The lead is water-soluble, soft, 3.8mm, high breaking-strength, very economical thanks to it's exceptional covering power. Bright colours, excellent lightfastness.Shaft made from the best cedar.Techniques possible: Cross-hatching, graded applications, watercolour effects, washes, unlimited blending possibilities.

Caran d'Ache Supracolor Soft Watersoluble Pencils have a high breaking-strength and are very economical thanks to their exceptional covering power. These pencils produce bright colours and have excellent lightfastness. The wood of the pencils' shafts are made from the best cedar. Caran d'Ache Supracolor Soft lead is 3.8mm in diameter and is water-soluble. pdf=supracolorcc.pdf Caran d'Ache Supracolor Colour Chart. pdf=supracolorbrochure.pdf Caran D'Ache Supracolor Brochure.

Derwent Watercolour can be used wet or dry, on wet or dry paper, to achieve a wide variety of effects. Soft in texture so easy to blend and layer. Derwent Watercolour Pencils are available in 72 classic colours, which retain their full intensity however you use them.

Pigment: Quinacridone magentaLightfastness: ***Opacity: Semi-opaqueDescription: Original dyestuff replaced by organic quinacridone pigment. Bluish alternative to basic colour 352, magenta.

Colour Index: PR122



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

The lead is water-soluble, soft, 3.8mm, high breaking-strength, very economical thanks to it's exceptional covering power. Bright colours, excellent lightfastness.Shaft made from the best cedar.Techniques possible: Cross-hatching, graded applications, watercolour effects, washes, unlimited blending possibilities.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing.Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society.Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Alizarin Crimson.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Series number: 1

Chemical Description: Benzimidazolone

Colour index name: PY 154

Colour index number: 11781

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: ST

Granulating/Staining: St

Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.

ShinHan Pass paints are made of the world's best pigments. These vivid colours are lightfast and each colour maintains its own integrity when blending.

ACMI certified.

Non-toxic.

Burnt Sienna (PBr7) is a greyed orange colour. This product can be combined with other hues without a loss of transparency and is, therefore, ideal for adding glazes.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-TransparentGranulating: YesStaining: Non-staining

Pigment: MonoazoyellowLightfastness: ***Opacity: Semi-transparentDescription: Greenish yellow. Heavy metal-free alternative to cadmium yellow lemon. Good painting and mixing properties. Mixed with phthalogreen results in brilliant tones. Basic yellow for individual mixtures.

Colour Index: PY3

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Burnt Umber (PBr7) is a rich dark brown colour. It is low-staining and semi-transparent.  Burnt Umber can be warmed with a little Alizarin Crimson or cooled with blue.ASTM Lightfastness Rating: ExcellentTransparency: Semi-TransparentGranulating: YesStaining: LowDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Burnt Umber.

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.

140lb (300gsm) The Langton watercolour paper in a Not surface (cold pressed).

Specifications..

300gsm

12 sheets

A6

Landscape format

Lightly printed address lines on one side.

Lemon Yellow (PY175) is a brilliant primary yellow when used in masstone that can be washed out to produce a soft lemon glow. This productis the perfect pigment to use as a clean mixing colour.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

QoR Watercolour Mediumis a general purpose medium which, when used in small amounts, will increase the transparency and flow of watercolours. When Watercolour Medium is used in larger amounts, it also increases the gloss and saturation of colours.

Series number: 1

Chemical Description: Alkali ferriferrocyanide

Colour index name: PB 27

Colour index number: 77510

Permanence rating: A(iv)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Series number: 1

Chemical Description: 1, 2-dihydroxyanthraquinone lake

Colour index name: PR 83

Colour index number: 58000

Permanence rating: B

ASTM Lightfastness Rating: N/L

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Rose of Ultramarine (PB29 PV19) is a purple hue in which the blue settles and the rose lifts. This separation gives a colour a multi-dimensional quality that self-mixed purples struggle to achieve.  This product is particularly effective when juxtaposed with Phthalo Blue.ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: MediumDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Rose of Ultramarine.

Colour number/code: 95

Series number: 1

Chemical Description: Perylene, Pyrrole

Colour index name: PR149, PR255

Colour index number: 71137, 561050

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Pyrrol Scarlet is a fire engine red similar in colour to Cadmium or Permanent Red although cleaner in colour. This modern synthetic-organic pigment disperses evenly as it is less granular than Perylene hues.

Lightfastness: Extremely PermanentStaining: MediumTransparency: Semi-TransparentGranulation: No