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Arts & Crafts > Fine Art Supplies > Watercolour
Pigment classification : Synthetic iron oxide
Pigment classification : Synthetic iron oxide
Pigment classification : Synthetic iron oxide
Pigment classification : Natural iron oxide
Pigment classification : Natural iron oxide
Pigment classification : Titanium dioxide-Natural iron oxide-Carbon-Calcium phosphateZinc oxide
The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities.It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is a Half Pan of Old Holland Watercolour Paint in Ivory Black.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.
One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. |
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