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Arts & Crafts > Fine Art Supplies > Watercolour
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
Indigo (PB60, PBK6) is a deep blue colour produced by mixing Indathrone Blue and Lamp Black. A close match for true indigo, this product is an excellent choice when painting blueberries, blackberries, plums and dusky skies.
XL® Watercolour is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Perylene Green (PBk31) is an almost black masstone that turns, on the application of water, to a blue-green wash. Medium-staining and semi-transparent, Perylene Green yields wonderful glazes for under or over other colours. This paint is fantastic for delineating shadows or creating moody landscapes, ominous horizons and stormy seas.ASTM Lightfastness Rating: Excellent Granulating: NoStaining: Medium staining Transparency: Semi-TransparentDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Perylene Green.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Lightfastness: **** Good lightfastnessOpacity: TransparentStaining/Non-staining: Non-stainingPigment Index: PB29French Ultramarine is a granulating colour.In order to achieve high standards regarding lightfastness, resolubility and stability, Schmincke Horadam watercolours contains only the finest raw materials. The paints are bound with Kordofan gum arabic from the southern Sahara. Due to the natural source of the binder, the gum arabic does tend to differ slightly year on year. Schmincke continually test the ingredient and the best of the batch is selected to ensure the highest quality is achieved. This means paint which has dried onto your palette can be easily re-wetted and painted with again. Among the range are 139 colours, with 95 single pigment hues for clean mixing.
Pigment: DioxazineLightfastness: **Opacity: Semi-transparentDescription: Traditional colour with carbozole-violet pigment. Universal use. Bluish violet, cannot be mixed from other pigments.
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 82Series: APigment: PR101Transparency: OpaqueLightfastness: Excellent
Series number: 3
Colour number/code: 109
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. The surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world. This Bockingford paper has a NOT surface.
Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 020Series: FPigment: PO20Transparency: OpaqueLightfastness: Excellent
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 023Series: FPigment: PY35Transparency: OpaqueLightfastness: Excellent
Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Derwent Watercolour can be used wet or dry, on wet or dry paper, to achieve a wide variety of effects. Soft in texture so easy to blend and layer. Derwent Watercolour Pencils are available in 72 classic colours, which retain their full intensity however you use them. |
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