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Arts & Crafts > Fine Art Supplies > Watercolour
Colour name: Alizarin Crimson Hue
20 Sheets - 140lb - Mould-made Glued 4 Edges 100% CottonSpecifications..
Created with Daler Rowney's expertise in watercolour paints, the Aquafine Watercolour range offers free-flowing, vibrant and transparent watercolours, ideal for students and leisure painters alike. Thanks to Daler Rowney's heritage and close ties to artist Joseph Mallord William Turner, the brand has been developing high quality ranges of watercolours since the 19th century. The Aquafine Watercolour range colours have excellent working properties, and can be used to create beautiful and delicate washes. The complete range consists of 37 colours, available as a 8mm tube or Half Pan.
The paper is ideal for use with graphite, felt pen and markers and it also lends itself to all kinds of wet techniques such as watercolour, gouache, ink or mixed dry and wet techniques. The colour and the lightly grained aspect of its surface allows for a harmonious rendering of contrasting line delicacy and strength.
Arches watercolour blocks come in a variety of sizes, surfaces textures, and weights. The convenience of working on a block eliminates the need for stretching. Arches blocks are not only for painting, but also work well for drawing as it provides a sturdy support surface to work on. Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper. Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high-quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Contains 12 x Aquarius Full Pans: Aquarius Yellow PY168, Permanent Yellow PY139, Quinacridone Gold PY150/PO48, Benzymidazole Orange PO36, Permanent Red PR170, Permanent Alizarin Crimson PR176, Quinacridone Magenta PR122, Quinacridone Pink PR122, Dioxazine Violet PV37, French Ultramarine PB29, Phthalo Blue (Red Shade) PB15:6, Cobalt Cerulean Blue PB36.
Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 342 Series: A Pigment: PY42, PY74, PB15 Transparency: Opaque Lightfastness: Excellent
Derwent Watercolour can be used wet or dry, on wet or dry paper, to achieve a wide variety of effects. Soft in texture so easy to blend and layer. Derwent Watercolour Pencils are available in 72 classic colours, which retain their full intensity however you use them.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Each colour is made with high-quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Contents: 362 Quinophthalone Yellow PY138, 308 Nickel Azo Yellow PY150, 355 Transparent Pyrrole Orange PO71, 330 Permanent Alizarin Crimson PR176, 210 Pyrrole Red PR254, 332 Quinacridone Magenta PRPR122, 107 Venetian Yellow Earth PY43, 241 Transparent Oxide Brown PR101, 250 Burnt Sienna Monte Amiata PBr7, 351 Transparent Brown PBr23, 135 Indian Red PR101, 248 Hematite (VS) PR102, 414 Cobalt Sea Blue PB28, 344 Ocean Blue PBr24/PB15:3, 104 Phthalo Green (BS) PG7, 252 Sap Green Light PY110/PG7, 342 Hooker’s Green PY150/PB27, 410 Perylene Green Deep PBk32, 338 Phthalo Turquoise PB16, 226 Blue Sky PW6/PB15:1, 225 Phthalo Blue (RS) PB15:6, 254 Ultramarine Intense PB29, 412 Aquarius Cobalt Blue PB72, 335 Shadow Violet Light PB36/PB29/PR176
Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 332 Series: A Pigment: PW6, PY42, PR101, PBk7 Transparency: Opaque Lightfastness: Excellent
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.
Shinhan masking film is a transparent film with low-tack adhesive on one side. Easy to cut and work with. Ideal for paint, ink, airbrush or marker pen.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.
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