Annette Libeskind Berkovits thought her attempt to have her father record his life's story failed. But in 2004, three years after her father's death, she was going through his things and found a box of tapesaseveral years' worthawith his spectacular life, triumphs, and tragedies told one last time in his baritone voice. Nachman Libeskind's remarkable story is an odyssey through crucial events of the twentieth century. With an unshakable will and a few drops of luck, he survives a pre-war Polish prison; witnesses the 1939 Nazi invasion of Lodz and narrowly escapes; is imprisoned in a brutal Soviet gulag where he helps his fellow inmates survive, and upon regaining his freedom treks to the foothills of the Himalayas, where he finds and nearly loses the love of his life. Later, the crushing communist regime and a lingering postwar anti-Semitism in Poland drive Nachman and his young family to Israel, where he faces a new form of discrimination. Then, defiantly, Nachman turns a pocketful of change into a new life in New York City, where a heartbreaking promise leads to his unlikely success as a modernist painter that inspires others to pursue their dreams. With just a box of tapes, Annette Libeskind Berkovits tells more than her father's story: she builds an uncommon family saga and reimagines a turbulent past. In the process she uncovers a stubborn optimism that flourished in the unlikeliest of places.

September 1939 - Nazi Austria turns on their Jews and the family Wacs flees Vienna, saving their lives. Destination: Shanghai; alien to them-different language, people, culture. Had they not escaped, one week later war broke out, and this family's fate might have been quite different. An Uncommon Journey addresses universal issues-persecution and the will to survive. This unique memoir by a sister and brother ten years apart shares different memories, often of the same events. The truth becomes a mosaic with many facets, creating a moving portrait of a family uprooted.

'The Automaton' is based on a story told to Paolo Ventura as a child. It centres on an elderly, Jewish watchmaker living in the Venice ghetto in 1943, one of the darkest periods of the Nazi occupation and the rule of the fascist regime in Italy. The city where the watchmaker has lived his entire life, now desolate and fearful, is the stage on which the story unfolds. The old man decides to build an automaton (a robot), to keep him company while he awaits the arrival of the fascist police who will deport the last of the remaining Jews from the ghetto. Paolo Ventura is internationally known for the complex creative process he adopts. Having created the narrative script for the book, he then builds elaborate models and miniature figurines in his studio and incorporates them in what appear as almost film sets. These are then photographed and his final artworks are the photographs of these constructed tableaux. 'The Automaton' is a photographic narrative from beginning to end.

Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure?

Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority.

Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.

Volume 4 deals with events, legislative and administrative actions of discrimination as well as affairs, scandals and controversies. 207 articles explain the motives, the backdrop and the consequences of the manifestation of hatred against Jews and also examples of prevention and resistance against it. The examples include the 19th century antisemitism congresses, the Protocols of the Elders of Zion, debates on the prohibition of kosher slaughter, the conspiracy of Kremlin doctors, medieval vernacular sermons, the Jenninger case, the Walser-Bubis debate and much more."

In the more than 330 articles in this fifth volume of the Handbook of Anti-Semitism, over 140 authors examine the parties, associations, government authorities, Church associations, non-governmental organizations, informal groups, institutes, and scientific and social societies in whose programs or practices animosity against Jews played a part. Similarly, this volume also contains descriptions of the organizations and collaborative efforts that have sought to combat anti-Semitism.

*** The New York Times Bestseller *** 'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter 'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle 'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos 'Powerful... a fascinating account.' - Woman The powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp - mainly Jewish women and girls - were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop - called the Upper Tailoring Studio - was established by Hedwig Hoess, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust. Drawing on diverse sources - including interviews with the last surviving seamstress - The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

The diary as Anne Frank wrote it. At last, in a  new translation, this definitive edition contains  entries about Anne's burgeoning sexuality and  confrontations with her mother that were cut from  previous editions. Anne Frank's The Diary of a  Young Girl is among the most enduring  documents of the twentieth century. Since its  publication in 1947, it has been a beloved and deeply  admired monument to the indestructible nature of the  human spirit, read by millions of people and  translated into more than fifty-five languages.  Doubleday, which published the first English translation  of the diary in 1952, now offers a new translation  that captures Anne's youthful spirit and restores  the original material omitted by Anne's father,  Otto -- approximately thirty percent of the diary.  The elder Frank excised details about Anne's  emerging sexuality, and about the often-stormy relations  between Anne and her mother. Anne Frank and her  family, fleeing the horrors of Nazi occupation  forces, hid in the back of an Amsterdam office building  for two years. This is Anne's record of that time.  She was thirteen when the family went into the  "Secret Annex," and in these pages, she grows  to be a young woman and proves to be an insightful  observer of human nature as well. A timeless story  discovered by each new generation, The  Diary of a Young Girl stands without peer.  For young readers and adults, it continues to  bring to life this young woman, who for a time  survived the worst horrors the modern world had seen -- and  who remained triumphantly and heartbreakingly  human throughout her ordeal.

Erik Larson, "New York Times" bestselling author of "Devil in the White City, " delivers a remarkable story set during Hitler's rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America's first ambassador to Hitler's Nazi Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the "New Germany," she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance--and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler's true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Goring and the expectedly charming--yet wholly sinister--Goebbels, "In the Garden of Beasts" lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

German Jews and Migration to the United States, 1933-1945 is a collection of first-person accounts, many previously unpublished, that document the flight and exile of German Jews from Nazi Germany to the USA,. The authors of the letters and memoirs included in this collection share two important characteristics: They all had close ties to Munich, the Bavarian capital, and they all emigrated to the USA, though sometimes via detours and/or after stays of varying lengths in other places of refuge. Selected to represent a wide range of exile experiences, these testimonies are carefully edited, extensively annotated, and accompanied by biographical introductions to make them accessible to readers, especially those who are new to the subject. These autobiographical sources reveal the often-traumatic experiences and consequences of forced migration, displacement, resettlement, and new beginnings. In addition, this book demonstrates that migration is not only a process by which groups and individuals relocate from one place to another but also a dynamic of transmigration affected by migrant networks and the complex relationships between national policies and the agency of migrants.

Peter Hayes has been teaching Holocaust studies for decades and Why? grows out of the questions he's encountered from his students. Despite the outpouring of books, films, memorials, museums and courses devoted to the subject, a coherent explanation of why such carnage erupted still eludes people. Numerous myths have sprouted, many to console us that things could have gone differently if only some person or entity had acted more bravely or wisely; others cast new blame on favourite or surprising villains or even on historians. Why? dispels many legends and debunks the most prevalent ones, including the claim that the Holocaust never happened. Hayes brings scholarly wisdom to bear on popular views of the history, challenging some of the most prominent interpretations and arguing that the convergence of multiple forces at a particular moment resulted in this catastrophe.

In 1930s and 1940s Vienna, child psychiatrist Hans Asperger sought to define autism as a diagnostic category, treating those children he deemed capable of participating fully in society. Depicted as compassionate and devoted, Asperger was in fact deeply influenced by Nazi psychiatry. Although he offered care to children he deemed promising, he prescribed harsh institutionalisation and even transfer to one of the Reich's killing centres, for children with greater disabilities. With sensitivity and passion, Edith Sheffer reveals the heart-breaking voices and experiences of many of these children, whilst illuminating a Nazi regime obsessed with sorting the population into categories, cataloguing people by race, heredity, politics, religion, sexuality, criminality and biological defects-labels that became the basis of either rehabilitation or persecution and extermination.

The Holocaust Short Story is the only book devoted entirely to representations of the Holocaust in the short story genre. The book highlights how the explosiveness of the moment captured in each short story is more immediate and more intense, and therefore recreates horrifying emotional reactions for the reader. The main themes confronted in the book deal with the collapse of human relationships, the collapse of the home, and the dying of time in the monotony and angst of surrounding death chambers. The book thoroughly introduces the genres of both the short story and Holocaust writing, explaining the key features and theories in the area. Each chapter then looks at the stories in detail, including work by Ida Fink, Tadeusz Borowski, Rokhl Korn, Frume Halpern, and Cynthia Ozick. This book is essential reading for anyone working on Holocaust literature, trauma studies, Jewish studies, Jewish literature, and the short story genre.

Die Studie untersucht fur die Westukraine Gewalttaten von deutscher und ukrainischer Seite anhand der Geschehnisse in mehreren Dutzend Orten. Die umfassende Berucksichtigung der Kontexte des Holocaust, der sowjetischen Verbrechen sowie der ukrainischen Staatsbildung fuhrt zu einem neuen Blick auf die Ereignisse. Kai Struve hat ein Standardwerk vorgelegt, welches in den Kontroversen um NS- und Sowjetverbrechen unverzichtbar sein wird."

During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism.

Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal "Sergeant York"-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II.

Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

The Nazis spared their lives because they were twins.

In the summer of 1944, Eva Mozes Kor and her family arrived at Auschwitz.

Within thirty minutes, they were separated. Her parents and two older sisters were taken to the gas chambers, while Eva and her twin, Miriam, were herded into the care of the man who became known as the Angel of Death: Dr. Josef Mengele. They were 10 years old.

While twins at Auschwitz were granted the 'privileges' of keeping their own clothes and hair, they were also subjected to Mengele's sadistic medical experiments. They were forced to fight daily for their own survival and many died as a result of the experiments, or from the disease and hunger rife in the concentration camp.

In a narrative told simply, with emotion and astonishing restraint, The Twins of Auschwitz shares the inspirational story of a child's endurance and survival in the face of truly extraordinary evil.

Also included is an epilogue on Eva's incredible recovery and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and worked toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

The new edition of this market-leading textbook includes a revised introduction and updated chapters with new research and insights. Four new case studies of twenty-first-century genocides bring this horrific history up to the present moment: the genocide perpetrated by the government during Argentina's "Dirty War," the genocide of the Yazidis by the Islamic State of Iraq and Syria (ISIS), genocidal violence against the Rohingya in Myanmar, and China's genocide of the Uyghurs. Powerful survivor testimonies bring the essays to life and help readers grapple with the difficult lessons presented throughout the book.

Historians long have analyzed the emergence of the "final solution of the Jewish question" primarily on the basis of German documentation, devoting much less attention to wartime Jewish perceptions of the growing threat. Jurgen Matthaus fills this critical gap by showcasing the highly insightful reports compiled during the first half of World War II by two Geneva-based offices: those of Richard Lichtheim representing the Jewish Agency for Palestine and of Gerhart Riegner's World Jewish Congress office. Since the first days of war, Lichtheim's predictions of Jewish dead ran in the millions and increased progressively with the rising tide of Nazi rule over Europe. His and Riegner's perceptions of German anti-Jewish policy resulted from shared goals and personal experiences as well as from their bureaus' range of functions and the massive problems that impacted the gathering and communicating of information on the unfolding Holocaust in German-controlled Europe. Beyond the specifics of the wartime Geneva setting, these sources show how human cognition works in times of extreme crisis and contribute to a better understanding of the potential inherent in Jewish sources for gauging perpetrator actions. The reports and contextual information featured here reflect the first narratives on the Holocaust, their emergence, evolution, and importance for post-war historiography.

Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in Night, Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.

Final Solution is an intelligent and thought-provoking short history of the Holocaust, by historian David Cesarani. Not only does David Cesarani draw together and engage with the latest scholarly research, making extensive use of previously untapped resources such as diaries and letters from within the ghettos and camps (many of them in Polish or Yiddish and therefore previously largely inaccessible to Anglo-American scholars) but by adopting a rigorously Judeocentric approach the whole narrative of the march to genocide and its aftermath, the book presents a subtly different timeline which casts afresh the horror of the period and engenders a significant re-evaluation of the how and why. Eschewing some of the more fevered theses about the guilt of the perpetrators (and indeed recasting how wide that net should be spread), David Cesarani's measured and skilful negotiation of a crowded field is, as a result, all the more devastating.

This book charts the author's long journey of healing from the trauma caused by having to go into hiding as a child and having to deny that she was Jewish. It is not intended as an autobiography or a clinical paper on the healing process but as an account of a very personal inner journey. Marika Henriques records in words and images how she was shaped and her profession determined by historical events. She was born in Budapest in 1935. During the Holocaust in 1944, separated from her family, she became a hidden child. She was nine years old and those dark times had a profound and lasting effect on her. That being a Jew was shameful and had to be hidden remained deeply etched into her being for decades. Fascism was followed by communism after the war. Persecuted once more, now for her middle class background, she escaped, at the age of twenty-one, in 1956 during the Hungarian uprising. She crossed the border on foot amongst mine fields in temperatures of minus 25 degrees centigrade. Eventually she arrived as a refugee in England and in 1961 she married a Swedish Jew. In due course she found her vocation and became a Jungian psychotherapist. In doing, so she had to undergo psychoanalysis, during which the drawings and poems poured out of her as part of the healing process. Jung's ideas were an integral part of the process of understanding herself and her images. The drawings the drawings emerged unbidden and were drawn quickly, without fully understanding what they signified, but over the years she has stitched 19 of them as tapestries. The gentler pace of stitching was all a part of the healing process, and they are woven together with the drawings and poems in the book as she unfolds her story, the story of wounding and healing, herself and others. The culmination was a painstaking journey to return to her tradition and people. It started with a major surgery and ended twenty years later on the pulpit, the bimah, of a synagogue.