A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.

On January 17, 1913, alone and near starvation, Douglas Mawson, leader of the Australasian Antarctic Expedition, was hauling a sledge to get back to base camp. The dogs were gone. Now Mawson himself plunged through a snow bridge, dangling over an abyss by the sledge harness. A line of poetry gave him the will to haul himself back to the surface. Mawson was sometimes reduced to crawling, and one night he discovered that the soles of his feet had completely detached from the flesh beneath. On February 8, when he staggered back to base, his features unrecognizably skeletal, the first teammate to reach him blurted out, "Which one are you?" This thrilling and almost unbelievable account establishes Mawson in his rightful place as one of the greatest polar explorers and expedition leaders. It is illustrated by a trove of Frank Hurley's famous Antarctic photographs, many never before published in the United States.

This collection will bring together a selection of works by travellers studying natural philosophy as well as natural history. The set will cover a wide geographical spread, including accounts from Australia, Asia, Africa and South America. The style of writing and subject matter are also diverse. Some offer more reflective writing, mingling scientific observation with romantic musing and high style, others have a more specific focus - such as Bates description of Mimicry in butterflies in Bali. The first volume includes a general introduction to the collection and each succeeding volume also includes a new introduction by the editor, which places each work in its historical and intellectual context.

Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable social, political and imperialist discourses in the nineteenth century.

In 1897, two sisters embark from Pennsylvania in search of soul-broadening experiences in the Indian Southwest, newly opened to intrepid travellers. Their letters and photographs are the heart of this brilliantly reassembled grand tour.

In 1982, following the relaxation of access restrictions to Tibet, six climbers set off for the Himalaya to explore the little-known Shishapangma massif in Tibet. Dealing with a chaotic build-up and bureaucratic obstacles so huge they verged on comical, the mountaineers gained access to Shishapangma's unclimbed South-West Face where Doug Scott, Alex MacIntyre and Roger Baxter-Jones made one of the most audacious and stylish Himalayan climbs ever. First published in 1984 as The Shishapangma Expedition, Shishapangma won the first ever Boardman Tasker Prize for Mountain Literature. Told through a series of diary-style entries from all the climbers involved, Shishapangma reveals the difficult nature of Himalayan decision-making, mountaineering tactics and climbing relationships. Tense and candid, the six writers see every event differently, reacting in different ways and pulling no punches in their opinions of the other mountaineers - quite literally at one point. Nonetheless, the climbers, at the peak of their considerable powers and experience, completed an extremely committing enterprise. The example set by their fine climb survives and several new routes (all done in alpine style) have now been added to this magnificent face. For well-trained climbers, such ascents are fast and efficient, but the consequences of error, misjudgement or bad luck can be terminal and, sadly, soon afterwards two of the participants were struck down in mountaineering accidents - MacIntyre hit by stonefall on Annapurna's South Face and Baxter-Jones being caught by an ice avalanche on the Aiguille du Triolet. In addition their support climber, Nick Prescott, died in a Chamonix hospital from an altitude-induced ailment. Shishapangma is a gripping first-hand account of the intense reality of high-altitiude alpinism.

Berlin is much more than the former capital of Nazi Germany--it is often described today as innovative, fast-paced, avant-garde, rough, exciting, and even sexy. At the political and geographical centre of the Second World War and the Cold War, the city had already been at the cultural heart of Europe for hundreds of years--and continues to set architectural, musical, literary and fashion trends in the twenty-first century. Berlin has been shaped by politicians such as Frederick the Great, dictators like Adolf Hitler and architects such as Karl Friedrich Schinkel and Hans Scharoun, and it boasts icons including the Brandenburg Gate and the Reichstag. Yet no one individual put a decisive stamp on the city, which had to reinvent itself again and again because of its turbulent history. The staid baroque capital of Prussia was succeeded by the up-and-coming capital of newly united Germany; village homes replaced by tenement housing in the nineteenth century; the hierarchical orderliness of the early twentieth century followed by the unconventional statements of modernism. After the destruction of the Second World War, the Berlin Wall cut the city in half and created the brooding image of the Cold War frontier, and since the dramatic collapse of the Wall the latest version of a unified Berlin has arisen as new Germany's capital. Even today, the various communities that now make up the city have their own distinctive identities. Norbert Schurer's cultural guide explores the juxtaposition of Berlin's past and present in history, architecture, literature, art, entertainment and religion and offers an insider account that provides contexts to make sense of Berlin's dazzling variety.

Often amusing, sometimes romantic or fraught with danger, these 30 short stories are about local people, spectacular places and the special wildlife the author sets out to find. The stories include seeking out Arabian Oryx on the searing plains of the Saudi desert; eiderdown collecting in Iceland, crouching in swirling clouds and darkness on a knife-edge ridge in the rugged Madeiran mountains and swimming with Grey Seals off the Pembroke coast. The author describes incredible encounters with spectacular animals from lumbering manatees and dangerous rhinos to unforgettable experiences such as being led by a honeyguide with a Kenyan Dorobo tribesman to the nest of wild bees and watching cranes tip-toeing their courtship dances. These hugely entertaining tales visit places as diverse as the Florida Everglades, England's New Forest, Iceland's offshore islands, the Empty Quarter of the Saudi Desert, the tiny remnants of Jordan's Azraq wetland and the impressive oak dehesas of Extremadura. Sit back and visit the world!

Someone once asked me how much I charge to guide people into the woods. "That's free," I explained. "Anyone can get themselves into the woods. You pay me to get you out." Can anyone really know the northern forest? It is something you feel more in your heart than in your head. You may be able to locate your place on a map, but can you pinpoint the places the forest has hold of your soul? For more than forty years, Maine Guide Earl Brechlin has sought the answers. Through this series of interconnected essays, Brechlin recounts the annual canoe trips to the North Maine Woods he has made with a small group of friends, closing with the death of his twin brother and the group's last trip to spread his brother's ashes in the place he loved best. Often humorous and thrilling at once, the heartfelt narrative is peppered with tidbits of history, woods lore, and sage advice from a seasoned outdoorsman. What shines through is the author's profound love of the natural world and his place in it.

An expression of Hemingway's enjoyment and appreciation of being alive, in Africa. There is more to his celebration than hunting, as he describes the shape, colour and timelessness of the country and the companionship of friends.

A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.

A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods, import-export business, jobs, and power. Many of the works collected here become the basis for numerous works of popular and serious literature by Arnold, Dickens, Thackeray, Haggard, Conrad, Kipling and many others.

'Quietly triumphant.' Donal Ryan 'Ambitious and gentle.' Belinda McKeon 'A terrific book.' Michael Harding In May 2020, John Connell finds himself, like so many others, confined to his local area, the opportunity to freely travel and socialise cut short. His attention turns to the Camlin river - an ever-present source of life for his town's inhabitants and, for John, a site of boyhood adventure, first love, family history and local legend. He decides to canoe its course with his friend, Sunday Times journalist Peter Geoghegan, a two-day trip requiring physical exertion and mental resilience. As the world grows still around them, the river continues to teem with life - a symphony of buzzing mayfly and jumping trout. During their meander downstream, John reflects on his life: his travels, his past relationships and his battle with depression, as well as on Irish folklore, geopolitics and philosophy. The Stream of Everything is both a reverie and a celebration of close observation; a winding, bucolic account of the summer we discovered home.

This second set in The Collected Writings of Daniel Defoe brings together some of his best-loved and most ambitious works, together with others which reveal the extraordinary range of his intellectual interests Three volumes are devoted to major historical writings by Defoe. His Memoirs of the Church of Scotland and History of the Union of Great Britain are included here.

As I Walked Out One Midsummer Morning is the moving follow-up to Laurie Lee's acclaimed Cider with Rosie Abandoning the Cotswolds village that raised him, the young Laurie Lee walks to London. There he makes a living labouring and playing the violin. But, deciding to travel further a field and knowing only the Spanish phrase for 'Will you please give me a glass of water?', he heads for Spain. With just a blanket to sleep under and his trusty violin, he spends a year crossing Spain, from Vigo in the north to the southern coast. Only the outbreak of the Spanish Civil War puts an end to his extraordinary peregrinations . . . 'He writes like an angel and conveys the pride and vitality of the humblest Spanish life with unfailing sharpness, zest and humour' Sunday Times 'There's a formidable, instant charm in the writing that genuinely makes it difficult to put the book down' New Statesman 'A beautiful piece of writing' Observer

Isabella Bird's account of her journeys in Korea in 1898 represents one of the very rare accounts of that country in the latter part of the nineteenth century. At that time Korea was virtually a forbidden land and had only been open to foreigners for about ten years. It was and had been under Chinese influence for centuries. The trip was very difficult but so fascinating that, true to character, Isabella adored it. She undertook many arduous jouneys by land and river, observed the breathtakingly beautiful countryside, visited the Buddhist monasteries and had many audiences with the Korean king and his soon to be assassinated queen. While Isabella was on her journey the Japanese invaded Korea and she had to leave hastily, ending up in China, penniless.

Unflinchingly honest about his family, his failures, his already broken health at the age of sixty?three and the loss of the hopes he once had for himself, Thomsen is also sickened by the corruption and rapacity of our societies, the inequality and the economic destitution. What starts as an almost reluctant concatenation of memory and poignant, limpid descriptions of Brazil, grows into a shattering romantic symphony on human misery and life s small but exquisite transcendent pleasures. He spares the reader nothing.

However many times it has been done, the act of casting off the warps and letting go one's last hold of the shore at the start of a voyage has about it something solemn and irrevocable, like marriage, for better or for worse. Mostly Mischief's ordinary title belies four more extraordinary voyages made by H.W. 'Bill' Tilman covering almost 25,000 miles in both Arctic and Antarctic waters. The first sees the pilot cutter Mischief retracing the steps of Elizabethan explorer John Davis to the eastern entrance to the Northwest Passage. Tilman and a companion land on the north coast and make the hazardous crossing of Bylot Island while the remainder of the crew make the eventful passage to the southern shore to recover the climbing party. Back in England, Tilman refuses to accept the condemnation of Mischief's surveyor, undertaking costly repairs before heading back to sea for a first encounter with the East Greenland ice. Between June 1964 and September 1965, Tilman is at sea almost without a break. Two eventful voyages to East Greenland in Mischief provide the entertaining bookends to his account of the five-month voyage in the Southern Ocean as skipper of the schooner Patanela. Tilman had been hand-picked by the expedition leader as the navigator best able to land a team of Australian and New Zealand climbers and scientists on Heard Island, a tiny volcanic speck in the Furious Fifties devoid of safe anchorages and capped by an unclimbed glaciated peak. In a separate account of this successful voyage, Colin Putt describes the expedition as unique - the first ascent of a mountain to start below sea level.

The Romantic Period saw the advance of the massive British imperial expansion that was to make it dominant for most of the 19th century. There was a corresponding expansion in travel writings, which, highly popular in their own time, seemed to bring exotic realms within the grasp of the reading public and were a source for ethnographic and cultural information about other societies.

Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.

On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites-and himself. "An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."-Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still-an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture-and, in the process, finding himself.

Translating Travel examines the relationship between travel writing and translation, asking what happens when books travel beyond the narrow confines of one genre, one literary system and one culture. The volume takes as its starting point the marginal position of contemporary Italian travel writing in the Italian literary system, and proposes a comparative reading of originals and translations designed to highlight the varying reception of texts in different cultures. Two main themes in the book are the affinity between the representations produced by travel and the practices of translation, and the complex links between travel writing and genres such as ethnography, journalism, autobiography and fiction. Individual chapters are devoted to Italian travellers' accounts of Tibet and their English translations; the hybridization of journalism and travel writing in the works of Oriana Fallaci; Italo Calvino's sublimation of travel writing in the stylized fiction of Le cittA invisibili; and the complex network of literary references which marked the reception of Claudio Magris's Danubio in different cultures.

A top-class team has formed to honour the Spanish Riding School in Vienna and the Piber Federal Stud with a sumptuous volume on the occasion of their anniversary: Elisabeth Gurtler, Director of the Spanish Riding School, presents the excellence and the unique character of this institution and its rich tradition. The internationally renowned photographer Rene van Bakel has captured the Lipizzaners through the years from birth to their demanding training and the glamorous performances. Sports journalist and horse enthusiast Arnim Basche interweaves expert knowledge and emotion in his texts. And multi-award-winning publisher Edition Lammerhuber - elected Photography Book Publisher of the Year 2014 - provides the elegant design for the book to match both the theme and the occasion.

This collection of Daniel Defoe's travel and historical writings brings together some of his best-loved and most ambitious works, together with others which reveal the extraordinary range of his intellectual interests. His Tour thro' the Whole Island of Great Britain, which came out between 1724 and 1726, drew on Defoe's own travels throughout England and Scotland - often as a political agent and spy.