Fabriano Artistico watercolour paper is mould made, produced with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. Traditional white, without optical bleaching. Two deckle edges and watermarked "FABRIANO+ARTISTICO" on the short side. Short grain. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

Glued on all 4 edges (after painting is dry gently remove top painted sheet with butter knife along edges from inside gap). NOTE: image is of NOT (cold pressed) block, please check description for texture you require.

A high quality and affordable watercolour paper block, available in unique shapes and in cold pressed or hot pressed textures. Fluid Watercolour Paper comes from a 1618 European mill, produced in small batches and at slow speeds. For Easy Paper blocks, the papers are glued on 2 edges which holds the top sheet flat and allows for easy removal.This block consists of 15 sheets of 300gsm hot pressed watercolour paper. Size 12x16in, 30x40cm.

Colour number/code: 150

Series number: 1

Chemical Description: Zinc oxide

Colour index name: PW4

Colour index number: 77947

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Series number: 1

Chemical Description: Natural iron oxide

Colour index name: PR 102

Colour index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: N/L

Transparency/Opacity: SO

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 1

Chemical Description: Chromium Oxide, Carbon Black, Zinc Oxide, Powdered Slate

Colour index name: PG 17, PBk 6, PW 4, PBk 19

Colour index number: 77288, 77266, 77947, 77017

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: SO

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Quinacridone Deep Gold (PO48 PY150) is a ruddy golden-orange. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Quinacridone Deep Gold is a vibrant alternative to Burnt Sienna.Lightfastness: ExcellentStaining: LowGranulating: NoTransparency: TransparentDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Quinacridone Deep Gold.

Colour number/code: 554

Series number: 1

Chemical Description: Natural iron oxide, Synthetic iron oxide

Colour index name: PBr7, PY42

Colour index number: 77492, 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 150

Series number: 1

Chemical Description: Zinc oxide

Colour index name: PW4

Colour index number: 77947

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

This oval ruling pen features a hardened nickel plated steel nib and a black plastic handle. This pen can be used for drawing fine precise lines with either paint, ink or masking fluid.

A plastic black pouch is included.

Series number: 3

Chemical Description: Quinacridone

Colour index name: PR 209

Colour index number: 73902

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a textured Rough surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards. The surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world. This Bockingford paper has a Rough surface.

The lead is water-soluble, soft, 3.8mm, high breaking-strength, very economical thanks to it's exceptional covering power. Bright colours, excellent lightfastness.Shaft made from the best cedar.Techniques possible: Cross-hatching, graded applications, watercolour effects, washes, unlimited blending possibilities.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Alizarin Crimson.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

QoR Watercolour Mediumis a general purpose medium which, when used in small amounts, will increase the transparency and flow of watercolours. When Watercolour Medium is used in larger amounts, it also increases the gloss and saturation of colours.

Pigment: Quinacridone magentaLightfastness: ***Opacity: Semi-opaqueDescription: Original dyestuff replaced by organic quinacridone pigment. Bluish alternative to basic colour 352, magenta.

Colour Index: PR122



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Series number: 1

Chemical Description: Alkali ferriferrocyanide

Colour index name: PB 27

Colour index number: 77510

Permanence rating: A(iv)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing.Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society.Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.

ShinHan Pass paints are made of the world's best pigments. These vivid colours are lightfast and each colour maintains its own integrity when blending.

ACMI certified.

Non-toxic.