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Arts & Crafts > Fine Art Supplies > Watercolour
Permanency: Absolutely Permanent Colour
A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.
Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.
Series number: 1
Chemical Description: Carbon Black, Synthetic Iron Oxide
Colour index name: PBk 6, PR 101
Colour index number: 77266, 77491
Permanence rating: AA
ASTM Lightfastness Rating: I
Transparency/Opacity: ST
Granulating/Staining: St
The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.
Colour number/code: 538
Series number: 1
Chemical Description: Alkali ferriferrocyanide
Colour index name: PB27
Colour index number: 77510
Permanence rating: A(iv)
ASTM Lightfastness Rating: I
Transparency/Opacity: T
Granulating/Staining: -
The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.
The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.
20 Sheets - 140lb - Mould-made Glued 4 Edges 100% CottonSpecifications..
Pigments: PG7
Permanency: Absolutely Permanent Colour
A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.
Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.
Series number: 2
Chemical Description: Copper-free Phthalocyanine
Colour index name: PB 16
Colour index number: 74100
Permanence rating: A
ASTM Lightfastness Rating: N/L
Transparency/Opacity: T
Granulating/Staining: St
The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.
An indispensable tool for artists and colour designers at every experience level. Shows artists how to mix beautiful, luminous colours.841 colours created from 29 tube paint colours.Detailed instructions and list of pigments included.Finest quality printing for colour accuracy.UV coated for fade resistance, durability and protection.24 x 24 inches (61 x 61cm).
Perylene Green (PBk31) is an almost black masstone that
turns, on the application of water, to a blue-green wash.
Medium-staining and semi-transparent, Perylene Green yields
wonderful glazes for under or over other colours. This paint is
fantastic for delineating shadows or creating moody landscapes,
ominous horizons and stormy seas.ASTM Lightfastness
Rating: Excellent Granulating: NoStaining: Medium
staining Transparency: Semi-TransparentDaniel Smith's
goal is to make the painting process as memorable as your finished
masterpiece. Daniel Smith have spent eighteen years developing the
finest and most complete line of watercolour paint so you can
create your own unique vision. Today, just like in 1993, these
watercolours are 'formulated to meet and exceed the highest
industry standards for the manufacture of artist’s paints', and
every batch made is tested and analyzed for its performance
qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in
Perylene Green.
Series number: 1
Chemical Description: Nickel Dioxine, Benzimidazolone
Colour index name: PY 153, PO 62
Colour index number: 48545
Permanence rating: A
ASTM Lightfastness Rating: II
Transparency/Opacity: T
The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.
Colour number/code: 544
Series number: 1
Chemical Description: Thioindigo violet
Colour index name: PR88
Colour index number: 73312
Permanence rating: A
ASTM Lightfastness Rating: II
Transparency/Opacity: T
Granulating/Staining: -
The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.
The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.
Derwent Watercolour can be used wet or dry, on wet or dry paper, to achieve a wide variety of effects. Soft in texture so easy to blend and layer. Derwent Watercolour Pencils are available in 72 classic colours, which retain their full intensity however you use them.
Permanency: Absolutely Permanent Colour
A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.
Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.
Pigments: PR179
Permanency: Absolutely Permanent Colour
A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.
Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.
Sugilite Genuine is a deep grey purple in masstone and a greyish lavender in a wash. When in a wash the rose tones in the mixture rise creating the perfect paint to illustrate a dawn sky. The pigment is produced from the South African pigment sugilite. This colour makes a great complement to golds, oranges and greens.
ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: LowGranulating: Yes
Permanency: Absolutely Permanent Colour
A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.
Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.
Pigment: Phthalocyanine blueLightfastness: ****Opacity: Semi-transparentDescription: Traditional deep greenish blue tone. High tinting strength.Mixed with yellow very brilliant green tones are achieved.
Colour Index: PB 15
To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.
One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.
Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.
The woody 3 in 1 is a coloured pencil, watercolour and wax crayon
all in one. It can be used to draw on cardboard, dark backgrounds,
glass, board, metal and paper. It is easy to wipe off, yet has a
strong covering power and bold intense colour, even on the darkest
of papers. The extra thick lead applies as much colours as 8
standard pencils. The shape of the pencil is ideal for young
children's hands offering a comfortable grip without the need of
applying pressure. The wood used within the pencil is made from
100% PEFC-certified wood. Ideal for all ages.This is a wallet set
of 10 pencils in the following colours:205 Yellow, 220 Orange, 310
STABILO Red, 355 Flesh Pink, 405 Ultramarine Blue, 533 Dark Green,
630 Brown, 750 Black, 470 Turquoise, 570 Light Green.
Transparent Red Oxide (PR101) is a highly transparent burnt orange with under tones of cinnamon and tobacco. A warm and non-staining hue, Transparent Red Oxide makes an exquisite glaze when painted over French Ochre for a fiery glow.
ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining
Series number: 1
Chemical Description: Quinacridone, Azo Nickel Complex
Colour index name: PR209 PY150
Colour index number: 48545
Permanence rating: A
ASTM Lightfastness Rating: II
Transparency/Opacity: ST
The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.
New Gamboge - pigment change Originally produced using Gamboge, a coloured gum from the Garcinia plant, Artists' Water Colour Gamboge was discontinued in 2005, due to its toxic characteristics. Its replacement was a different shade, due to the pigments available and renamed New Gamboge. Due to the above pigment discontinuation, New Gamboge, in both Professional Water Colour and Cotman, has been reformulated once again and, with advances in pigment technology, the colour is much closer to its original namesake, delivering greater authenticity within the spectrum. The pigments have changed from Nickel Dioxine PY153 to Quinacridone PR209 & Azo Nickel Complex PY150
Quinacridone Burnt Scarlet (PR206) is a rich dark
red-brown. Quinacridones are the brightest, boldest
colours modern technology can offer. All Quinacridone colours excel
in clarity, intensity, durability and transparency. Use
Quinacridone Burnt Orange with Quinacridone Coral for branch and
blossom paintings.ASTM Lightfastness Rating: Excellent - Not
yet rated by ASTM - Rating based on Daniel Smith's independent
testing.Transparency: TransparentGranulating: NoStaining: LowDaniel
Smith's goal is to make the painting process as memorable as your
finished masterpiece. Daniel Smith have spent eighteen years
developing the finest and most complete line of watercolour paint
so you can create your own unique vision. Today, just like in 1993,
these watercolours are 'formulated to meet and exceed the highest
industry standards for the manufacture of artist’s paints', and
every batch made is tested and analyzed for its performance
qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in
Quinacridone Burnt Scarlet.
The Langton is a high-quality watercolour paper. The paper is
colour-stable, mould-made and acid-free, and is designed to withstand
repeated washes without pulping or cockling.
Langton is a superior quality watercolour paper. For many years artists
have appreciated the qualities of the Langton. Made traditionally on a
cylinder mould machine, the paper features a natural whiteness with a
soft touch and distinctive texture. Langton watercolour paper is acid
free with an alkali reserve to preserve finished pieces of work and
protect against discolouration. Treated with an anti-fungal treatment,
Langton watercolour paper also boasts a gelatinised surface for
strength and resilience.
Please note, these sheets have a 'Not' finish (cold-pressed). They have
a slightly textured surface, and are not recommended for painting in an
extremely detailed manner, though they should be suitable for most
purposes.
Arches Aquarelle watercolour paper is acid-free and chlorine free. It
is made of 100% cotton fibres which provide strength and stability and
professional archival quality. The paper is tub-sized in natural
gelatine and air-dried, so it can take scrubbing, scratching and
erasing while keeping the original intensity of the watercolour. It
also contains an anti-microbial agent to help resist mildew. Arches
Aquarelle uses no optical brighteners so it's natural white colour will
not yellow with age and archival value is ensured. Suitable for
watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches watercolour blocks come in a variety of sizes, surfaces
textures, and weights. The convenience of working on a block eliminates
the need for stretching. Arches blocks are not only for painting, but
also work well for drawing as it provides a sturdy support surface to
work on.
Sizing is important to watercolor paper. It helps the paper accept
washes, scratching and erasing without affecting the actual fibers and
strength of the paper.
Manufactured in the same French mill since 1492, Arches watercolour
papers are produced on a cylinder mould with pure French stream water.
Made with natural gelatin sizing. It is naturally white - containing no
optical brighteners, and offers optimal longevity. Each sheet of Arches
watercolour paper is hand inspected to ensure consistency and
durability.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
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