This exciting and accessible collection for upper voices (scored for SA choir and piano) features five songs by celebrated choral composer Bob Chilcott. Drawing on five very different texts, Chilcott guides the voices through a number of styles and moods; the songs include the rousing 'All for Love of One', gentle 'The Truth is Great', and thought-provoking 'All things pass'. The central song, 'Circles of Motion', is a fervent and positive setting of Joy Harjo's well-known 'Eagle Poem', and the collection is completed by the funky 'Red Boots On', which uses jazzy rhythms and harmonies to bring Kit Wright's text alive. This is Chilcott at his very best - a welcome addition to the repertoire of any upper-voice choir.

for SATB and organ or orchestra This gentle New Year carol was composed in celebration of the 80th birthday of HM The Queen. Instantly singable, and with the warm, tuneful lyricism so characteristic of John Rutter's music, the carol offers a simple message of hope as we look forward to a new year. Orchestral material is available on hire.

An arrangement of Tallis's Canon for 2, 3, 4, or 5 equal voices, with chamber orchestra or organ and strings This German translation of the original English text 'Glory to thee, my God, this night' is also available in the collection, Glory to God. Material for strings is available on hire.

for SATB and optional organ, or full orchestra, or strings only, or brass ensemble A German translation of the traditional English carol, 'Hark! the herald-angels sing'. German and English texts. Also in the collection Glory to God.

for SSAA and piano This setting of a delightful text by Canadian poet Tara Wohlberg was commissioned by the Canadian Children's Opera Chorus. The gentle undulating piano accompaniment and the lush choral parts will make this a delight both for singers and audience members.

for SSA and organ This joyful carol sets a text by Henry Wadsworth Longfellow. The piece opens with an imitation of bells spread across the voices, and this festive, celebratory quality is maintained throughout. Simple yet elegant, Christmas Bells is ideal for any upper-voice choir.

for SA and piano Wayfarin' Stranger is a two-part upper voice version of the SAB setting of the popular American folksong that is featured in SongStream 2: An American Journey. A blues flavour in the accompaniment and a canon in the middle section give the familiar tune fresh appeal.

for solo organ The work is divided into seven sections, each reflecting a different verse of the hymn text. Musical styles vary between movements, making the work an interesting recital piece. Individual sections can also be performed liturgically. The piece is of moderate difficulty.

for SATB, soprano and tenor soloists, unaccompanied This is a setting of text by the Irish poet and singer Colum Sands in a contemporary folk style. Its secular text will appeal to a wide range of audiences, and might also be suitable for use in non-liturgical services.

for SATB and piano or organ The text is by Timothy Dudley-Smith and is based on a text of St Augustine. The gentle undulating rhythm created by the 6/4 time signature and the subtle harmonic shifts add interest and illuminate the meaning. A central section can be sung by soloists or by small sections of the choir.

for unison chorus and piano This setting was originally published as part of Folk Songs of the Four Seasons. The attractive melody is set to a lilting accompaniment to create a charming arrangement that will appeal to choirs and audiences of all ages.

for SSA and piano or orchestra This carol may also be found in Carols for Choirs 4. The orchestral material is available on sale.

for SATB and organ or brass (3 trumpets, 3 trombones, organ and timpani (optional)) Instrumental material is available on hire.

for SATB chorus, organ, and optional brass ensemble (2 trumpets, 4 horns, 3 trombones, and tuba) Jongen's Messe en l'honneur du Saint-Sacrement was written in 1945 to celebrate the 700th anniversary of the inception of the Festival of Corpus Christi. The result is a striking work, with poignant and expressive harmonies, that is very approachable by mixed voiced choirs, and with short solos that can be taken by members of the choir.

for SATB and piano or small orchestra This delightful arrangement of a traditional Swedish melody presents the tune in a variety of scorings, from unison upper voices at the opening to classic four-part harmony with a twist later on. The piano or orchestral accompaniment brings new flavour to the melody on each rendition through Wilberg's masterful employment of subtle chromatic inflections. This arrangement will prove a popular choice both in services and concerts. Orchestral material is available on hire.

for SSATB (with divisions) unaccompanied In Christus est stella, Will Todd sets words by the Venerable Bede, which are also found inscribed above Bede's tomb in the Galilee Chapel of Durham Cathedral. Featuring the original Latin text intertwined with an English translation, the piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for All Saints, All Souls, and Remembrance Day, as well as for funerals. Christus est stella was originally published in the collection Cantica Nova.

for SATB and organ, with optional congregation Commissioned for the American Guild of Organists 2014 National Convention in Boston, Mass., Eternal Ruler of the ceaseless round is a joyful and exuberant setting of the well-known hymn by John Chadwick. It begins with a rich organ introduction before the choir (and congregation) join in with a unison presentation of the melody. The second section explores the Lydian mode, with its rising fourth, while the adamantine final verse brings the anthem to a resolute close that reflects the text's profound depiction of unity and human understanding.

Irascible, truculent, but a brilliant musician. Any of these words could accurately describe Samuel Sebastian Wesley (1810-76), the foremost organist and church music composer of his generation. Peter Horton paints a detailed picture of the life and career of this remarkable man whose output includes such favourites as 'Blessed be the God and Father' and 'The wilderness'.

for SATB and piano or orchestra
Mack Wilberg's new arrangement of The Twelve Days of Christmas for SATB and piano or orchestra is fresh and unconventional. The setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky, and other familiar tunes that allude to various gifts mentioned in the lyrics. The final round is a race to the finish, fueled with excitement and drama, as the music inches upwards with the recounting of each set of gifts.
Orchestral accompaniment is available on rental.

Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition.

Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.

for SATB and organ (or piano duet) A lyric and serene sacred song, foreshadowing the mood of the Requiem. German words are by Paul Flemming (b. 1609) and the English singing translation has been provided by Rutter.

This book presents a comprehensive view of children's musical artistry and how to develop it in both the music classroom and children's chorus. Presenting the musical mind as the gateway to children's artistry, and addressing the power of movement in its embodiment and advancement, author Mary Ellen Pinzino shows how song-rhythm, melody, and text, independently and together-influence children's developing artistry musically, expressively, and vocally at every level. Accordingly, she also offers a multitude of specific songs that inspire children's artistry, all in various tonalities and meters and on a continuum of increasing difficulty. Keeping the need for practical application in mind, Pinzino offers materials for implementation with children from kindergarten through seventh grade, as well as guidance for professional development. Content can be applied alongside any pedagogical methodology, as well as with older singers in the process of developing their own artistry. In short, this book makes the intangibles of children's artistry more tangible. It enables music teachers and choral conductors to draw artistry out of every child and draw every child into the choral art. It summons music teachers and choral conductors to bring artistry to the forefront of every music class and choral rehearsal-and to the forefront of the field of music education as a whole.