Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 053Series: CPigment: PR254Transparency: TransparentLightfastness: Excellent

Phthalo Blue (Red Shade) (PB15) is a deep intense blue with a red undertone. This product is a wonderful tool for painting skies (a small daub of pigment will product will yield sufficient mixture to cover a large area) or for capturing transparent containers filled with water.ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: NoStaining: StainingDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Phthalo Blue (Red Shade).

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

QoR Watercolour Ground quickly transforms almost any surface into an absorbent, bright white painting surface similar to hot-pressed paper. Use as Ground – Allows for watercolour techniques on virtually any paintable substrate. The smooth surface remains flexible with a soft feel. Use to create custom watercolour panels or canvases. After the last layer has been applied, allow 24 hours or longer to fully dry before applying paint washes. Use as a Correcting Fluid - One of the unique uses of this product is to recover the whiteness of an area of watercolour paper that has been stained with colour. Lift as much colour as possible without damaging by wetting and immediately blotting the paper and allow to fully dry. Next apply thin layers of Watercolour Ground, carefully feathering out edges. Build up two or more coats until the underlying stain is covered. The absorbent nature will allow for continued watercolour paint application. Application - Apply two or more coats of Watercolour Ground to paper, panel, canvas or other desired surface. Allow sufficient time (usually 24 hours or more) for the layers to fully dry before applying watercolour washes. Up to 20% water (5:1 ground to water ratio) may be added to improve levelling. Watercolour Ground may be sanded for a smoother surface, with wet sanding providing the best results. Avoid coarser grits as they can leave scratches that will become highlighted when washes are applied to the surface. youtube=zdMf8dX9A2g

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Graphite Gray (PBk10) is an opaque grey that can be handled as a wet wash or as a dry textured brush stroke. This product can be used to paint weathered wood, fence posts and old buildings.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: OpaqueGranulating: NoStaining: Low

Bismuth Vanadate Yellow (PY184) is low staining yellow green colour. This product is excellent for adding to portrait mixtures to create dark flesh tones.Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation:  NoDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Bismuth Vanadate Yellow.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Monoazo Colour index: PY74 Colour index number: 21090 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Scheveningen Red Scarlet.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Quinacridone Colour index: PV19 Colour index number: 73900 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Synthetic ultramarine Colour index: PB29 Colour index number: 77007 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Semi-transparent

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Manganese Blue Extra.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cadmium zinc sulphide-Hydrated chromium oxide-Zinc oxide Colour index: PY35-PG18-PW4 Colour index number: 77205-77289-77891 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Semi- transparent

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Chromium oxide Colour index: PG17 Colour index number: 77288 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque