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Books > Arts & Architecture > Music > Western music, periods & styles

Historical Interplay in French Music and Culture, 1860-1960 (Hardcover): Deborah Mawer Historical Interplay in French Music and Culture, 1860-1960 (Hardcover)
Deborah Mawer
R4,300 Discovery Miles 43 000 Ships in 12 - 17 working days

This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860-1960, and its own historical 'others', referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers' celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.

New Essays on Musical Understanding (Hardcover): Peter Kivy New Essays on Musical Understanding (Hardcover)
Peter Kivy
R4,002 Discovery Miles 40 020 Ships in 12 - 17 working days

Peter Kivy presents a selection of his new and recent writings on the philosophy of music, a subject to which he has for many years been one of the most eminent contributors. In his distinctively elegant and informal style, Kivy explores such topics as musicology and its history, the nature of musical works, and the role of emotion in music, in a way that will attract the interest of philosophical and musical readers alike.

Sing Aloud Harmonious Spheres - Renaissance Conceptions of Cosmic Harmony (Hardcover): Jacomien Prins, Maude Vanhaelen Sing Aloud Harmonious Spheres - Renaissance Conceptions of Cosmic Harmony (Hardcover)
Jacomien Prins, Maude Vanhaelen
R4,302 Discovery Miles 43 020 Ships in 12 - 17 working days

This is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the 'Scientific Revolution'. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony offers a new perspective on the reception of an important classical theme in various cultural, sequential and geographical contexts, underlying the continuities and changes between Antiquity, the Middle Ages and the Renaissance. This project will be of particular interest within these emerging disciplines as they continue to explore the ideological significance of the various ways in which we appropriate the past.

Olivier Messiaen - A Research and Information Guide (Hardcover, 2nd edition): Vincent Benitez Olivier Messiaen - A Research and Information Guide (Hardcover, 2nd edition)
Vincent Benitez
R4,597 Discovery Miles 45 970 Ships in 12 - 17 working days

Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers. With multiple indices, this annotated bibliography will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. The second edition has been fully revised and updated.

The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Hardcover): Matthew Arndt The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Hardcover)
Matthew Arndt
R4,302 Discovery Miles 43 020 Ships in 12 - 17 working days

This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker's and Schoenberg's inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker's and Schoenberg's work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker's and Schoenberg's conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Lo, how a Rose e'er blooming (Sheet music, Oboe and piano): John Rutter Lo, how a Rose e'er blooming (Sheet music, Oboe and piano)
John Rutter
R266 Discovery Miles 2 660 Ships in 12 - 17 working days

for Oboe and Piano John Rutter creates a peaceful and contemplative atmosphere in this new arrangement of the traditional German carol, Lo, how a Rose e'er blooming.

Robert Armin and Shakespeare's Performed Songs (Hardcover): Catherine A Henze Robert Armin and Shakespeare's Performed Songs (Hardcover)
Catherine A Henze
R4,294 Discovery Miles 42 940 Ships in 12 - 17 working days

After Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory-similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays' songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.

Pulchra es et decora (Sheet music, Vocal score): Kim Porter Pulchra es et decora (Sheet music, Vocal score)
Kim Porter
R112 Discovery Miles 1 120 Ships in 12 - 17 working days

for SSAATTBB unaccompanied A reflection on the plainchant antiphon 'Pulchra es et decora', this hauntingly beautiful piece was commissioned by ORA100 for Suzi Digby and ORA Singers. The original antiphon has been transcribed and included at the beginning, and may be used as an introduction. Porter's use of rich harmonies and rippling melismatic vocal lines make this an impassioned setting of a Marian text.

The Prize Racket (Paperback): Isabel Rogers The Prize Racket (Paperback)
Isabel Rogers
R230 Discovery Miles 2 300 Ships in 12 - 17 working days

With a huge reward on the line, the Stockwell Park Orchestra will need to play on a whole new scale to win big... After a brief and disastrous Resident Poet episode, Stockwell Park Orchestra is invited to take part in a TV competition for classical music. For a GBP50,000 prize some competitors are tempted to stretch the genre to 'crossover' and beyond. Can a full concert orchestra compete with jazz bands, horn quartets, harp ensembles, and Mrs Ford-Hughes singing in Portuguese with nine cellos? Or will the competition be derailed by the poet's return, this time sporting live Ambient Sounds? The TV producers aren't worried: they know a good fight means great ratings. What was supposed to be a quirky diversion threatens to take over the orchestra's rehearsals for their own concert, but discovering a voting scam means they must fix things in the TV studio first. What people are saying about Life, Death and Cellos: "I was charmed... a very enjoyable read." Marian Keyes "Life, Death and Cellos is a witty and irreverent musical romp, full of characters I'd love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series." Claire King, author of The Night Rainbow "Life, Death and Cellos is that rare thing - a funny music book. Rogers knows the world intimately, and portrays it with warmth, accuracy and a poetic turn of phrase. Sharp, witty and richly entertaining." Lev Parikian, author of Why Do Birds Suddenly Disappear? "With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra." Isabel Costello, author of Paris Mon Amour "Dodgy post-rehearsal curries, friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra. Throw in a stolen Stradivarius, an unexpected fatality and the odd illicit affair and you have Life, Death and Cellos, the first in a new series by Isabel Rogers." Rebecca Franks, BBC Music Magazine "...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra" Ian Critchley

The Wound That Will Never Heal - An Allegorical Interpretation of Richard Wagner's The Ring of the Nibelung (Hardcover):... The Wound That Will Never Heal - An Allegorical Interpretation of Richard Wagner's The Ring of the Nibelung (Hardcover)
Paul Brian Heise
R2,739 Discovery Miles 27 390 Ships in 10 - 15 working days

Paul Brian Heise's The Wound That Will Never Heal is an original allegorical reading of Richard Wagner's epic music drama The Ring of the Nibelung. Heise challenges the standard view that Wagner merely dramatizes the conflict between love and power and demonstrates instead that his greatest work is an allegory exploring humanity's longing for transcendent value and that quest's paradoxical establishment of a science-based secular society. By employing a more extensive analysis of primary evidence than any prior interpretation, The Wound That Will Never Heal is the first interpretation to propose and sustain a global and conceptually coherent account of the entire Ring.

Gaspar Cassado - Cellist, Composer and Transcriber (Hardcover): Gabrielle Kaufman Gaspar Cassado - Cellist, Composer and Transcriber (Hardcover)
Gabrielle Kaufman
R4,590 Discovery Miles 45 900 Ships in 12 - 17 working days

Barcelonian Gaspar Cassado (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassado, containing the results of seven years of research into his life and legacy, after following the cellist's steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassado's creative output: composition, transcription and performance, especially focusing on Cassado's plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassado's role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassado's works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassado's works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer's significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassado: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.

After the Rain (Sheet music, Vocal score): Sarah Quartel After the Rain (Sheet music, Vocal score)
Sarah Quartel
R128 Discovery Miles 1 280 Ships in 12 - 17 working days

for SSA and piano Setting words by Chief Dan George, this optimistic work reminds us that there is still beauty to be found in times of trouble and that difficult days will not last forever. Quartel's sensitive setting uses triplets against duplets to give a sense of fluidity to the melodic phrasing. The balanced vocal lines will be enjoyed by youth and adult upper-voice choirs.

Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Paperback): Peter Dayan Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Paperback)
Peter Dayan
R1,757 Discovery Miles 17 570 Ships in 12 - 17 working days

In 1877, Ruskin accused Whistler of 'flinging a pot of paint in the public's face'. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public's face? Whistler's answer was simple: painting is music - or it is poetry. Georges Braque, half a century later, echoed Whistler's answer. So did Braque's friends Apollinaire and Ponge. They presented their poetry as music too - and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art - music - as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of 'great art', why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.

Rock and Roll - The 100 Best Singles (Hardcover): Paul Williams, Cindy Lee Berryhill Rock and Roll - The 100 Best Singles (Hardcover)
Paul Williams, Cindy Lee Berryhill
R517 Discovery Miles 5 170 Ships in 12 - 17 working days

Written in Williams' "warm, relaxed, chatty style" ("The New York Times"), this book is a veritable portable jukebox of rock and roll and the stories behind the songs. "(Williams is) one of the most original thinkers and writers working within the dimension of rock. His ideas are fresh, fierce, and singularly alive."--"Fusion." (Music)

The World of Bob Dylan (Hardcover): Sean Latham The World of Bob Dylan (Hardcover)
Sean Latham
R684 R601 Discovery Miles 6 010 Save R83 (12%) Ships in 9 - 15 working days

Bob Dylan has helped transform music, literature, pop culture, and even politics. The World of Bob Dylan chronicles a lifetime of creative invention that has made a global impact. Leading rock and pop critics and music scholars address themes and topics central to Dylan's life and work: the Blues, his religious faith, Civil Rights, Gender, Race, and American and World literature. Incorporating a rich array of new archival material from never before accessed archives, The World of Bob Dylan offers a comprehensive, uniquely informed and wholly fresh account of the songwriter, artist, filmmaker, and Nobel Laureate whose unique voice has permanently reshaped our cultural landscape.

Church and Worship Music in the United States - A Research and Information Guide (Hardcover, 2nd edition): James Michael Floyd,... Church and Worship Music in the United States - A Research and Information Guide (Hardcover, 2nd edition)
James Michael Floyd, Avery Sharp
R4,880 Discovery Miles 48 800 Ships in 12 - 17 working days

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

Ya Basta! (Sheet music, Vocal score): Val Regan Ya Basta! (Sheet music, Vocal score)
Val Regan
R128 Discovery Miles 1 280 Ships in 12 - 17 working days

for SATB unaccompanied 'Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefree energy, expressing the freedom to walk wherever you choose and to make your own path. The song easy to teach and learn; the score includes helpful tips on pronunciation and improvisation at the break section. Offprinted from Community Voiceworks, ed. Alison Burns and Gitika Partington.

International Who's Who in Classical Music 2016 (Hardcover, 32nd edition): Europa Publications International Who's Who in Classical Music 2016 (Hardcover, 32nd edition)
Europa Publications
R11,043 R10,322 Discovery Miles 103 220 Save R721 (7%) Ships in 12 - 17 working days

The International Who's Who in Classical Music 2016 is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Each entrant has been given the opportunity to update his or her information for the new improved 2016 edition. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. International Who's Who in Classical Music includes individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. Key Features: - over 8,000 detailed biographical entries - covers the classical and light classical fields - includes both up-and-coming musicians and well-established names. This book will prove valuable for anyone in need of reliable, up-to-date information on the individuals and organizations involved in classical music.

Listen (Sheet music, Vocal score): Reena Esmail Listen (Sheet music, Vocal score)
Reena Esmail
R113 Discovery Miles 1 130 Ships in 12 - 17 working days

for SA and piano In this beautiful setting of words by the composer, based on a quote by Brian Palmer, singers are encouraged to listen to the sounds and people around them in order to learn and grow: 'one act of love, I know, for sure, is to listen.' Listen is suitable for upper-voice or children's choirs, and its memorable melodies are accompanied by a simple and supportive rippling piano accompaniment.

Order and Disorder - Music-Theoretical Strategies in 20th Century Music (Paperback): Jonathan Dunsby, Joseph N. Straus, Yves... Order and Disorder - Music-Theoretical Strategies in 20th Century Music (Paperback)
Jonathan Dunsby, Joseph N. Straus, Yves Knockaert, Max Paddison, Konrad Boehmer
R603 Discovery Miles 6 030 Ships in 12 - 17 working days

Order and Disorder is the result of the first International Orpheus Academy for Music Theory, held in 2003. Its theme was 20th century music and theory, especially after the 1950s. Five guest lecturers discussed theoretical, historical and philosophical aspects of this theme in six articles. In "Music-Analytical Trends of the Twentieth Century," Jonathan Dunsby discusses key features in the development of music analysis from prestructuralist to postmodern times. Joseph N. Straus describes different ways in which intervallic and motivic ideas of the musical surface in atonal music are projected over larger spans. Yves Knockaert investigates the controllability of non-intention in Cage's work, the compositional approach of Morton Feldman's "floating thoughts" and the "raw state" of Wolfgang Rihm's music of the 1980s. In "Nature and the Sublime: the Politics of Order and Disorder in Twentieth-Century Music," Max Paddison exposes a history of the concept of nature in relation to music with some references to literature and the visual arts. Konrad Boehmer analyses several aspects of the political economy of music in "Music and Politics." In "Towards a Terza Prattica," he focuses on the perspectives of the paradigmatic change which electric music has caused.

The Parting Glass (Sheet music, SABar vocal score): Sarah Quartel The Parting Glass (Sheet music, SABar vocal score)
Sarah Quartel
R128 Discovery Miles 1 280 Ships in 12 - 17 working days

for SABar unaccompanied The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effective interjectory moments in what is a largely homophonic setting. The arrangement was made for the composer's friend Matt Jones, who served with the Canadian Military in Afghanistan in 2010-2011; his deployment and eventual safe return inspired the setting of the piece. With its valedictory message, The Parting Glass would make a fitting end to a performance, perhaps as an encore item. Also available in versions for SATB and TTBB.

The Temporal Structure of Estonian Runic Songs (Hardcover, Reprint 2015): Jaan Ross, Ilse Lehiste The Temporal Structure of Estonian Runic Songs (Hardcover, Reprint 2015)
Jaan Ross, Ilse Lehiste
R3,408 Discovery Miles 34 080 Ships in 12 - 17 working days

The Kalevala, or runic, songs is a tradition at least a few thousand years old. It was shared by Finns, Estonians and other speakers of smaller Baltic-Finnic languages inhabiting the eastern side of the Baltic Sea in North-Eastern Europe. This book offers a combined perspective of a musicologist and a linguist to the structure of the runic songs. Archival recordings of the songs originating mostly from the first half of the 20th century were used as source material for this study. The results reveal a complex interaction between three different processes participating in singing: speech prosody, metre, and musical rhythm.

International Who's Who in Classical Music 2015 (Hardcover, 31st edition): Europa Publications International Who's Who in Classical Music 2015 (Hardcover, 31st edition)
Europa Publications
R9,637 R8,917 Discovery Miles 89 170 Save R720 (7%) Ships in 12 - 17 working days

The International Who's Who in Classical Music 2015 is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Each entrant has been given the opportunity to update his or her information for the new improved 2015 edition. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. Entries include individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. Key Features: - over 8,000 detailed biographical entries - covers the classical and light classical fields - includes both up-and-coming musicians and well-established names. This book will prove valuable for anyone in need of reliable, up-to-date information on the individuals and organizations involved in classical music.

Martinu and the Symphony (Hardcover): Michael Crump Martinu and the Symphony (Hardcover)
Michael Crump
R1,600 Discovery Miles 16 000 Ships in 12 - 17 working days

The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.

Sir John in Love - Second Edition (Sheet music, Study score (set of 2 volumes)): Ralph Vaughan Williams Sir John in Love - Second Edition (Sheet music, Study score (set of 2 volumes))
Ralph Vaughan Williams; Edited by David Lloyd Jones
R3,070 Discovery Miles 30 700 Ships in 12 - 17 working days

This four-act comic opera celebrating Shakespeares Sir John Falstaff was given its first professional performance in 1946. The libretto, written by the composer, is based on The Merry Wives of Windsor, and interpolates texts by contemporaries of Shakespeare such as Christopher Marlowe, Ben Jonson, and Thomas Campion. The work contains English folksong material and fine examples of the composer's orchestral lyricism and dramatic flair. Music from the opera was later adapted to form the cantata In Windsor Forest and the Fantasia on Greensleeves. For this comprehensive new edition, the editor (and conductor) David Lloyd-Jones has drawn on all available sources, providing an authoritative Study Score with critical commentary. The performance materials are newly-engraved. The orchestral score, vocal score, choral scores, and the optional Episode & Interlude are also available on hire. Please note that this score comes as two separate volumes.

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