Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

The Kuretake Zig H2O Brush Pens are perfect for the artist on the go, as they are a clean and easy way to paint. Simply fill the barrel of the pen with water and being creating. Zig H2O Brush Pens have a retractable valve to allow squeeze control of the water released.

The Zig H2O Brush Pen is available in four nib sizes: detailer tip, medium tip, large tip and broad tip .

Made to the exact same standards and formulas as the best professional artist watercolours available today, Jackson's Artist Watercolours are as good as any leading brand watercolour but at a fraction of the price.

They are made from premium Sudanese Kordofan gum arabic, honey, purified water and fine artist pigments. These ingredients are blended together and slowly ground into a fine paste, until the pigment particles are dispersed evenly. This allows for a flawlessly uniform wash.

Made to the exact same standards and formulas as the best professional artist watercolours available today, Jackson's Artist Watercolours are as good as any leading brand watercolour but at a fraction of the price.

They are made from premium Sudanese Kordofan gum arabic, honey, purified water and fine artist pigments. These ingredients are blended together and slowly ground into a fine paste, until the pigment particles are dispersed evenly. This allows for a flawlessly uniform wash.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Sheets are Actual Size when removed at the wire binding. Size: 12in x 18in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Wire Bound

Strathmore's intermediate grade watercolour paper, it is popular with watercolourists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow for lifting and scraping applications. The natural white colour and traditional cold press surface make it an ideal sheet for mastering watercolour techniques or for finished artwork. Sheets are Actual Size when removed at the wire binding. Size: 15in x 22in Weight: 140lb / 300gsm Sheets: 12 Surface: Cold Press Pad: Wire Bound

A true watercolour paper with a medium texture cold press finish. It has a matte coating (one side) for inkjet receptivity and is ideal for producing prints with the look and feel of a watercolour painting. Size: 8.5" x 11" Weight: 140lb / 315gsm / 18 mil Sheets: 8 Surface: Cold Press - Natural White

Isaro Watercolour Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro Watercolours have been carefully crafted so that they have maximum transparency, providing luminosity and excellent layering capabilities. Handmade in an atelier in Belgium, Isaro use only high-quality gum arabic and pigments in their watercolours.

Gum arabic varies in colour from very pale yellow to dark brown, and the gum darkens on contact with the tannin in acacia bark. Isaro have selected the best acacia gum that when dissolved in water gives a clear solution. This maintains the purity and luminosity of the pigments. Glycerine and honey are also used in very precise amounts to enable the paint to remain supple. Isaro use a single-flower honey, the honey of acacia, so that the honey is also very clear.

Isaro Watercolour Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs. Isaro Watercolours have been carefully crafted so that they have maximum transparency, providing luminosity and excellent layering capabilities. Handmade in an atelier in Belgium, Isaro use only high-quality gum arabic and pigments in their watercolours. Gum arabic varies in colour from very pale yellow to dark brown, and the gum darkens on contact with the tannin in acacia bark. Isaro have selected the best acacia gum that when dissolved in water gives a clear solution. This maintains the purity and luminosity of the pigments. Glycerine and honey are also used in very precise amounts to enable the paint to remain supple. Isaro use a single-flower honey, the honey of acacia, so that the honey is also very clear.

Record ideas and sketches on the move with this beautifully bound journal from Seawhite. It has 60 pages of acid-free 200gsm watercolour with a slightly textured 'Not' finish. This surface is often by watercolour artists because it's good for large areas of wash but also for a good amount of detail. Good for looser watercolour styles.

For more than 50 years Seawhite has been supplying the UK arts market. They are a family business based in Partridge Green, West Sussex, not far from Brighton where the business began. They also have the Seawhite Studio - a modern painting studio with art classes run by Emily Ball.

Bruynzeel Design pencils have smooth, soft leads which offer dense, permanent colour. They have a thick colour core and can be used to build several layers of colour. The ends of the pencils have been colour dipped for easy identification. The pencils have light cedar wood casings as it is considered to be the best wood for sharpening. The casings are glued to the pigment core to ensure that the casing resists separation even when dropped.

The Aquarel pencils have a 3.7mm colour core and are made from fine, high-quality colour pigments. The range of colours are easily blended with water using a brush to produce exciting watercolour effects. Pencils can be used both wet and dry.

Bruynzeel Design pencils have smooth, soft leads which offer dense, permanent colour. They have a thick colour core and can be used to build several layers of colour. The ends of the pencils have been colour dipped for easy identification. The pencils have light cedar wood casings as it is considered to be the best wood for sharpening. The casings are glued to the pigment core to ensure that the casing resists separation even when dropped.

This is a pack of 100 Bockingford 1/4 Sheets measuring 15x11in. The weight of the paper is 140lb / 300 gsm. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light shape and hues.

Number: 576

Pigments: PY53

Lightfastness: Very good

Opaque/Transparent: Opaque

This Ceramic Palette has a nice weighty feel and can be used with watercolour, inks, dyes and acrylics. Because it is made from porcelain, it is easy to clean, will not stain and will keep your paints wet for longer than a plastic palette; providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues. Ceramic palettes are very sturdy and designed for years of consistent use.

This palette is 7” in diameter in total, with 10 wells, and a two larger central wells for mixing or holding a large amount of paint.

This Ceramic Daisy Palette has a nice weighty feel and can be used with watercolour, dyes and acrylic. Because it is made from porcelain, it is easy to clean, will not stain and will keep your paints wet for longer than a plastic palette; providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues. Ceramic palettes are very sturdy and designed for years of consistent use.

It has 6 external wells and one central well, with each well measuring approximately 2” in diameter.

Jackson's Ceramic Daisy Palette is very sturdy and designed for years of consistent use. Made from porcelain, it is easy to clean, will not stain, and will keep your paints wet for longer than a plastic palette. This provides a longer period for wet mixing, allowing you to avoid having to colour match to dry hues.

The palette has a sturdy, weighty feel and can be used with watercolour, dyes, and acrylics.

It has seven external wells and one central well, with an overall diameter of 18cm.

Easy to clean and non-staining, this sturdy rectangular Jackson’s Ceramic Palette provides plenty of colour mixing areas with 17 wells of varying shapes and sizes. The smooth ceramic surface will keep watercolour paints wet for longer providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues.

Ceramic palettes are very robust and designed for years of consistent use and are suitable for watercolour, gouache, and inks. This palette measures 16.5 x 23cm (size may vary slightly due to construction with natural materials).

Jackson's Ceramic Palette with 21 wells has a nice weighty feel and can be used with watercolour, inks, and dyes. Because it is made from porcelain, it is easy to clean, will not stain and will keep your paints wet for longer than a plastic palette; providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues. Ceramic palettes are very sturdy and designed for years of consistent use.

Easy to clean and non-staining, this sturdy Jackson’s Ceramic Palette has 33 wells circling a large central colour mixing area. Its smooth ceramic surface will keep watercolour paints wet for longer providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues.

Easy to clean and non-staining, this sturdy rectangular Jackson’s Ceramic Palette features 9 mixing wells of varying sizes. The smooth ceramic surface will keep watercolour paints wet for longer providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues.

This stackable ceramic palette is great for watercolourists and contains five round palettes that stack neatly together. They are easy to clean and will help you to keep a tidy work space while mixing colours. The rounded lid also doubles up as a palette, allowing for even more colour mixing.

Each palette has a diameter of 9.5 cm.

This Empty Metal Watercolour Box will hold 12 half pans or 6 full pans. Create your own custom set of watercolours with a half pans, full pans or a mixture of the two.

The enamelled metal tin has two fold-out side palettes which creates extra space for mixing colours. One of these has three large mixing squares and the other has four reasonably sized slightly slanted mixing wells.

You can also remove the panel holding the pans from the main body to access a further hidden palette with four extra wells.

The box also has a thumb ring for ease of use and comfortable mixing.