for SATB and piano Quartel's arrangement of this well-known Irish carol is distinctly refreshing, characterized in part by its charming and sparkling piano part. The middle section offers an opportunity for both the choir and pianist to shine individually, and explores further the beautiful modal harmonies of the original melody.

for SATB unaccompanied TaReKiTa is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating melodies built on the Jog raga. A pronunciation guide is included in the leaflet, and a video guide by the composer is available through a companion website.

This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing - the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.

for SATB and piano Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllables and jazzy harmonies, all underpinned by a supportive yet characterful piano part. Also available for cambiata voices and piano in the Emerging Voices series, and for TTBB and piano.

for SABar and piano Commissioned by the Treble Makers Women's Choir to celebrate both their 10th anniversary and the 150th anniversary of Canada, this secular work for upper voices sensitively sets Langston Hughes's poem of the same name. A lilting melodic line, eloquent part-writing, and an effective piano part combine to create a piece that will appeal to both youth and adult upper-voice choirs. Also available in a version for SA and piano.

for SATB (with divisions) unaccompanied This beautifully expressive piece is based around The Seven Sacred Virtues of the Lakota; the title, 'Walking the Red Road', refers to the commitment to purposefully live by these values, the metaphorical 'red road', being a spiritual way of life. The unhurried tempo gives space for the listener to reflect on the text, while sumptuous harmonies create a rich cushion of sound.

for SATB unaccompanied This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use of unexpected chromatic chords imitate the slow movement of the clouds, rain, and mist, and reveal something once hidden.

for Upper voices, SATB, and piano or 2 pianos and percussion (4 players) A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. Based on poetry from the Chinook, Comanche, Dakota, Eskimo, Iroquois, Kwakiutl, Navajo, Ojibwa, Pueblo, Seminole, Sioux, and Yaqui traditions, the thirteen movements, in seven parts, mark the different stages of life, from birth and childhood to adulthood, middle age and death. With energetic percussion accompaniment, climactic moments for tutti choir, tender unaccompanied passages and solo song, Circlesong is a work of impressive drama, variety, and depth. This is the upper voices part for Circlesong. The vocal scores are available for sale separately and instrumental parts for the two pianos/percussion version are available on hire.

for SATB and piano With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate piano accompaniment, and the opening performance direction, 'contentedly rocking', describes the overall nature of the piece: peaceful, content, and easy-going. Also available in a version for SSA and piano in the Songbird series.

for SATB choir unaccompanied With a text by John Henry Newman, Lead, kindly Light is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darkness, slow but steady in their way out of the 'encircling gloom'.

for SSATB unaccompanied. My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman, particularly suitable for performance on Good Friday. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, before the work closes with the affirmation 'heaven was his home; but mine the tomb wherein he lay'.

This well-known song by Vaughan Williams is arranged here for mixed voices, with additional lower voice parts by Alan Bullard. The pastoral imagery in the lyrics is beautifully brought to life by the trademark folk-inspired melodies, fluid harmonies, and a lively piano accompaniment. Originally published in The Oxford Book of Flexible Choral Songs.

for SABar and piano, with opt. bass and drum kit This is a funky arrangement of Beethoven's 'Ode to Joy' with an English text by Henry van Dyke. Milloy jazzes up the well-known melody by arranging it in 12/8 time and adding syncopation, while supporting it with a groovy piano accompaniment and optional bass part (available at the back of the leaflet). Originally published in Pop Voiceworks 2.

for SABar (with optional Bass) and piano Higgins's setting explores the vibrant, natural imagery in Rossetti's text with flowing melodic lines and warm harmonies. The elegant piano accompaniment is characterised throughout by quick demisemiquaver flourishes, as though painting an aural portrait of the 'singing bird'. First published in The Oxford Book of Flexible Choral Songs.

for SABar and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowing piano accompaniment. The middle section brings a contrast of tonality, with the altos and baritones accompanying the sopranos' melodic line, before the beguiling melody of the opening returns to bring the setting to a poignant close. Also available in a version for SA and piano.

for SA and piano (with optional percussion) With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompaniment, and an optional percussion part (snare drum, bass drum, and cymbal) that adds extra spark to the music. Originally published in The Oxford Book of Flexible Choral Songs, this piece is also available in a version for SABar and piano.

for SABar and piano Higgins's arrangement of the popular German carol is given a modern twist with fresh harmonies, but still captures the gentleness and tranquility found in more traditional settings. Supported by sustained 'oo's and 'ah's throughout, the well-known melody is underpinned by a delicate piano accompaniment, with an optional unaccompanied middle section.

for SABar and piano or organ Ideal for a carol service or concert, this piece follows the three Kings on their journey to the birth of Jesus and is characterised by its alternation of major and minor modes. Also available in a version for SATB and piano or organ.

for SATB unaccompanied Setting a beautiful text by Rabindranath Tagore, Wake, love, wake explores evocative imagery and metaphors through sonorous harmonies and freedom in tempo. The resulting piece is romantic, stirring, and atmospheric-perfect for concert performance. Also published in Breath of Song.

for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.

for SABar and piano, with opt. bass and drum kit With words by the composer, Sing Love is a groovy, feel-good gospel number that encourages love for all mankind. The infectious melodies are well supported by a funky piano part and optional bass part (included at the back of the leaflet), and are sure to get everyone clapping along to the music. Originally published in Popular Voiceworks 2.

for SABar and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SATB and piano.

for SATB and piano Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and combine together to create a feeling of warmth and tranquillity. This piece is also available in versions for SA and piano, and SABar and piano.