for SATB unaccompanied I saw three ships is a lively setting of the traditional English text for unaccompanied mixed voices. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse complete with chiming bells. Accessible and fun to sing, this would be an enjoyable addition to any carol concert.

for SATB unaccompanied Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choirs looking for an evocative addition to the Christmas repertory.

for SATB and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and exciting climax, all in a lilting swing. A version for upper voices is also available.

for SATB and organ The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Chesterton, it is highly original yet approachable, and develops the opening melodic motif to provide a sense of cohesion throughout the piece.

for SATB accompanied and unaccompanied This series brings together anthems and carols by some of Oxford's leading choral composers, including John Rutter, Bob Chilcott, Andrew Carter, Mack Wilberg, and Alan Bullard. Together, these collections offer a kaleidoscope of musical styles and texts, including unique arrangements of popular classics alongside some of the composers' finest original works to date. Previously published under the title 'Gaudete!', this collection of ten exciting carol arrangements has been re-covered to complement Bob Chilcott's first Christmas choral anthology, Bob Chilcott Carols 1. From the simple, understated beauty of 'Away in a manger' to the exuberant jazz waltz version of 'We wish you a merry Christmas', this volume takes a fresh look at classics of the Christmas repertoire. Orchestral material is available on hire for the accompanied pieces.

for chorus, chamber choir, and children's choir, or large divisi chorus, with orchestra and organ or brass ensemble and organ. Showcasing Chilcott's exceptional talent for large-scale choral writing, Salisbury Vespers pays homage to this most ancient of services, combining settings of the traditional Vespers psalms with anonymous early texts and words from the Sarum Primer of 1516. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the Magnificat, using the plainsong melody from the same section in Monteverdi's Vespers of 1610. With driving rhythms, passages of reflective contemplation, and expansive, powerful textures, this is sure to become a mainstay of the modern choral repertory for years to come. Written for large mixed choir, chamber choir, and children's choir, Salisbury Vespers could equally be performed by a large mixed choir, with the parts for chamber choir and children's choir being sung by smaller sections taken from within the large choir. Vocal scores are available on sale and on hire/rental.

for SATB and organ or brass quartet and timpani Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts available separately). The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and traditions, Jackson here has created a work which embraces a wide-ranging perspective on human mortality. Each movement is given a different character and musical style, and the result is a unique, sublime work which cannot fail to impress. Vocal scores are available on sale and on hire/rental.

for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings, while the piano part complements the vocal lines with rich, luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire.

for SATB and piano or orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for unison or SSA is also available. Orchestral material is available on hire.

for S or SSA and piano or chamber orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire.

for SATB and piano four-hands or orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on rental.

for SATB and organ, or piano four hands, or orchestra The new organ accompaniment was transcribed by Peter Stevens for the King's College, Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral parts for an effective alternative to the already existing version for piano four hands. Orchestral material is available on hire.

for SATB accompanied and unaccompanied
Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favorite, most requested songs from their workshops, while trying to represent a wide spectrum of Africas regions and cultural practicessongs of spirituality, religion, community, work, and play from Nigeria, Ghana, Congo, Benin Republic, South Africa, Namibia, Gambia, and others. The result is Songs of Africa, a user-friendly resource that will satisfy the hunger for new, diverse choral repertoire. As a performance aid, this exciting collection also includes a pronunciation guide, notes on performance practice and cultural context, and, where accompaniment is needed or suggested, some accessible percussion charts.

for SATB choir, soprano solo, mezzo-soprano solo, and chamber orchestra or piano McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, Magnificat is ideal for SATB choirs seeking fresh and inspiring new repertoire suitable for church or concert use. Instrumental parts and vocal scores are available on hire/rental.

for SATB and organ This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody, floating soprano descant, and mellifluous closing 'Amen' make this a setting of great beauty.

for SATB choir, solo trumpet, and organ Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary and first performed at the United Guilds Service in St Paul's Cathedral in March 2008, this is an impressive and stately setting of verses from Psalm 90, culminating in a jubilant, maestoso final section. The work would suit any festive service or concert. The trumpet part is available separately.

for SATB and organ This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use. Alongside his own material Chilcott includes the traditional 'Morning has broken' melody, allowing members of the congregation to join in with the choir.