Yellow Ochre (PY43) is a yellow-orange brown colour. This transparent shade is a sublime mixing colour and its uses are almost limitless as it works well with all other transparent pigments.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

This foldable water pot is made from a flexible rubber material with a folding mechanism that allows you to save space when in storage or transit.The ridges on the lip of the holder enable you to rest your brushes and is easy to clean. Ideal for Plein Air painting. Can also be used to collect pencil shavings. Dimensions:Folded: 9.5cm x 4cm Open: 9.5cm x 8cm 

Phthalo Green (Yellow Shade) (PG36) is a deep intense green with a yellow undertone. Transparent and highly staining in both concentrated and dilute states, Phthalo Green (Yellow Shade) is ideal for dark and clean glazes.ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: NoStaining: StainingDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Phthalo Green (Yellow Shade).

Fabriano Artistico watercolour paper is mould made, produced with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, without optical bleaching. Two deckle edges and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

Glued on all 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap). NOTE: image is of NOT (cold pressed) block, please check description for texture you require.

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 401 Series: C Pigment: Titanium mica Transparency: Semi-transparent Lightfastness: Excellent

Series number: 4Chemical Description: Cobalt Aluminium OxideColour index name: PB 36, PB 28Colour index number: 77343, 77346Permanence rating: AAASTM Lightfastness Rating: ITransparency/Opacity: SO

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 1

Chemical Description: Synthetic Iron Oxide

Colour index name: PBk 11

Colour index number: 77499

Permanence rating: AA

ASTM Lightfastness Rating: N/L

Transparency/Opacity: O

Granulating/Staining: G

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

This hardbound Hahnemuhle Watercolour Book contains 30 sheets of paper within a durable hard cover with a black grained linen-effect cover and a rubber band to keep it securely closed during storage or transport. The paper is a natural white and acid-free 200gsm Hahnemuhle fine grained watercolour paper with the same texture on both sides for those who wish to paint wide panoramas.Available in A4, A5 and A6 sizes, all of which are landscape format. This is an A6 size sketchbook.

Series number: 1

Chemical Description: Pyrrole

Colour index name: PR 264

Colour index number: 561300

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: SO

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 3

Chemical Description: Indathrone Blue

Colour index name: PB 60

Colour index number: 69800

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: ST

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Winsor & Newton have been manufacturing their colours since 1832 and the quality of their paint continues to receive international acclaim. Winsor & Newton watercolours are a familiar sight in most painters' studios. With 80 single pigment colours in the range, Winsor & Newton offer the widest range of modern and traditional pigments for clean colour mixing. The range is available in a wide variety of formats, including half pans, full pans, and tubes in 5ml, 14ml, and 37ml. This means that all painters have been taken into consideration, from those who work large scale to those who specialise in highly intricate miniatures. Each colour within this wide and balanced spectrum has been selected and formulated to offer the greatest choice so that artists can use a unique palette that best suits their work. This is a 5ml tube of Winsor & Newton Professional Watercolour in Transparent Orange.Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

The woody 3 in 1 is a coloured pencil, watercolour and wax crayon all in one. It can be used to draw on cardboard, dark backgrounds, glass, board, metal and paper. It is easy to wipe off, yet has a strong covering power and bold intense colour, even on the darkest of papers. The extra thick lead applies as much colours as 8 standard pencils. The shape of the pencil is ideal for young children's hands offering a comfortable grip without the need of applying pressure. The wood used within the pencil is made from 100% PEFC-certified wood.Ideal for all ages.

Golden QoR : Watercolour Paint : Introductory Set of 12 Colours : 5ml Tubes

Colour number/code: 327

Series number: 1

Chemical Description: Copper phthalocyanine

Colour index name: PB15

Colour index number: 74160

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Series number: 1

Chemical Description: Natural Iron Oxide

Colour index name: PBr 7

Colour index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: G

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Aquafine watercolour paper is manufactured on a Fourdrinier paper machine using 100% virgin woodpulp. It is acid-free and buffered to prevent deterioration of colour and to preserve the integrity of the paper over time. The paper is free of OBA and is surface and internally sized. Aquafine watercolour paper is aimed at beginners and students as well as professional artists preferring to work in mainly ‘dry’ watercolour painting techniques.Its weight of 300gsm offers good water absorbability and the surface is fairly hard, making it easily erasable and suitable for masking fluid without stretching.

Imagine is a mixed media paper that offers an excellent feel, a cross between silk and velvet. It features a beautiful natural white finish.
The paper is ideal for use with graphite, felt pen and markers and it also lends itself to all kinds of wet techniques such as watercolour, gouache, ink or mixed dry and wet techniques.
The colour and the lightly grained aspect of its surface allows for a harmonious rendering of contrasting line delicacy and strength.

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 045Series: CPigment: PB16Transparency: TransparentLightfastness: Excellent

Derwent Watercolour can be used wet or dry, on wet or dry paper, to achieve a wide variety of effects. Soft in texture so easy to blend and layer. Derwent Watercolour Pencils are available in 72 classic colours, which retain their full intensity however you use them.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 22x30in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.