealing with human rights and memory, museums and memorial sites, and examine how a new generation of memory activists revisits the past to construct a new future. Baer and Sznaider follow these attempts to manoeuvre between the duties of remembrance and the benefits of forgetting. This, the authors argue, is the "ethics of Never Again."

A publishing sensation, the publication of Victor Klemperer's diaries brings to light one of the most extraordinary documents of the Nazi period. 'A classic ... Klemperer's diary deserves to rank alongside that of Anne Frank's' SUNDAY TIMES 'I can't remember when I read a more engrossing book' Antonia Fraser 'Not dissimilar in its cumulative power to Primo Levi's, is a devastating account of man's inhumanity to man' LITERARY REVIEW The son of a rabbi, Klemperer was by 1933 a professor of languages at Dresden. Over the next decade he, like other German Jews, lost his job, his house and many of his friends. Klemperer remained loyal to his country, determined not to emigrate, and convinced that each successive Nazi act against the Jews must be the last. Saved for much of the war from the Holocaust by his marriage to a gentile, he was able to escape in the aftermath of the Allied bombing of Dresden and survived the remaining months of the war in hiding. Throughout, Klemperer kept a diary. Shocking and moving by turns, it is a remarkable and important account.

The thirst for post-World War II justice transcended the Cold War and mobilized diverse social groups. This is a story of their multilayered and at times conflictual interactions. In this edited collection, sixteen historians develop a new approach to the trials against persons accused of war crimes and mass murder in Europe during the ascendancy of Nazism and the Second World War (1933-1945). Focusing on the social aspects of the demand for justice and making use of previously underexploited local and international sources, contributors put to the test the notion of "show trials" and explore a range of judicial and political cultures from Germany to the Soviet Union. Essays uncover the expectations around accountability and forms of mobilization on the part of a range of citizens involved in the trials: survivors, witnesses, perpetrators, Nazi hunters, and civic activists. In addition to the perspective of these citizens, contributors invoke the expertise of reporters, filmmakers, historians, investigators, and prosecutors who shaped public representations of justice. These shaping efforts, the authors show, often supported the desire of political authorities to benefit from the publicity of the trials and to contain the spontaneous dissemination of information. The book's close examination of interactions between citizens and authorities thus demonstrates the extent and limits of what might be called a "coproduction" of justice, in the process shedding light on the interdependence between historical knowledge and legal prosecution of mass crimes.

Seven decades after the destruction of the Armenian population in the Ottoman Empire, the Armenian genocide remains largely ignored by governments and forgotten by the world public, even though the annihilation of Armenians was headlined around the world in 1915. Scholarly investigation of the Armenian genocide is just beginning, made more difficult by the tendency of many establishment figures to rationalize the past and the attempt of perpetrator governments and their successors to deny the past.

This volume is a pioneering collective attempt to assess and analyze the Armenian genocide from differing perspectives, including history, political science, ethics, religion, literature, and psychiatry. Focusing on the general implications of denial, rationalization, and responsibility, it is particularly important as a precursor to the study of the Holocaust and other genocides.

Contents: Israel Charny, "Preface"; Terrence Des Pres, "Introduction"; Richard G. Hovannisian, "The Historical Dimensions of the Armenian Question, 1878-1923"; Leo Kuper, "The Turkish Genocide of the Armenians, 1915-1917"; Robert Melson, "Provocation of Nationalism: A Critical Inquiry into the Armenian Genocide of 1915"; Richard Hrair Dekmejian, "Determinants of Genocide: Armenians and Jews as Case Studies"; Marjorie Housepian-Dobkin, "What Genocide? What Holocaust? News from Turkey, 1915-1923: A Case Study"; Richard G. Hovannisian, "The Armenian Genocide and Denial Patterns"; Vigen Guroian, "Collective Responsibility and Official Excuse Making: The Case of the Turkish Genocide of the Armenians"; Leo Hamalian, "The Armenian Genocide and the Literary Imagination"; Vahe Oshagan, "The Impact of the Genocide on Western Armenian Letters"; Levon Boyajian and Haigaz Grigorian, "Psychological Sequelae of the Armenian Genocide"; Donald E. Miller and Lorna Touryan Miller, "An Oral History Perspective on Responses to the Armenian Genocide."

Winner of the National Jewish Book Award, Holocaust category (2017) Runner-up for the National Jewish Book Award, history category (2017) The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts-first from the Nazis and then from the Soviets-by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion-including the readiness to risk one's life-to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed "the Paper Brigade," and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group's worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto's secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet "liberation" of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved-only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto-a writer of exceptional daring, style, and reach-The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.

The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders. Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk. From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust. The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.