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Books > Arts & Architecture > Music > Other types of music > Vocal music
for upper voices, SATB, and organ or chamber ensemble On Christmas
Night is a musical celebration of the Christmas story, presented as
a sequence of eight original carols. Chilcott calls upon several
familiar carol melodies within his own settings, resulting in an
impressive array of styles and moods-from comforting and reflective
to jubilant, swinging, and folksy. The work as a whole can be
performed liturgically or in concert, with or without the
composer's suggested readings, while individual carols may also be
programmed separately. Combining tradition and invention, On
Christmas Night is a versatile and enchanting addition to the
choral repertory. An accompaniment for chamber ensemble is
available on hire/rental.
for SATB and organ or orchestra Novo profusi gaudio is a vibrant
Christmas motet, setting a medieval text that combines English,
Latin, and French words. This joyful account of the nativity is
combined with colourful, exuberant music featuring memorable
motifs, rhythmic phrases, and triumphant climaxes. Topped off with
an extra layer of character from the organ part, this piece is sure
to add sparkle to any service or concert at Christmas time.
This in an outstanding collection of twelve African-American
spirituals arranged for upper voices. Rosephanye and William C.
Powell have collaborated with some of the most talented and
respected spiritual arrangers in the United States to deliver
specially commissioned, authentic settings. You'll find familiar
melodies, such as 'Deep River' and 'Somebody's knockin' at yo'
do'', alongside lesser-known spirituals, and a range of styles and
moods extending from the aspirational to the celebratory. Many of
the arrangements include a 'lead voice' part, allowing the
opportunity for solo singing, and idiomatic piano parts support the
voices for the accompanied spirituals; piano reductions are
included for the unaccompanied arrangements. This inspirational
journey through the African-American spiritual tradition is sure to
captivate and delight all upper-voice choirs.
for SATB (with divisions) and organ Commissioned and first
performed by the choir of Liverpool Cathedral, this anthem is ideal
for use during the Feast of Saints Peter and Paul. The choral lines
move between sonorous homophonic writing and vibrant imitative
passages, and are underpinned by a repeated quaver motif in the
organ. Combining a sense of joy with moments of reflection, this
anthem will particularly appeal to choirs looking to expand their
choral repertoire.
for SATB (with soprano semi-chorus), piano, & optional
percussion (bass drum, tam-tam/gong, & 3 tom-toms) This is a
colourful and dramatic celebration of nature and its powerful and
hypnotizing sounds. The listener is taken on a captivating journey
through the natural world, via 'tongues of thunders', the 'singing
sea', and 'trumpet-throated winds'. Clustered harmonies,
cross-rhythms, and vocal effects are combined with bell-like
passages and rippling figurations in the piano, and the optional
percussion part adds further rhythmic and dynamic interest. The
semi-chorus part can be sung by one or more sopranos or a
children's choir.
for SSAA and piano four-hands, or orchestra This lovely arrangement
of the popular American folk song perfectly captures the sense of
loss and longing in the words. From the gentle unison opening, the
music builds up through a range of textures and harmonies to a rich
climax, before gently relaxing for a quietly evocative close. Ideal
with either piano or orchestral accompaniment. There is also a
version for SATB. Orchestral material is available on hire.
for SATB, accompanied and unaccompanied To celebrate the 50th
anniversary of the publication of Carols for Choirs 1, OUP presents
a new volume in this ground-breaking series. Carols for Choirs 5
continues the tradition of its predecessors by providing a complete
resource for choirs from Advent through to Epiphany. Featuring
brand new carols and arrangements of classic tunes, the collection
showcases the very best established and new names in choral
composition today, both in the UK and world-wide.
for SSA and piano On this day is a bright and exuberant upper-voice
setting of the English version of 'Personent hodie' from Piae
Cantiones (1582). The text and the manageable vocal parts make this
carol particularly suitable for children's voices, but it could
equally be sung by adult choirs. The piano part, featuring
bell-like passages and a driving momentum, contributes to an
overall sense of jubilation. An excellent addition to any carol
service or concert.
for SATB and keyboard or orchestra Setting a text by David Warner,
this charming composition has a warm, memorable tune and rich,
expansive harmonies. Wilberg masterfully moves through different
keys and scorings, culminating in a stirring unison 'amen'.
Benediction has been recorded on the CD Heavensong: Music of
Contemplation and Light, and is ideal for use both in concerts and
services throughout the year. An orchestral accompaniment is
available on hire.
for SATB and organ The Gift of Charity is a gently flowing anthem.
It features beautifully arching phrases, an optional soprano solo,
and exultant yet tender climaxes. The text, by Selwyn Image, based
on I Corinthians 13, makes it the perfect choice for weddings, but
also for use all year round.
for SATB choir and piano four-hands or orchestra First published in
My Song in the Night (2009), Wilberg's Down to the River to Pray is
a spirited arrangement of the traditional melody. The piano duet
accompaniment provides a folk-like rhythmic underpinning, and the
piece ascends to a magnificent finish. Orchestral material is
available on hire/rental.
for SATB and organ or orchestra Featured in My Song in the Night
(2009), Amazing grace! is a majestic arrangement of the well-known
melody. Beginning with male voices in unison, Wilberg gradually
introduces more vocal parts, building ultimately to a grand climax
in eight parts. A subtle Scottish influence is evident through the
use of drones and a Scotch snap motif in the organ. Orchestral
material is available on hire/rental.
for SATTBB unaccompanied Gombert's In illo tempore: loquente Jesu
is a six-part unaccompanied study in intricate part-writing, with
sinuous stepwise motion and persistent imitative entries. The
optimism of the text, taken from the Gospel of Luke, is reflected
in the music of this buoyant motet, and the dashes of harmonic
colour, unexpected cadences, and elaborate textures make this
highly rewarding counterpoint to sing.
for SA (with divisions) and piano Setting a love poem by W. B.
Yeats, Tread Softly is a charming addition to the upper-voice
repertory. Gradually opening out from unison, this piece features
melodic vocal lines, colourful harmonies, and luscious modulations,
and the rhythmic contrasts in the choir are complemented by a
gently flowing piano part. Suitable for use in a variety of concert
programmes and at weddings.
for SATB, solo violin (or flute), and organ This charming melody is
a refreshing and beautiful alternative to Cesar Franck's setting of
the same text, taken from Sacris Solemniis and written by St.
Thomas Aquinas. The inclusion of the violin adds something special
to the texture. This work is appropriate for multiple denominations
and includes an English singing translation. The violin part is
included in the back of the vocal score.
for SATB and piano Following the success of the upper-voice
version, Chilcott has arranged the beautiful Like a Singing Bird
for mixed choir. Combining texts by Christina Rossetti and Robert
Burns, this version retains the upper-voice opening of the
original, with the latter section being expanded into mixed-voice
harmony.
for SATB (with divisions and Soprano solo) unaccompanied This
gentle and expressive carol provides a wonderful alternative to
more familiar settings of this well-loved text. The music is
harmonically rich, and the floating soprano line adds another
dimension to the texture. Suitable for a wide range of choirs at
Christmas.
for SSAATTBB unaccompanied This is a truly beautiful addition to
the Christmas repertory, setting a specially commissioned poem by
Charles Bennett. The flexible metre creates a sense of movement,
while the luscious harmonies and often-homophonic textures provide
an anchor to the choral writing. The Rose in the Middle of Winter
will appeal to all mixed-voice choirs looking for a poignant
centrepiece for a Christmas concert or service.
for SATB unaccompanied This lively and uplifting carol sets a
joyful fifteenth-century Christmas text by James Ryman. The music
is rhythmic and powerful, with moments of rich and vibrant harmony
offset by the strong, fanfare-like Latin refrain.
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