L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

Blockx Watercolours are made using only lightfast pigments to insure stability because watercolour is a naturally fragile medium. The most intense and brilliant pigments, which always can be diluted but never improved. Made with the finest traditional ingredients but prepared with a modern formula for the needs of today’s artists. Slowly ground on stone tricylinders to simulate the manual process and accentuate the individual quality of each colour. Available in 15ml tubes and giant pans (3.5" x 2.5").

Pigment: PW4, PY35, PY42

Granulating: Minimal Granulation

Opacity: Semi-transparent

Blockx Watercolours are made using only lightfast pigments to insure stability because watercolour is a naturally fragile medium. The most intense and brilliant pigments, which always can be diluted but never improved. Made with the finest traditional ingredients but prepared with a modern formula for the needs of today’s artists. Slowly ground on stone tricylinders to simulate the manual process and accentuate the individual quality of each colour. Available in 15ml tubes and giant pans (3.5" x 2.5").

Pigment: PO73

Granulating: Semi-granulating

Opacity: Semi-opaque

Blockx Watercolours are made using only lightfast pigments to insure stability because watercolour is a naturally fragile medium. The most intense and brilliant pigments, which always can be diluted but never improved. Made with the finest traditional ingredients but prepared with a modern formula for the needs of today’s artists. Slowly ground on stone tricylinders to simulate the manual process and accentuate the individual quality of each colour. Available in 15ml tubes and giant pans (3.5" x 2.5").

Pigment: PR101

Granulating: Semi-granulating

Opacity: Transparent

A white, lightweight paste that spreads like icing sugar, QoR Light Dimensional Ground can be applied smoothly and thinly, or can be built up to create ridges, peaks and other interesting textures. This absorbent ground is ideal for producing lustrous modelled surfaces. The extremely absorbent surface of Light Dimensional Ground allows washes to spread quickly, while accommodating fine lines and detail as well. Dropping colour into lightly wetted areas creates beautiful blooms. Application - Apply with brush, knife or trowel as desired, and allow to fully dry. This product is non-levelling and will retain the tool marks in the dried surface. Use a wet application tool to create a more even layer. Thicker applications may take several days before they are ready to be painted. youtube=rGXIw61UgyA

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Tinting Zinc vs. Transparent Chinese White.The two colours are made from the same pigment however the Tinting Zinc has a higher concentration. This means that when mixing with other colours the Tinting Zinc will make the mix semi-opaque. Transparent Chinese White has a lower concentration, which means that colour mixes maintain their transparency.

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Opaque White.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Old Holland Yellow Light.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Zinc oxide-Hydrated natural iron oxide-Monoazo-Synthetic iron oxide Colour index: PW4-PY43-PY74-PR101 Colour index number: 77947-77492-11741-77491 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Monoazo Colour index: PY3 Colour index number: 11710 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Semi-transparent

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Cadmium Yellow Light.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Benzimidazolon Colour index: PY120 Colour index number: 11783 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Benzimidazolon Colour index: PY120 Colour index number: 11783 Lightfastness: Lightfast pigment according to ASTM category 1 and 2 Opacity/transparency: Transparent

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Diarylide Colour index: PY83 Colour index number: 21108 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cadmium zinc sulphide-Cadmium selino sulphide Colour index: PY35-PR108 Colour index number: 77205-77202 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cadmium selino sulphide Colour index: PR108 Colour index number: 77202 Lightfastness : Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cadmium seleno sulphide Colour index: PR108 Colour index numbe: 77202 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cadmium seleno sulphide Colour index: PR108 Colour index number: 77202 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Opaque

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Naphthol AS Colour index: PR112 Colour index number: 12370 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities.It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Cadmium Red Deep.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

The Old Holland Classic Watercolour range is extensive and excellent quality, providing colours which are unique in their colour strength with maximum pigmentation. This high colour strength requires a different approach, meaning little paint is needed from the tube or pan for the desired colour effect. These paints are rich and beautiful with excellent colour lifting abilities. It is well-known that Old Holland attaches a hand-painted colour strip to its tubes of oil paint and acrylic paint, showing the paint in the tube. A different solution was chosen for the watercolours. The labels of the tubes and cups of watercolour do not show the full tone of the paint, but the undertone (a logical choice following on from the technique of watercolour painting). The colours on the labels are screen printed with the watercolour in this undertone, using a screen printing technique developed specially for Old Holland.This is an 18ml tube of Old Holland Watercolour Paint in Madder (Geranium) Lake Light.pdf=oldhollandwater.pdf Old Holland Watercolour Information Sheet and Colour Chart.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cobalt silicate-Dioxazine violet-Quinacridone-Naphthol AS Colour index: PB73-PV23-PV19-PR112 Colour index number: NA-51319-73900-12370 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent Granular colour

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification: Cobalt silicate-Dioxazine violet-Quinacridone Colour index: PB73-PV23-PV19 Colour index number: NA-51319-73900 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent Granular colour.

One of the unique characteristics of these watercolours is the unparalleled colour strength (maximum pigmentation). And while this high colour strength requires a slightly different approach on the part of the aquarellist (so little paint is needed from the tube or cup for the desired colour effect that you have to get used to the ratio of paint to diluent), the advantages are clear. Pigment classification : - Colour index: PB15:3-PR177-PBK9 Colour index number: 74160-65300-77267 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Transparent