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Arts & Crafts > Fine Art Supplies > Watercolour
Jackson's Artist Watercolours compete with the finest professional watercolours available today. They are made from premium Sudanese Kordofan gum arabic, honey, purified water, and artist quality pigments. These ingredients are blended together and slowly ground into a fine paste until the pigment particles are dispersed evenly. This allows for a flawlessly uniform wash and superb paint handling.
Jackson's Artist Watercolour is bound with Sudanese Kordorfan gum Arabic and then mixed with honey which adds a lustre to the colours. The result is a consistency that really enhances the painting experience.
Jackson's Artist Watercolour is bound with Sudanese Kordorfan gum Arabic and then mixed with honey which adds a lustre to the colours. The result is a consistency that really enhances the painting experience.
Jackson's Artist Watercolour is bound with Sudanese Kordorfan gum Arabic and then mixed with honey which adds a lustre to the colours. The result is a consistency that really enhances the painting experience.
Made to the same standards and formulas as the best professional artist watercolours available today, Jackson's Artist Watercolours rival any leading brand of watercolour but at a fraction of the price.
Made to the same standards and formulas as the best professional artist watercolours available today, Jackson's Artist Watercolours rival any leading brand of watercolour but at a fraction of the price.
The Lascaux Sirius Primary System is based on five primaries instead of the usual three. These are: magenta, red, yellow, cyan and ultramarine plus black and white. The full range of colours can be mixed with ease and precision. Mixed in equal parts, the five primaries produce a neutral and vibrant black. Warm and cool tones can be defined logically since on either side a red and a blue can be differentiated.The Sirius Primary System can be used in professions where the perceptual and sensual quality of colour is essential: Fine Art and Design, Architectural and Interior Design, Colour Theory, Art Education Classes and Art Therapy.Specific advantages are listed below:* The System is easily used in practice, making it ideal for introductory courses, in schools and academies. A balanced colour wheel can be intermixed, creating the entire spectrum with only a few hues.* When adjusting the lightness and darkness of a hue, the colour s intensity and consistency remain intact. Within the system, a wide range of subtle, vibrant and neutral greys can be mixed.
L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 22x30in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most. |
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