A Philosophical History of Love explores the importance and development of love in the Western world. Wayne Cristaudo argues that love is a materializing force, a force consisting of various distinctive qualities or spirits. He argues that we cannot understand Western civilization unless we realize that, within its philosophical and religious heritage, there is a deep and profound recognition of love's creative and redemptive power.

Cristaudo explores philosophical love (the love of wisdom) and the love of God and neighbor. The history of the West is equally a history of phantasmic versions of love and the thwarting of love. Thus, the history of our hells may be seen as the history of love's distortions and the repeated pseudo-victories of our preferences for the phantasms of love. Cristaudo argues that the catastrophes from our phantasmic loves threaten to extinguish us, forcing us repeatedly to open ourselves to new possibilities of love, to new spirits.

Fusing philosophy, literature, theology, psychology, and anthropology, the volume reviews major thinkers in the field, from Plato and Freud, to Pierce, Shakespeare, and Flaubert. Cristaudo explores the major themes of love of the Church, romantic love and the return of the feminine, the conflict between familial and romantic love, love in a meaningless world and the love of evil, and the evolutionary idea of love. With Cristaudo, the reader embarks on a journey not just through time, but also through the different kinds, origins, and spirits of love.

This series is the first English translation of the letters of the philosopher priest who helped to shape the Renaissance worldview. This volume spans the seventeen months from April 1491 to September 1492. This is a crucial period for Marsilio Ficino and Florence itself, for it witnessed the death of Lorenzo the Magnificent. In one of the letters Ficino calls him 'the great and god-like Lorenzo'. In a letter to Lorenzo in Volume 1, he had written: 'Almost all other rich men support servants of pleasure, but you support priests of the Muses'.Of the 34 letters in this volume, five are addressed to Martin Prenninger, Professor of Ecclesiastical Law at Tubingen University and counsellor to Count Eberhard. One, the longest in this volume, consists mainly of extracts selected by Ficino from his translation of Proclus' commentaries on Plato's Republic.Another letter to Prenninger gives an insight into Ficino's activities in this period: his work with the Divine Names of Dionysius, the preparation of a copy of his Philebus commentary being made for Prenninger, and the reprinting, in Venice, of his translations of Plato's dialogues and the Platonic Theology.Most interesting and intriguing is Ficino's response to Prenninger's frequent request to receive a list of his friends, with which he complies, requesting him not to infer any ranking from the order in which they are listed.

Eternal Life and Human Happiness in Heaven treats four apparent problems concerning eternal life in order to clarify our thinking about perfect human happiness in heaven. The teachings of St. Thomas Aquinas provide the basis for solutions to these four problems about eternal life insofar as his teachings call into question common contemporary theological or philosophical presuppositions about God, human persons, and the nature of heaven itself. Indeed, these Thomistic solutions often require us to think very differently from our contemporaries. But thinking differently with St. Thomas is worth it: for the Thomistic solutions to these apparent problems are more satisfying, on both theological and philosophical grounds, than a number of contemporary theological and philosophical approaches. Christopher Brown deploys his argument in four sections. The first section lays out, in three chapters, four apparent problems concerning eternal life-Is heaven a mystical or social reality? Is heaven other-worldly or this-worldly? Is heaven static or dynamic? Won't human persons eventually get bored in heaven? Brown then explains how and why some important contemporary Christian theologians and philosophers resolve these problems, and notes serious problems with each of these contemporary solutions. The second section explains, in five chapters, St. Thomas' significant distinction between the essential reward of the saints in heaven and the accidental reward, and treats in detail his account of that in which the essential reward consists, namely, the beatific vision and the proper accidents of the vision (delight, joy, and charity). The third section treats, in five chapters, St. Thomas' views on the multifaceted accidental reward in heaven, where the accidental reward includes, among other things, glorified human embodiment, participation in the communion of the saints, and the joy experienced by the saints in sensing God's "new heavens and new earth." Finally, section four argues, in four chapters, that St. Thomas' views allow for powerful solutions to the four apparent problems about eternal life examined in the first section. These solutions are powerful because, not only are they consistent with authoritative, Catholic Christian Tradition, but they do not raise any of the significant theological or philosophical problems that attend the contemporary theological and philosophical solutions examined in the first section.

Thomas Aquinas's interpretation of Aristotle has formed the backbone of Catholic theology and teaching to this day. This book is an original new study of Aquinas's ideas in two key areas of ethical thought: the will and human action, with important new insights on a range of theological topics as well - including love, sin, and the moral virtues.

Each of the essays in this collection, written by the most respected academics in their fields, provides both an insightful and valuable understanding on the different views of the passions in the Seventeenth Century.

The Consolation of Philosophy was composed when its author was awaiting execution on a charge of treason. It outlines the true good at which we should aim: not wealth, high position, or worldly fame, but the knowledge of God, our end and our beginning. Professor Walsh has included an introduction and explanatory notes which combined with his new translation make the text accessible to general readers and scholars alike.

A beautifully illustrated history of the Renaissance told through the lives of its most important and influential patrons. 'Exceptionally sumptuous... This vivid history brings to life the vices and virtues of the feuding ruling families of Italy.' Michael Prodger, The Times 'Full of treasures to be uncovered... A chance to visit a glittering, at times rather gory, world that is different and yet dreamily familiar to our own.' BBC History Revealed From the late Middle Ages, the independent Italian city-states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of fifteenth- and sixteenth-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers. Many of these princes were related by blood or marriage, creating a web of alliances that held society together but whose tensions sometimes threatened to tear it apart; thus were their lives dominated as much by the waging of war as the nurture of artistic talent. In a narrative that is as rigorous and closely researched as it is accessible and informative, Mary Hollingsworth sets the princes' aesthetic achievements in the context of the volatile, ever-shifting politics of a tumultuous period of history.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This monograph presents new material on Francisco Suarez's comprehensive theory of sense perception. The core theme is perceptual intentionality in Suarez's theory of the senses, external and internal, as presented in his Commentaria una cum quaestionibus in libros Aristotelis De anima published in 1621. The author targets the question of the multistage genesis of perceptual acts by considering the ontological "items" involved in the procession of sensory information. However, the structural issue is not left aside, and the nature of the relationship due to which our perceptions are mental representations of this or that object is also considered. The heuristic historiographical background includes not only the theories of classical authors, such as Aristotle and Aquinas, but also those of late medieval authors of the fourteenth century. These are headed by John Duns Scotus, John of Jandun, Peter Auriol and Peter John Olivi. Readers will discover the differences between Suarez's and Aquinas's views, as well as other sources that may have served as positive inspiration for the Jesuit's theory. By considering the late medieval philosophy of the fourteenth century, this book helps, to a certain extent, to fill a gap in the historiography of philosophy regarding the link between late medieval and early modern scholasticism. In the first part of the book, the metaphysics of the soul and powers is considered. Chapters on the external senses follow, covering topics such as the sensible species, the causes of sensation, self-awareness, and the ordering of the external senses. A further chapter is devoted to the internal senses and the author argues that by reducing the number and functional scope of the interior senses Suarez deepens the gap between the external senses and the intellect, but he reduces it through emphasizing the unifying efficacy of the soul.This book brings a synthetic and unifying perspective to contemporary research and will particularly appeal to graduate students and researchers in theology and philosophy, especially philosophy of mind.

The long-awaited second volume of The Cambridge Translations of Medieval Philosophical Texts offers first-time English translations of major texts in ethics and political thought from one of the most fruitful periods of speculation and analysis in the history of Western thought. The seventeen texts in this anthology offer late medieval treatments of fundamental issues in human conduct that are both conceptually subtle and of direct practical import. This is an important resource for scholars and students of medieval philosophy, history, political science, theology and literature.

Aristotle's Politics is widely acknowledged as a classic and one of the founding texts of political theory and philosophy. Written by a leading expert in ancient philosophical thought, Aristotle and the Politics is a coherent guide that makes sense of an often difficult and disorganized work, carefully explaining its key themes. Jean Roberts introduces and assesses:

• Aristotle's life and the background to Politics
• the ideas and text of Politics
• the continuing importance of Aristotle's work to philosophy today.

Aristotle is one of the most important figures in Western thought and Politics contains some of our earliest ideas about democracy. This is essential reading for all students of philosophy and political thought.

In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti illuminates how the work of this painter relates to a philosophical culture prevailing in the Antwerp of his time. She shows that no matter what scenery, figures or objects stock the pictorial field, Brueghel's diverse pictures have something in common: they all embed visual trajectories that allow for the viewer to craft out of the raw material of the picture a moment of spiritual repose. Rooted in the art of Hieronymus Bosch and Pieter Bruegel the Elder these vistas are shown to meet the expectation of viewers to discover in their mazes a rhetorically conceived path to wisdom. The key issue is the ambition of pictorial images to bring into practice the humanist belief that philosophy and rhetoric are inseparable. This original study analyzes the patterns of thought and recurrent optical tropes that constitute a visual poetics for shifting genres - no longer devotional, yet sharing in the meditative goal of redirecting the soul toward an intuitive knowledge of what is good in life. This book reveals how everyday life is the preferred vehicle for delivering the results of philosophical pursuits. One chapter is dedicated to Brueghel's innovative attention to the experience of traveling in a variety of wheeled vehicles along the roads of his native Brabant. He is unique, and surprisingly modern, in giving contemporary viewers an accurate account of all the different types of conveyances that clutter the roads. It makes for lively versions of one of his favorite themes: The Traveled Road. By taking the pursuit of wisdom as its theme, the book succeeds in presenting a new model for the interpretation of a range of visual genres in the Antwerp picture trade.

Elionor of Sicily, 1325-1375: A Mediterranean Queen's Life of Family, Administration, Diplomacy, and War follows Elionor of Sicily, the third wife of the important Aragonese king, Pere III. Despite the limited amount of personal information about Elionor, the large number of Sicilian, Catalan, and Aragonese chronicles as well as the massive amount of notarial evidence drawn from eastern Spanish archives has allowed Donald Kagay to trace Elionor's extremely active life roles as a wife and mother, a queen, a frustrated sovereign, a successful administrator, a supporter of royal war, a diplomat, a feudal lord, a fervent backer of several religious orders, and an energetic builder of royal sites. Drawing from the correspondence between the queen and her husband, official papers and communiques, and a vast array of notarial documents, the book casts light on the many phases of the queen's life.

Thomas Williams' revision of Arthur Hyman and James J. Walsh's classic compendium of writings in the Christian, Islamic, and Jewish medieval philosophical traditions expands the breadth of coverage that helped make its predecessor the best known and most widely used collection of its kind. The third edition builds on the strengths of the second by preserving its essential shape while adding several important new texts--including works by Augustine, Boethius, Pseudo-Dionysius the Areopagite, Anselm, al-Farabi, al-Ghazali, Ibn Rushd, Bonaventure, Thomas Aquinas, and John Duns Scotus--and featuring new translations of many others. The volume has also been redesigned and its bibliographies updated with the needs of a new generation of students in mind.

What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of Rene Descartes and finds them in the philosopher's implicit poetics. Gadberry argues that Descartes's thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having "slashed poetry's throat" instead enlisted poetic form to contain thought's frustrations. Gadberry's approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.

How can beliefs, which are immaterial, be about things? How can the body be the seat of thought? This book traces the historical roots of the cognitive sciences and examines pre-modern conceptualizations of the mind as presented and discussed in the tradition of commentaries on Aristotle's De anima from 1200 until 1650. It explores medieval and Renaissance views on questions which nowadays would be classified under the philosophy of mind, that is, questions regarding the identity and nature of the mind and its cognitive relation to the material world. In exploring the development of scholastic ideas, concepts, arguments, and theories in the tradition of commentaries on De anima, and their relation to modern philosophy, this book dissolves the traditional periodization into Middle Ages, Renaissance and early modern times. By placing key issues in their philosophico-historical context, not only is due attention paid to Aristotle's own views, but also to those of hitherto little-studied medieval and Renaissance commentators.

Calvin at the Centre explores the consequences of various ideas in the thought of John Calvin, and the influence of his ideas on later theologians. The book sets to one side the assumption that Calvin's views are purely biblical and unaffected by the particular intellectual circumstances in which he lived. The emphasis is on philosophical ideas within Calvin's theology, and the chapters are organised to reflect this, dealing in turn with epistemological, metaphysical, and ethical issues. Paul Helm highlights some of the complexities in the relation between Calvin and Calvinism.
Like the author's study John Calvin's Ideas (2004), the volume focuses on the coincidence of ideas between Calvin and other thinkers rather than offering an historical account of how such influences were transmitted. Among the topics are: the knowledge of God and of ourselves, Scripture and reason, the visibility of God, providence and predestination, compatibilism, and the intermediate state. The chapters range over thinkers as different as Pierre Bayle and Karl Barth.
This illuminating study is relevant to anyone with an interest in Reformation thought, systematic theology, or the philosophy of religion. Helm's approach provides a fresh perspective on Calvin's theological context and legacy.

A timely examination of the ways in which sixteenth-century understandings of the world were framed by classical theory. The long sixteenth century saw a major shift in European geographical understanding: in the space of little more than a hundred years Western Europeans moved to see the world as a place in which all parts of the sphere were made by God for human exploitation and to interact with one another. Taking such a scenario as its historical backdrop, Framing the Early Modern World examines the influence of Greek and Roman ideas on the formulation of new geographical theories in sixteenth-century western Europe. While discussions of inhabitability dominate the geographical literature throughout the sixteenth century, humanist geographers of the sixteenth century, trained in Greek and Roman writings, found in them the key intellectual tools which allowed the oikoumene (the habitable world) to be redefined as a globally-connected world. In this world, all parts of the sphere were designed to be in communication with one another. The coincidence of the Renaissance and the period of European exploration enabled a new geographical understanding fashioned as much by classical theory as by early modern empirical knowledge. Newly discovered lands could then be defined, exploited and colonized. In this way, the author argues, the seeds of the modern era of colonization, expansionism and ultimately globalization were sown. Framing the Early Modern World is a timely work, contributing to a growing discourse on the origins of globalization and the roots of modernity.

The medieval Christian West's most radical practitioners of a Neoplatonic, negative theology with a mystical focus are John Scottus Eriugena, Meister Eckhart and Nicholas Cusanus. All three mastered what Cusanus described as docta ignorantia: reflecting on their awareness that they could know neither God nor the human mind, they worked out endlessly varied attempts to express what cannot be known. Following Pseudo-Dionysius the Areopagite, they sought to name God with symbolic expressions whose negation leads into mystical theology. For within their Neoplatonic dialectic, negation moves beyond reason and its finite distinctions to intellect, where opposites coincide and a vision of God's infinite unity becomes possible. In these papers Duclow views these thinkers' efforts through the lens of contemporary philosophical hermeneutics. He highlights the interplay of creativity, symbolic expression and language, interpretation and silence as Eriugena, Eckhart and Cusanus comment on the mind's work in naming God. This work itself becomes mystical theology when negation opens into a silent awareness of God's presence, from which the Word once again 'speaks' within the mind - and renews the process of creating and interpreting symbols. Comparative studies with Gregory of Nyssa, Pseudo-Dionysius, Anselm and Hadewijch suggest the book's wider implications for medieval philosophy and theology.

Spanning thirty years, the papers brought together in this volume reflect three of Professor Colish's interests as a historian of medieval scholastic thought. The first group of studies represent investigations that flowed into, and out of, the research on Peter Lombard (d. 1161) and his contemporaries that culminated in her book Peter Lombard (1994). Following the publication of that work, she next sought to discover how Peter's theology became mainstream Paris theology in the period between Lombard's death and the early 13th century, resulting in the second group of papers in this collection. Finally, the last two papers offer reflections on broader interpretive issues, considering ways in which medievalists ought to reconsider their general understanding of the story lines of high medieval intellectual history.

The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans-and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

Thomas Aquinas is widely recognized as one of history's most significant Christian theologians and one of the most powerful philosophical minds of the western tradition. But what has often not been sufficiently attended to is the fact that he carried out his theological and philosophical labours as a part of his vocation as a Dominican friar, dedicated to a life of preaching and the care of souls. Fererick Christian Bauerschmidt places Aquinas's thought within the context of that vocation, and argues that his views on issues of God, creation, Christology, soteriology, and the Christian life are both shaped by and in service to the distinctive goals of the Dominicans. What Aquinas says concerning both matters of faith and matters of reason, as well as his understanding of the relationship between the two, are illuminated by the particular Dominican call to serve God through handing on to others through preaching and teaching the fruits of one's own theological reflection.