2015 was the seventieth anniversary of the end of World War Two, and, for Jews, the seventieth anniversary of the end of the worst Jewish catastrophe in diaspora history. After Genocide considers how, more than two generations since the war, the events of the Holocaust continue to haunt Jewish people and the worldwide Jewish population, even where there was no immediate family connection. Drawing from interviews with "ordinary" Jews from across the age spectrum, After Genocide focuses on the complex psychological legacy of the Holocaust. Is it, as many think, a "collective trauma"? How is a community detached in space and time traumatised by an event which neither they nor their immediate ancestors experienced?"Ordinary" Jews' own words bring to life a narrative which looks at how commonly-recognised attributes of trauma - loss, anger, fear, guilt, shame - are integral to Jewish reactions to the Holocaust.

During and in the aftermath of the dark period of the Holocaust, writers across Europe and America sought to express their feelings and experiences through their writings. This book provides a comprehensive account of these writings through essays from expert scholars, covering a wide geographic, linguistic, thematic and generic range of materials. Such an overview is particularly appropriate at a time when the corpus of Holocaust literature has grown to immense proportions and when guidance is needed in determining a canon of essential readings, a context to interpret them, and a paradigm for the evolution of writing on the Holocaust. The expert contributors to this volume, who negotiate the literature in the original languages, provide insight into the influence of national traditions and the importance of language, especially but not exclusively Yiddish and Hebrew, to the literary response arising from the Holocaust.

When the real is so fantastic, what literary effects will succeed in making it credible and help readers to comprehend its human meaning? As recent world developments fully show us, several lessons of the Nazi Holocaust still remain to be learned. To respond meaningfully and ethically to the Holocaust, writers need to incorporate moral and emotional complexity, and one way they have done this is through using the techniques of the fantastic. The authors in this anthology of essays examine the usefulness of fantastic story-telling for exploring relevant philosophical and moral issues about the Holocaust. The present volume is interdisciplinary in scope, including print literature and film, animation, graphic novels, and various other media. The editors have sought essays that, while ranging in theoretical perspectives, engage in dialogue with one another, together producing a comprehensive whole. Examined are writers like JaneYolen and Art Spiegelman and such works as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's imaginative Pan's Labyrinth (2006), and Martin Scorsese's dark thriller Shutter Island (2010).

German Reparations and the Jewish World" has become a standard reference work since it was first published. Based extensively on archival sources, the author examines the difficult debate within the Jewish world whether it was possible to reach a material settlement with Germany so soon after Auschwitz. Concentrating on how the money was spent in rebuilding Jewish life, he also analyzes how the reparations payments transformed the relations bteween Israel and the diaspora, and between different Jewish political and ideological groups. This revised and expanded edition includes material on sensitive relief programmes from archives that have only recently been opened to researchers. In a new, extensive introductory essay the author reexamines the reparations, restitution and indemnification processes from the perspective of 50 years later.

The new edition of this market-leading textbook includes a revised introduction and updated chapters with new research and insights. Four new case studies of twenty-first-century genocides bring this horrific history up to the present moment: the genocide perpetrated by the government during Argentina's "Dirty War," the genocide of the Yazidis by the Islamic State of Iraq and Syria (ISIS), genocidal violence against the Rohingya in Myanmar, and China's genocide of the Uyghurs. Powerful survivor testimonies bring the essays to life and help readers grapple with the difficult lessons presented throughout the book.

A great historian crowns a lifetime of thought and research by answering a question that has haunted us for more than 50 years: How did one of the most industrially and culturally advanced nations in the world embark on and continue along the path leading to one of the most enormous criminal enterprises in history, the extermination of Europe's Jews?

Giving considerable emphasis to a wealth of new archival findings, Saul Friedlander restores the voices of Jews who, after the 1933 Nazi accession to power, were engulfed in an increasingly horrifying reality. We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence.

A little girl is smuggled out of a Jewish ghetto. Two courageous women. And an inspirational story of survival. In 1941 at the height of World War II, in a Polish ghetto, a baby girl named Rachel is born. Her parents, Jacob and Zippa, are willing to do anything to keep her alive. They nickname her Lalechka. Just before Lalechka's first birthday, the Nazis begin to systematically murder everyone in the ghetto. Her father understands that staying in the ghetto will mean certain death for his child. In both desperation and hope, Lalechka's parents decide to save their daughter, no matter the cost. Zippa smuggles her outside the boundaries of the ghetto where her Polish friends, Irena and Sophia, are waiting. She entrusts their beloved Lalechka to them and returns to the ghetto to remain with her husband and parents - unaware of the fate that awaits her. Irena and Sophia take on the burden of caring for Lalechka during the war, pretending she is part of their family despite the grave danger of being discovered and executed. Holocaust Child is based on the unique journal written by Zippa during the annihilation of the ghetto, as well as on interviews with key figures in the story, rare documents, and authentic letters. It is a story of hope in the face of terror.

The Holocaust is a pervasive presence in British culture and society. Schools have been legally required to deliver Holocaust education, the government helps to fund student visits to Auschwitz, the Imperial War Museum's permanent Holocaust Exhibition has attracted millions of visitors, and Britain has an annually commemorated Holocaust Memorial Day. What has prompted this development, how has it unfolded, and why has it happened now? How does it relate to Britain's post-war history, its contemporary concerns, and the wider "globalisation" of Holocaust memory? What are the multiple shapes that British Holocaust consciousness assumes and the consequences of their rapid emergence? Why have the so-called "lessons" of the Holocaust enjoyed such popularity in Britain? Through analysis of changing engagements with the Holocaust in political, cultural and memorial landscapes over the past generation, this book addresses these questions, demonstrating the complexities of Holocaust consciousness and reflecting on the contrasting ways that history is used in Britain today.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

Iby Knill is a simply remarkable woman. An Auschwitz holocaust survivor originally from Bratislava, she married a British army officer and set out to make a new life in England, arriving in Cornwall in 1947 to set up home. Dealing with the problems of integration as an immigrant in post-war Britain, raising a family and making careers in civil defence, education, international textile design and manufacture and as linguist, amongst others, she also gained an MA at the age of 80.Passionate about music and art, the loss of her beloved Bert prompted her to return to writing but always hitting a stumbling block, 60 years of suppressed memories. Eventually, despite several breakdowns, she unlocked that part of her life and became determined to tell of her experiences to future generations.Even now, she is in constant demand to talk to various groups, schools and within the media. This eagerly-awaited 'The woman with nine lives' picks up where her best-selling first book 'The woman without a number' ends, evoking changing times through a life that has constantly embraced challenge and opportunity.Included in it is the growing realisation that the past cannot be avoided, the difficulty of facing up to it and of how, eventually, Iby returns to some of the places that brought tragedy and despair to her young and formative years. Interspersed within her story, she tells those of her brother, father and mother - the woman whose determination she has inherited.Poignant, moving and searingly honest, this account reconfirms the very best of human nature and is a truly uplifting sequel.With a foreword by Fabian Hamilton, MP

Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, 'One Family's Shoah' suggests a new way of writing cultural history.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

Forgotten Holocaust has become a classic of World War II literature. As Norman Davies noted, "Dr. Richard Lukas has rendered a valuable service, by showing that no one can properly analyze the fate of one ethnic community in occupied Poland without referring to the fates of others. In this sense, The Forgotten Holocaust is a powerful corrective." The third edition includes a new preface by the author, a new foreword by Norman Davies, a short history of ZEGOTA, the underground government organization working to save the Jews, and an annotated listing of many Poles executed by the Germans for trying to shelter and save Jews.

In Hitler's Foreign Executioners, Heinrich Himmler's secret master plan for Europe is revealed: an SS empire that would have no place for either the Nazi Party or Adolf Hitler. His astonishingly ambitious plan depended on the recruitment of tens of thousands of 'Germanic' peoples from every corner of Europe, and even parts of Asia, to build an 'SS Europa'. This revised and fully updated book, researched in archives all over Europe and using first-hand testimony, exposes Europe's dirty secret: nearly half a million Europeans and more than a million Soviet citizens enlisted in the armed forces of the Third Reich to fight a deadly crusade against a mythic foe, Jewish Bolshevism. Even today, some apologists claim that these foreign SS volunteers were merely soldiers 'like any other' and fought a decent war against Stalin's Red Army. Historian Christopher Hale demonstrates conclusively that these surprisingly common views are mistaken. By taking part in Himmler's murderous master plan, these foreign executioners hoped to prove that they were worthy of joining his future 'SS Europa'. But as the Reich collapsed in 1944, Himmler's monstrous scheme led to bitter confrontations with Hitler - and to the downfall of the man once known as 'loyal Heinrich'.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially - the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

She found the diary and brought the world a message of love and hope.

It seems as if we are never far from Miep's thoughts....Yours, Anne

For the millions moved by "Anne Frank: The Diary of a Young Girl, " here at last is Miep's own astonishing story. For more than two years, Miep Gies and her husband helped hide the Franks from the Nazis. Like thousands of unsung heroes of the Holocaust, they risked their lives each day to bring food, news, and emotional support to the victims.

From her own remarkable childhood as a World War I refugee to the moment she places a small, red-orange, checkered diary -- Anne's legacy -- in Otto Frank's hands, Miep Gies remembers her days with simple honesty and shattering clarity. Each page rings with courage and heartbreaking beauty.

How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.

On the 2nd of August 1947 a young man gets off a train in a small Swedish town. He has survived the Lodz ghetto, Auschwitz, and the harrowing slave camps and transports during the final months of Nazi Germany. Now he has to learn to live with his memories. In this intelligent and deeply moving book, Goeran Rosenberg returns to his own childhood in order to tell his father's story. It is also the story of the chasm that soon opens between the world of the child, suffused with the optimism, progress and collective oblivion of post-war Sweden, and the world of the father, haunted by the long shadows of the past.

Model Nazi tells the story of Arthur Greiser, the man who initiated the Final Solution in Nazi-occupied Poland. Between 1939 and 1945, Greiser was the territorial leader of the Warthegau, an area of western Poland annexed to Nazi Germany. In an effort to make the Warthegau 'German,' Greiser introduced numerous cruel policies. He spearheaded an influx of hundreds of thousands of ethnic Germans. He segregated Germans from Poles, and introduced wide-ranging discriminatory measures against the Polish population. He refashioned the urban and natural landscape to make it 'German.' And even more chillingly, the first and longest standing ghetto, the largest forced labour program, and the first mass gassings of Jews in Nazi-occupied Europe were all initiated under Greiser's jurisdiction. Who was the man behind these dreadful policies? Catherine Epstein gives us a compelling biographical portrait of Greiser the man: his birth in the German-Polish borderlands, his rise to Nazi prominence in Danzig, his actions as party leader in the Warthegau, and his trial and execution in postwar Poland. Drawing on a remarkable array of German and Polish sources, she shows how nationalist obsessions, political jealousies, and personal insecurities shaped the policies of a man who held remarkable power in his Nazi fiefdom. Throughout, Epstein confronts a burning question of our age: why do individuals imagine genocide and ethnic cleansing to be solutions to political problems?

Of the 400,000 German-speaking Jews that escaped the Third Reich, about 16,000 ended up in Shanghai, China. This groundbreaking volume gathers 20 years of interviews with over 100 former Shanghai refugees. It offers a moving collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.

It seems at first commonplace: a photograph of peasants at harvest time, after work well done, resting contentedly with their tools, behind the fruits of their labor. But when one finally notices that what seemed innocent on first view becomes horrific: the crops scattered in front of the group are skulls and bones. Where are we? Who are the people in the photograph, and what are they doing?
The starting point of Jan Gross's A Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers" atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are hoping to find gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth.
The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. The theft of this wealth was not limited to conquering armies, leading banks, and museums, but to local populations such as those pictured in the photograph. Based upon a simple group shot, this moving book evokes the depth and range, as well as the intimacy, of the final solution.

This book presents the results of comprehensive research into the world's Jewish press during the Second World War and explores its stance in the face of annihilation of the Jewish people by the Nazi regime in Europe. The research is based on the major Jewish newspapers that were published in four countries Palestine, Britain, the United States, and the Soviet Union and in three languages Hebrew, Yiddish, and English. The Jewish press frequently described the situation of the Jewish people in occupied countries. It urged the Jewish leaders and institutions to act in rescue of their brethren. It protested vigorously against the refusal of the democratic leadership to recognize that the Jewish plight was unique because of the Nazi intention to annihilate Jews as a people. Yosef Gorny argues that the Jewish press was the persistent open national voice fighting on behalf of the Jewish people suffering and perishing under Nazi occupation."

Now in paperback, this European bestseller won huge -acclaim from U.S. critics, Jonathan Yardley of the "Washington Post Book World "declared this memoir of a Holocaust girlhood and a life reclaimed "one of the best books of 2001 . . . a book of surpassing, and at times brutal, honesty. . . . Among the many reasons that "Still Alive "is such an important book is its insistence that the full texture of women's existence in the Holocaust be acknowledged."

Ruth Kluger's story of her years in several concentration camps, and her struggle to establish a life after the war as a refugee survivor in New York, has emerged as one of the most powerful accounts of the Holocaust. Still Alive is a memoir of the pursuit of selfhood against all odds, a fiercely bittersweet coming-of-age story in which the protagonist must learn never to rely on comforting assumptions, but always to seek her own truth.

"A deeply moving and significant work . . . compared by European critics to the work of Primo Levi and Elie Wiesel."--"Publishers Weekly"

"A stunning contemplation of human relationships, power and the creation of history. . . . A work of such nuance, intelligence and force that it leaps the bounds of genre."--"Kirkus Reviews"

Ruth Kluger is professor emerita of German at the University of California, Irvine. She is the author of five books about German literature and the recipient of Austria's National Prize for Literary Criticism. Her widely translated memoir has won eight European Literary awards. Lore Segal's writings include the novels "Other People's Houses "and "Her First American."