Conceptual Tension: Essays on Kinship, Politics, and Individualism is a critical philosophical examination of the role of concepts and concept formation in social sciences. Written by Leon J. Goldstein, a preeminent Jewish philosopher who examined the epistemological foundations of social science inquiry during the second half of the twentieth century, the book undertakes a study of concept formation and change by looking at the four critical terms in anthropology (kinship), politics (parliament and Rousseau's concept of the general will), and sociology (individualism). The author challenges prevailing notions of concept formation and definition, specifically assertions by Gottlieb Frege that concepts have fixed, clear boundaries that are not subject to change. Instead, drawing upon arguments by R.G. Collingwood, Goldstein asserts that concepts have a historical dimension with boundaries and meanings that change with their use and context. Goldstein's work provides insight for philosophers, historians, political scientists, anthropologists, and Judaica scholars interested in the study and meaning of critical concepts within their fields.

This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index - making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.

Judah ben Joseph Moscato (c.1533-1590) was one of the most distinguished rabbis, authors, and preachers of the Italian-Jewish Renaissance. This volume is a record of the proceedings of an international conference, organized by the Institute of Jewish Studies at Halle-Wittenberg (Germany), and Mantua's State Archives. It consists of contributions on Moscato and the intellectual world in Mantua during the 16th and 17th centuries.

Through a series of fascinating essays "Creation's Diversity" examines the concept of environmental engagement in the context of religious convictions."Creation's Diversity" opens with a substantial introduction by Willem B. Drees, exploring how to relate environmental engagement in the context of religious convictions. Daniel Ciobotea, Metropolit of Moldavia and Bucovina (Romania) speaks from the Orthodox tradition in arguing for the compatibility of science and faith in appreciating the rationality and mystery of the universe.In the first part of the book, 'A Diversity of Visions of Creation', six essays address various views of creation. Anna Primavesi is inspired by the gaia-theory that presents the whole biosphere as intimately intertwined. Regina Kather takes her point of departure in a philosophical analysis of human beings as biological products and producers of culture. David Goodin concerns the Biblical narratives regarding the Leviathan, as a sea monster to be destroyed and as one of God's impressive creatures, to be played with. Christopher Southgate mines the religious tradition, especially the idea that God limits 'himself' (kenosis) so as to create room for a free response and genuine responsibility on the side of creatures such as we. Two more chapters, by Alfred Kracher and Tony Watling analyze the mythical roles of nature and technology and of cosmologies inspired by science (e.g. the gaia-theory) and by religious traditions (e.g., creation narratives).The second part of the book, 'Sustaining Creation's Diversity', analyses critically the concept of sustainability, given the dynamic character of natural reality as unveiled by the sciences (Sam Berry, Jan J. Boersema). This is followed by some reflections on ethical and theological considerations regarding the idea that we ought to sustain diversity (Chris Wiltsher, Peter P. Kirschenmann). Zbigniew Liana considers diversity in a more cultural context, as the diversity of ideas, while the concluding chapter by Dirk Evers reflects on the task of theology in sustaining diversity in a situation of growing religious pluralism.

Biblical, historical and theological scholars on both sides of the Atlantic assess the work of Professor Spinks. The study of liturgy has received criticism from scholars and practitioners alike: the academic discipline of liturgiology has been compared to the hobby of stamp collection, and proponents for liturgical renewal argue that worship must be made more accessible and relevant. Bryan Spinks has been an important moderating voice in this discussion, reminding both academic and ecclesial communities that Christ is made known in the liturgical riches of the past as well as in contemporary forms of the present. Inspired by Spinks' work, this volume brings together biblical, historical, and theological scholars to discuss the theme of continuity and change in worship. Its historical range begins with the early church, extends through the Reformation, and concludes with a discussion of issues facing contemporary liturgical reform. In recognition of the fact that Professor Spinks' work has been widely influential in both Europe and the United States, the editors have solicited liturgical perspectives from scholars with international reputations on sides of the Atlantic.

Throughout history human beings have been preoccupied with personal survival after death. Most world religions therefore proclaim that life continues beyond the grave, and they have depicted the Hereafter in a variety of forms. These various conceptions constitute answers to the most perplexing spiritual questions: Will we remember our former lives in the Hereafter? Will we have bodies? Can bodiless souls recognize each other? Will we continue to have personal identity? Will we be punished or rewarded, or absorbed into the Godhead? These issues serve as the basis of this collection of essays which provide a framework for understanding traditional conceptions of the Hereafter as well as new perspectives.

This lively and highly original study explores the link between visual culture and religion in terms of tales, memory and character. It draws out the sociological implications of handling the virtual and virtue in ways of seeing. Using Simmel's approach to religiosity in his third study of sociology in theology, Flanagan explores how spectacle is to be understood in ways that yield trust. The study will be invaluable for undergraduate and postgraduate courses on visual culture, sociology of religion and theology. Postgraduate and advanced-level Undergraduate students and researchers studying Sociology of Religion, Culture and Society, Visual Culture, Sociological Theory Teachers and Lecturers in departments of Sociology, Anthropology, Theology and Cultural Studies

Samuel Stefan Osusky was a leading intellectual in Slovak Lutheranism and a bishop in his church. In 1937 he delivered a prescient lecture to the assembled clergy, "The Philosophy of Fascism, Bolshevism and Hitlerism", that clearly foretold the dark days ahead. As wartime bishop, he co-authored a "Pastoral Letter on the Jewish Question", which publicly decried the deportation of Jews to Poland in 1942; in 1944 he was imprisoned by the Gestapo for giving moral support to the Slovak National Uprising against the fascist puppet regime. Paul R. Hinlicky traces the intellectual journey with ethical idealism's faith in the progressive theology of history that ended in dismay and disillusionment at the revolutionary pretensions of Marxism-Leninism. Hinlicky shows Osusky's dramatic rediscovery of the apocalyptic "the mother of Christian theology", and his input into the discussion of the dialectic of faith and reason after rationalism and fundamentalism.

This book focuses on the work of Mircea Eliade, taking a methodological concern, but also focusing on a wider concern, trying to indicate the many facets and implications of Eliade's scholarship as a historian of religions. Chapters two and three are concerned with the work of Eliade as a historian of religions, whereas chapter four examines the theological aspects of his work. After an examination of the human situation and his understanding of God, the book goes on to discover that the key to understanding Eliade's theological reflections is the role of nostalgia. As well as the theological aspects of Eliade's work, this book looks at his participation and contribution to cross-cultural dialogue, his theory of myth, his theory of archaic ontology, his concept of power and his views on time from the perspective of his roles as both a historian of religions and a literary figure.