for SATB and organ, brass and organ, or orchestra This colourful Christmas work brings together several carols from the 1582 Piae Cantiones collection in a modern and refreshing through-composed medley. Using largely familiar tunes, this is a very singable concert suite, with interest provided through use of texture, and festive flourishes in the accompaniment. Texts are in English, Latin, and German, with English singing translations throughout.

for SATB and optional organ This anthem was commissioned for the Enthronement of the 105th Archbishop of Canterbury, the Most Reverend and Right Honourable Justin Welby, and was first performed during the Enthronement ceremony at Canterbury Cathedral in March 2013. It sets a text from The Rule of St Benedict, translated by Michael Berkeley, counselling the recipient to 'receive willingly and carry out effectively your loving Father's advice'. The vocal lines are simple, flowing, and eminently singable, with alternating sections of unaccompanied chant and joyous outbursts from the full choir. The supportive organ part may be omitted if preferred.

All children must have an opportunity to share the joy of choral music participation - whether in school, church, or community choirs. What happens before the singing begins, is critical to supporting, sustaining, and nurturing choirs to give every child the opportunity to experience the wonder of choral singing. Based on years of experience conducting and teaching, Barbara Tagg brings a wealth of practical information about ways of organizing choirs. From classroom choirs, to mission statements, boards of directors, commissioning, auditioning, and repertoire, Before the Singing will inspire new ways of thinking about how choirs organize their daily tasks. The collaborative community that surrounds a choir includes conductors, music educators, church choir directors, board members, volunteers, staff, administrators, and university students in music education and nonprofit arts management degree programs. For all these, Tagg offers a wealth of knowledge about creating a positive environment to support artistry, creativity, dedication, and a commitment to striving for excellence.

for SAATTBB unaccompanied What sweeter music is an atmospheric setting of Robert Herrick's popular Christmas text. The carol opens with hushed, interweaving choral lines, creating a soft veil of sound that expands texturally and dynamically into an expressive central section. The sustained melodic interest in every part combines to create a gorgeous work that choirs will find a true pleasure to sing. What sweeter music will be included on a forthcoming CD by Commotio.

for SATB and organ or orchestra This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter, and 'Praise the Lord! his glories show' for the rest of the year. Wilberg has treated the melody in several ways, including a four-part unaccompanied verse and a jubilant descant (optional); the accompaniment adds further triumphant colour with fanfares and scalic flourishes.

for SAATBB unaccompanied This touching piece sets Yeats' beautiful words describing the love of a parent for their child. Switching between major and minor tonalities, A Cradle Song is quiet and understated, with sensitive a cappella scoring that makes the sentiments seem all the more real. This is an impressive and sophisticated debut from Swedish singer and composer Joel Nilson.

for SATB accompanied and unaccompanied Drawing together two composers long associated with contemporary vocal music, Sun, Moon, Sea, and Stars presents eight original and exciting pieces by Bob Chilcott and Jussi Chydenius. Setting celebrated American and English poetry, as well as specially-written texts by Chilcott, this collection examines themes of nature, the elements, eternity, and love. The timeless character of the words is explored through a wide range of popular musical styles, including rock grooves, reflective ballads, and exuberant encores. With a cappella and accompanied pieces, optional bass and drum kit parts, and a variety of SATB textures, Sun, Moon, Sea, and Stars provides an array of compelling concert material for today's audiences. Optional bass and drum kit parts for four of the pieces are available as free PDF downloads from the OUP website.

for SATB (with divisions) unaccompanied, with optional tambourine This is a spirited arrangement of the popular fourteenth-century carol for mixed voices, with an optional part for tambourine in the final verse. The familiar melody weaves between the vocal parts, and the piece is characterized by medieval harmonies and a rocking thirds motif. An English singing translation is presented alongside the original Latin, allowing choirs to perform the carol in either language.

for SAATBB unaccompanied The signature tune for the award-winning Swedish a cappella group Vocado, this poignant love song is characterized by mixed messages: the lover wants to leave, but can't quite bring himself to walk out the door. The flavour of the music reflects the dilemma, with emotions ranging from muted acceptance in the verses to highly charged indecision in the passionate chorus. With classic a cappella rhythms and textures, along with melodies that will stay with you for days, this dual-language publication in the Voice Junction series is perfect for vocal groups and choirs singing in Swedish or English. Hall mig kvar has been recorded by Vocado on the CD 'Northern Lights'.

for SATB and piano or chamber orchestra Originally published in the collection A Merry Little Christmas, this is a joyful arrangement of the traditional Christmas piece. With jazz-inspired harmonies, 'fa la la' scat sections, and a lively accompaniment, We wish you a merry Christmas will make a striking finale to any Christmas concert. An accompaniment for chamber orchestra is available on hire/rental.

for SATB unaccompanied This edition of the Salve Regina by Portuguese composer Diogo Dias Melgas (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitable for liturgical or concert performance, this setting is in four equally active parts throughout, each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material, through the use of devices such as parallel writing, sequences, repetition, suspensions, and hocket. The vocal score is presented alongside detailed performance and editorial notes, and an optional basso continuo part appears as an appendix. Salve Regina is featured on The Sixteen's CD 'A Golden Age of Portuguese Music', conducted by Harry Christophers (COR16020).

for SSA unaccompanied Songbird sets an evocative text by the composer describing songbirds that spin tunes of gold. The catchy, colourful melody is first presented by tutti voices, and is then woven through the vocal parts, often to scat accompaniment.

for SSA and piano Alice is a quirky, light-hearted celebration of the Alice books by Lewis Carroll. The singers' tale of an encounter with the White Rabbit, the Cheshire Cat, and the Hatter is underpinned by a lively and characterful piano part. Spirited, fun, and with great potential for dramatic performance, this piece will be a memorable addition to any concert. A version for SATB and piano is available from the composer's website.

for SSAA and percussion This bewitching setting tells the story of a young girl walking in an enchanted forest, mesmerized by dreamy, ancient songs sung by a chorus of birds. An atmospheric ostinato played on finger cymbals and claves accompanies the voices, and Quartel sets a strong melodic line against the warm harmonies of the birdsong.

for SATB (with divisions) unaccompanied This reflective setting of an evocative text by Charles Bennett uses pastoral and romantic imagery to depict the beauty of a life free from the desire for worldly possessions. The music draws on the words' dream-like character, with lilting scat rhythms and interweaving vocal lines building to a stirring climax before the piece gradually fades as the idyllic vision is enveloped in sleep. With sacred and secular resonances, Marriage to My Lady Poverty is ideal for performance in both services and concerts.

for SATB (with divisions) and organ This Easter anthem sets the second part of George Herbert's poem 'Easter', famously set in full by Ralph Vaughan Williams in his Five Mystical Songs. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinned by a flowing organ accompaniment. The anthem becomes progressively more expansive and reflective, with rich textures and harmonies, before drawing to a profound close.

for SATB and organ or string orchestra This peaceful arrangement of James R. Murray's melody explores a different choral texture in each of its verses, from optional solo to SATB a cappella. The final verse includes a gentle descant, which soars serenely above the other voices. An accompaniment for string orchestra is available on hire/rental. This work first appeared in Carols for Choirs 5.

for SATB and organ or chamber ensemble This joyful new setting of the traditional English words combines dancing cross-rhythms, exuberant melodic writing, and a sparkling organ part. Guaranteed to put a smile on the faces of audiences and choirs alike! Orchestral material is available on hire/rental. This work first appeared in Carols for Choirs 5.

for SATB and organ or chamber orchestra This is a rich and expressive setting of William Chatterton Dix's famous words. Opening with an elegant melody line for sopranos or tenors, it flowers into full SATB choral textures, both accompanied and a cappella. Containing a delicate soprano solo, lush choral writing, and a tender recurring melody, What child is this? will make an enchanting feature in any Christmas service or concert. An accompaniment for chamber orchestra (fl, cl, str) is available on hire/rental.

for SAATTB unaccompanied Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bomb disposal expert killed in 2009 during the Afghanistan conflict, Lament embodies a sense of timeless commemoration. Combining this with Pott's striking harmonic language and deftly interweaving vocal lines results in a highly compelling work, both emotionally and musically.

Following the outstanding success of book 1, Popular Voiceworks 2 is a second collection of jazzy and popular songs in the highly practical Voiceworks format. Packed with songs in a huge range of styles, the collection provides exciting new material written by the authors as well as choral arrangements of favourites such as 'Ain't no stoppin' us now', 'Feelin' good', and 'Bang the drum all day'. The accompanying CDs include stylish performances of all the songs, together with backings for most. This all adds up to a fabulous resource for all young and young-at-heart singing groups!

for SATB accompanied and unaccompanied This anthology of eleven carols celebrates the festive music of John Gardner (1917-2011). It contains some of his most well-known settings alongside new repertoire, including a previously unpublished Epiphany carol, 'Entry of the Three Kings'. From the reflective 'A Christmas Hymn' to his joyful setting of 'The holly and the ivy', John Gardner Carols presents a variety of styles and moods that will delight choirs and audiences alike. A number of pieces give alternative performance instructions to allow upper-voice choirs to enjoy this superb collection. A number of the carols are included on the EM Records CD 'John Gardner: Cantata for Christmas, Organ Concerto, Christmas Carols' (EMR CD009) with the City of London Choir, conducted by Hilary Davan Wetton and Chris Gardner.

for SATB soloists, SATB chorus, and string ensemble Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy, it features ornate solos, duets, and trios interspersed between beautiful imitative moments for full chorus. Robert King has consulted eighteenth-century sources for this edition, which includes an organ reduction for rehearsal purposes. The orchestral score and parts are available on hire/rental.