A multifaceted look at historian Raul Hilberg, tracing the evolution of Holocaust research from a marginal subdiscipline into a vital intellectual project. "I would recommend this book to both Holocaust historians and general readers alike. The breadth and depth of Hilberg's research and his particular insights have not yet been surpassed by any other Holocaust scholar."-Jewish Libraries News & Reviews Though best known as the author of the landmark 1961 work The Destruction of the European Jews, the historian Raul Hilberg produced a variety of archival research, personal essays, and other works over a career that spanned half a century. The Anatomy of the Holocaust collects some of Hilberg's most essential and groundbreaking writings many of them published in obscure journals or otherwise inaccessible to nonspecialists in a single volume. Supplemented with commentary and notes from Hilberg's longtime German editor and his biographer. From the Introduction: This selection by the editors from the multitude of his published texts focuses on Hilberg's intellectual interests as a Holocaust researcher. Among other topics, they deal with the bureaucracy of the Holocaust, the number of victims, the role of the Judenrate(Jewish councils), and the function of the railway and the police in the extermination process. The scholarly impulses extending from Hilberg's work remain remarkable and virulent almost a decade after his death.2 They deserve to be readily accessible in one place to historians and the interested public in the new compilation offered here. Many of the debates influenced by Hilberg are not yet resolved. The texts presented can be quite revealing in light of these controversies.

In 1932, Franklin Delano Roosevelt became President. Over the next twelve years, he instilled confidence in a nation once mired in fear. The Jews of America revered Roosevelt, and from an early age, Robert Beir regarded him as a hero. In mid-life, however, Beir undertook a historian's quest regarding Roosevelt's record during the Holocaust. How much did Roosevelt know about the Holocaust and what could he have done?

Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, 'One Family's Shoah' suggests a new way of writing cultural history.

Gisella Perl's memoir is the extraordinarily candid account of women's extreme efforts to survive Auschwitz. With writing as powerful as that of Charlotte Delbo and Ruth Kluger, her story individualizes and therefore humanizes a victim of mass dehumanization. Perl accomplished this by representing her life before imprisonment, in Auschwitz and other camps, and in the struggle to remake her life. It is also the first memoir by a woman Holocaust survivor and establishes the model for understanding the gendered Nazi policies and practices targeting Jewish women as racially poisonous. Perl's memoir is also significant for its inclusion of the Nazis' Roma victims as well as in-depth representations of Nazi women guards and other personnel. Unlike many important Holocaust memoirs, Perl's writing is both graphic in its horrific detail and eloquent in its emotional responses. One of the memoir's major historical contributions is Perl's account of being forced to work alongside Dr. Josef Mengele in his infamous so-called clinic and using her position to save the lives of other women prisoners. These efforts including infanticide and abortion, topics that would remain silenced for decades and, unfortunately, continue to be marginalized from all too many Holocaust accounts. After decades out of print, this new edition will ensure the crucial place of Perl's testimony on Holocaust memory and education.

This book presents the results of comprehensive research into the world's Jewish press during the Second World War and explores its stance in the face of annihilation of the Jewish people by the Nazi regime in Europe. The research is based on the major Jewish newspapers that were published in four countries Palestine, Britain, the United States, and the Soviet Union and in three languages Hebrew, Yiddish, and English. The Jewish press frequently described the situation of the Jewish people in occupied countries. It urged the Jewish leaders and institutions to act in rescue of their brethren. It protested vigorously against the refusal of the democratic leadership to recognize that the Jewish plight was unique because of the Nazi intention to annihilate Jews as a people. Yosef Gorny argues that the Jewish press was the persistent open national voice fighting on behalf of the Jewish people suffering and perishing under Nazi occupation."

2015 was the seventieth anniversary of the end of World War Two, and, for Jews, the seventieth anniversary of the end of the worst Jewish catastrophe in diaspora history. After Genocide considers how, more than two generations since the war, the events of the Holocaust continue to haunt Jewish people and the worldwide Jewish population, even where there was no immediate family connection. Drawing from interviews with "ordinary" Jews from across the age spectrum, After Genocide focuses on the complex psychological legacy of the Holocaust. Is it, as many think, a "collective trauma"? How is a community detached in space and time traumatised by an event which neither they nor their immediate ancestors experienced?"Ordinary" Jews' own words bring to life a narrative which looks at how commonly-recognised attributes of trauma - loss, anger, fear, guilt, shame - are integral to Jewish reactions to the Holocaust.

One Sunday morning in October, Istvan and his wife Vera start their day as usual. They tidy their house; Vera makes a festive cake to put in the freezer and cuts fresh roses for a vase in the living room. That evening, after nearly fifty years of marriage, they lie down in the bed that they share and take their own lives. Having survived the tumult of twentieth-century Europe and after raising a family together, they could not accept the words 'until death do us part'. Vera and Istvan met at a recital in Budapest in 1940, and from that moment Vera knew that he was the man she would marry. A deep and abiding friendship grew between them. While sifting through the fragments of the family history in an attempt to understand this glamorous and enigmatic couple, their granddaughter Johanna Adorjan imagines their final day. Amid the family stories and portraits by friends, she dares to give voice to their never-mentioned experiences in the Holocaust and their escape from Hungary during the uprising of 1956. An Exclusive Love is both a love story and a journey of self-understanding, beautifully told and shot through with tender humour. It is a history at once personal and universal, a tale of memory, belonging and devotion.

Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it.

German Reparations and the Jewish World" has become a standard reference work since it was first published. Based extensively on archival sources, the author examines the difficult debate within the Jewish world whether it was possible to reach a material settlement with Germany so soon after Auschwitz. Concentrating on how the money was spent in rebuilding Jewish life, he also analyzes how the reparations payments transformed the relations bteween Israel and the diaspora, and between different Jewish political and ideological groups. This revised and expanded edition includes material on sensitive relief programmes from archives that have only recently been opened to researchers. In a new, extensive introductory essay the author reexamines the reparations, restitution and indemnification processes from the perspective of 50 years later.

During and in the aftermath of the dark period of the Holocaust, writers across Europe and America sought to express their feelings and experiences through their writings. This book provides a comprehensive account of these writings through essays from expert scholars, covering a wide geographic, linguistic, thematic and generic range of materials. Such an overview is particularly appropriate at a time when the corpus of Holocaust literature has grown to immense proportions and when guidance is needed in determining a canon of essential readings, a context to interpret them, and a paradigm for the evolution of writing on the Holocaust. The expert contributors to this volume, who negotiate the literature in the original languages, provide insight into the influence of national traditions and the importance of language, especially but not exclusively Yiddish and Hebrew, to the literary response arising from the Holocaust.

In this riveting real-life thriller, Philippe Sands offers a unique account of the daily life of senior Nazi SS Brigadeführer Otto Freiherr von Wächter and his wife, Charlotte. Drawing on a remarkable archive of family letters and diaries, he unveils a fascinating insight into life before and during the war, as a fugitive on the run in the Alps and then in Rome, and into the Cold War. Eventually the door is unlocked to a mystery that haunts Wächter's youngest son, who continues to believe his father was a good man - what happened to Otto Wächter while he was preparing to travel to Argentina on the 'ratline', assisted by a Vatican bishop, and what was the explanation for his sudden and unexpected death?

This is the extraordinary story of the author's twenty year quest to find gold coins which his father's family buried in their backyard in Poland just prior to being deported by the Nazis into concentration camps. His father survived the war but died when the author was a teenager, leaving him only with the knowledge that he had buried coins somewhere in Poland, and no information about his family. During his quest, Biederman uncovers many interesting and disturbing facts about his father and mother and their families, such as the fact that his father was the third person on Oskar Schindler's list and had a chance meeting with Adolph Hitler, and that his mother was selected as a cook for the infamous Dr. Josef Mengele. The book details the author's quest to unearth his family's past and his father's treasure and continues with his parent's amazing post-war years in Europe and their eventual arrival in North America.

Despite all the thousands of studies of the Holocaust and the rise of Nazi Germany, we still have no satisfactory explanation of why this tragedy occurred in one of the most "civilized" of Western nations. John Weiss's Ideology of Death is the first book to explore the unique nature of German history, showing how it rejected the liberal ideals of the Enlightenment, and to trace the culture of racism and anti-Semitism among powerful elites and ordinary Germans over a long period of German history. In a stunningly lucid narrative, Weiss describes exactly how and why Christian anti-Semitism, in its unique form among German Protestants and Austrian Catholics, reinforced modern secular racism to create an explosive mix. Using the latest research, he details how the Nazis, building on traditional German anti-Semitism, were able to adjust it so as to appeal to a wide variety of social groups-crucial to their electoral success. And he explains the specific complicities of various German groups and institutions in the Holocaust, and why they voluntarily cooperated with the Nazis. In its clarity and compelling argument, Ideology of Death is certain to be one of the most important books for many years to come on the reasons behind the Holocaust.

A New Translation From The French By Marion Wiesel

Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. "Night "is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially - the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

This beautifully written memoir is composed of linked stories about growing up on a kibbutz in Israel in the 1950s and 60s, when children spent most of their time, from birth on, in a Children's House. This memoir starts with a Prologue drawn from the diaries of Rachel Biale's mother and the letters her parents exchanged while her father served in the British army. With excerpts from these documents, she describes how the long trials and tribulations that encompassed her parents dangerous escape from Eastern Europe to Israel - fleeing from the Nazis from Prague in 1939, five years of dangerous sea voyages, and long internments in British refugee camps. Throughout these ordeals, her parents socialist and Zionist values sustained them and eventually brought them to their kibbutz. The middle and main section of the memoir is devoted to Rachel's growing up as a kibbutz child. While Rachel's parents soon realized that no community can live up to its utopian ideals, Rachel's youth on kibbutz was a robust and buoyant one. Rachel pens 24 beautifully written and engaging stories about her kibbutz childhood -- from earliest memories at age three as part of a children's society, to her army service at age twenty. The stories focus on the world of children, but also offer a window into the lives of the adult kibbutz members, including Holocaust survivors. The book ends with a Postscript-as Rachel revisits her kibbutz and updates the stories of her childhood companions.

How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.

From one of Germany's leading young historians, the first comprehensive biography of Eva Braun, Hitler's devoted mistress, finally wife, and the hidden First Lady of the Third Reich.
In this groundbreaking biography of Eva Braun, German historian Heike Gortemaker reveals Hitler's mistress as more than just a vapid blonde whose concerns never extended beyond her vanity table. Twenty-three years his junior, Braun first met Hitler when she took a position as an assistant to his personal photographer. Capricious, but uncompromising and fiercely loyal--she married Hitler two days before committing suicide with him in Berlin in 1945--her identity was kept secret by the Third Reich until the final days of the war. Through exhaustive research, newly discovered documentation, and anecdotal accounts, Gortemaker turns preconceptions about Eva Braun and Hitler on their head, and builds a portrait of the little-known Hitler far from the public eye.

Few scholarly fields have developed in recent decades as rapidly and vigorously as Holocaust Studies. At the start of the twenty-first century, the persecution and murder perpetrated by the Nazi regime have become the subjects of an enormous literature in multiple academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as politics, ethics and religion. Forward-looking and multi-disciplinary, this handbook draws on the work of an international team of forty-seven outstanding scholars. The handbook is thematically divided into five broad sections. Part One, Enablers, concentrates on the broad and necessary contextual conditions for the Holocaust. Part Two, Protagonists, concentrates on the principal persons and groups involved in the Holocaust and attempts to disaggregate the conventional interpretive categories of perpetrator, victim, and bystander. It examines the agency of the Nazi leaders and killers and of those involved in resisting and surviving the assault. Part Three, Settings, concentrates on the particular places, sites, and physical circumstances where the actions of the Holocaust's protagonists and the forms of persecution were literally grounded. Part Four, Representations, engages complex questions about how the Holocaust can and should be grasped and what meaning or lack of meaning might be attributed to events through historical analysis, interpretation of texts, artistic creation and criticism, and philosophical and religious reflection. Part Five, Aftereffects, explores the Holocaust's impact on politics and ethics, education and religion, national identities and international relations, the prospects for genocide prevention, and the defense of human rights.

Of the 400,000 German-speaking Jews that escaped the Third Reich, about 16,000 ended up in Shanghai, China. This groundbreaking volume gathers 20 years of interviews with over 100 former Shanghai refugees. It offers a moving collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.

This volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914-2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori's work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies. Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striving to create a strong empathetic connection between the audience and Holocaust victims, or featured an unembellished documentary style. Tabori staked out a third position, beyond realism and documentation. The volume brings together the voices of international scholars to provide a comprehensive introduction to Tabori's theater as well as in-depth analyses of his work, discussing all of his major plays. Individual essays address Tabori's postdramatic theater in relation to sacrificial ritual, performance studies, and post-humanist approaches to the contemporary stage, as well as performance aspects of his productions, questions of ethics and aesthetics raised by his theater, and his plays' relation to Holocaust representation in popular culture.