Many standard musicological reference works document the use of the trombone from its beginning to the middle of the 17th century, and then from Mozart to the present, but few deal with the intervening years. This book reproduces the texts from two dozen treatises, dictionaries, and encyclopedias, along with English translations, published between 1697 and 1811. It provides an overview of the use of the trombone during that time in America and seven European countries and examines its use in choral music, opera, symphonic music and military music.

(Harmonica). If you're just getting started or a veteran looking to add more licks to your arsenal, this book/CD pack is for you. From basic 12-bar blues backing riffs to mojo-packed solo licks, Steve Cohen shares 100 time-tested licks to help you get the most out of your 10-hole diatonic harp. All examples are played on a C harp and are written in standard notation and harmonica tab. The CD contains demonstration tracks for all of the licks many with play-along tracks. Includes: cross harp and straight harp licks; boogie-woogie licks; stop-time licks; ascending & descending licks; funk licks; shuffle licks; horn-adapted licks; glissandro licks; octave licks; warble licks; over-blowing chromatic licks; turn-arounds and endings. Also include many riffs in the styles of Sonny Boy Williamson II, Little Walter, Howlin' Wolf, Jimmy Reed, James Cotton, and more

Paul Harris's brilliant series of workbooks contains finger fitness exercises, scale and arpeggio studies, key pieces, simple improvisations and composition to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Clarinet Grades 4-5 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. This new edition has been devised to support the revised criteria from the ABRSM from 2018.

This second edition of Clarinet Secrets is a compilation of Distinguished Professor Michele Gingras's acclaimed books that spearheaded Rowman & Littlefield's Music Secrets series: Clarinet Secrets and More Clarinet Secrets. It is the result of Gingras's thirty years of hands-on experience spent in the clarinet studio working with students. Learn practical and technical secrets about rapid tonguing and double-tonguing; circular breathing; sight-reading and transposition; reed fixing and repair equipment; improving tone, intonation, technique, and musicianship; contemporary techniques; classical and non-classical performance; performance anxiety; auditioning; career planning and marketability; and more. The concepts are discussed in a straightforward way, explained clearly, and illustrated with photos, diagrams, and musical examples. Easy to use and intended for the intermediate and advanced musician, this second edition of Clarinet Secrets is perfect for students in a class or private situation, professionals, or instructors engaged in pedagogical research.

This reference guide to the life and work of the prolific American wind band composer, Alfred Reed, includes a brief biography followed by detailed bibliography and discography sections. The biography traces Reed's life and those experiences that helped to shape his music and philosophies. Attention is given to Reed's popularity with and influences upon bands throughout the world and especially in Japan. A complete listing of Reed's more than 250 works and premiers are categorized by genre. The extensive discography section cites more than 400 recordings, and the bibliography section includes the many writings by and about Reed.

This unique reference will appeal to music scholars and band directors with an interest in Alfred Reed and in wind band music. As a useful research tool, each section of the volume is cross-referenced. Additionally, two appendices list Reed's compositions, one alphabetically and the other chronologically.

This edition of Improve your sight-reading! Horn Grades 1-5 has been revised to support the ABRSM syllabus from 2022. It also includes online audio of the 'going solo' pieces for students to check their performances against. The ability to sight-read fluently is a vital skill, enabling students to learn new pieces more quickly and play with other musicians. The best-selling Improve your sight-reading! series, by renowned educationalist Paul Harris, is designed to develop sight-reading skills and improve confidence. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.

Flute Meditations is a beautiful collection of pieces for flute with piano accompaniment and flute duet suitable for late elementary to intermediate players (Grades 3-5), all inspired by paintings of a meditative nature. By bestselling composer Pam Wedgwood, this book includes online piano accompaniment audio as recorded by Pam herself and is complemented by a stunning pull-out poster of images providing the visual inspiration for each piece.

19 songs from the silver screen, arranged for diatonic and chromatic harmonica. Includes: Alfie * Bless the Beasts and Children * Chim Chim Cher-ee * The Entertainer * Georgy Girl * Midnight Cowboy * Moon River * Picnic * Speak Softly, Love * Stormy Weather * Tenderly * Unchained Melody * What a Wonderful World * and more, plus a guide to harmonica tablature. Perfect for use with the Hal Leonard Harmonica Method!

Modeled on the brilliant approach first formulated by distinguished professor of music and master clarinetist Michele Gingras in Clarinet Secrets and More Clarinet Secrets (both available from Scarecrow Press), Music Secrets for the Advanced Musician: A Scarecrow Press Music Series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to the Music Secrets series fill a niche for those who have moved beyond what beginners and intermediate practitioners need. In Oboe Secrets: 75 Performance Strategies for the Advanced Oboist and English Horn Player, Jacqueline Leclair tackles the oboe s reputation as an especially difficult instrument and illustrates how oboists and English horn players can overcome common challenges. Leclair draws on her experience as a performer and instructor, offering practical tips and sometimes revolutionary ideas for rethinking oboe pedagogy. Leclair also looks at performance strategies in the areas of equipment maintenance and management, physical health, and performance technique. Her secrets focus on such matters as how to optimize practice sessions, build endurance, improve use of the body when playing, work with reeds, and apply extended techniques. Oboe Secrets provides oboists and English horn players a quick and efficient path to significant improvement both technically and musically in their playing. It is the perfect resource for advanced high school oboists, professional performers, music instructors, and avid amateur musicians."

The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern, legato technique needed for organ music composed after 1750, as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.

The BBC's Jazz Book of the Year for 2008. Few jazz musicians have had the lasting influence or attracted as much scholarly study as John Coltrane. Yet, despite dozens of books, hundreds of articles, and his own recorded legacy, the "facts" about Coltrane's life and work have never been definitely established. Well-known Coltrane biographer and jazz educator Lewis Porter has assembled an international team of scholars to write The John Coltrane Reference, an indispensable guide to the life and music of John Coltrane. The John Coltrane Reference features a a day-by-day chronology, which extends from 1926-1967, detailing Coltrane's early years and every live performance given by Coltrane as either a sideman or leader, and a discography offering full session information from the first year of recordings, 1946, to the last, 1967. The appendices list every film and television appearance, as well as every recorded interview. Richly illustrated with over 250 album covers and photos from the collection of Yasuhiro Fujioka, The John Coltrane Reference will find a place in every major library supporting a jazz studies program, as well as John Coltrane enthusiasts.

Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.

As the sound-producing mechanism for the bassoon, the reed is a vital component in the sound of the entire instrument. While pre-manufactured reeds are widely available for purchase at music stores, this one-size-fits-all option hardly does justice to the unique needs of the musician and the piece. Many bassoonists, including seasoned professional bassoonist Eric Arbiter, instead choose to craft their own reeds. A nuanced and difficult craft to master, reed-making involves specialized machinery and necessitates special attention to the thickness, and even topography, of the reed itself. When done correctly, however, this process results in a reed that not only produces a more beautiful sound, but also holds up to even the most demanding musical performances. In The Way of Cane, Arbiter demystifies this process for bassoonists of all levels of experience. Drawing from his decades-long experience as both musician and reed-maker, Arbiter provides a comprehensive yet accessible overview of the craft, from the differing sound qualities produced by changing the dimensions of the reed's blades to the changes in the reed's behaviors as it passes through cycles of wetting and drying during production. Small changes in each of these variables, Arbiter explains, contribute to the ultimate goal of producing a bassoonist's ideal sound. With step-by-step instructions, detailed photos that further illuminate the reed-making process, and a companion website featuring the author's own recordings. The Way of Cane emphasizes the importance of the reed to the bassoon's sound, as well as the harmony between reed and musician.

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras. With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge. Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.

The Music and Life of Theodore "Fats" Navarro: Infatuation is the first comprehensive study of the jazz trumpeter Theodore "Fats" Navarro. It provides biographical and discographical information on this talented musician, whose premature death from tuberculosis at 26 robbed the jazz world of his brilliance. Through an analysis of his recorded legacy, this book offers new perspectives on Navarro's role in the history and emergence of Bebop. Through years of study and collecting ephemera, some of which is reprinted here, Leif Bo Petersen and Theo Rehak depict an inclusive history of Navarro and his music. Their information is based on interviews with musicians and people in the music business, contemporary newspaper and magazine articles, and the music itself, which has not been commonly known or described until now. The book features images, musical examples, and depictions of Navarro's recordings, and it provides several appendixes, including explanations of contemporary recording techniques and discographical terms, lists of Navarro's recordings and compositions, and a chronological overview of Navarro's performances, recording sessions, and engagements. Complete with a comprehensive list of sources and a full index, this volume presents a host of new and useful information for anyone interested in jazz and its history.

A conservatory-style approach to the various brass methods, utilizing Beeler's own teaching techniques.

This book contains nine pieces selected from ABRSM's Grade 3 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Prelude from Te Deum, H. 146 [Marc-Antoine Charpentier] Study in F (No. 7 from 30 Etudes faciles et progressives pour la flute) [Giuseppe Gariboldi] Tiptoe and Tango [Sarah Watts] Mazurka Op. 138 [Aleksandr Tikhonovich Grechaninov] Distant Shores: No. 6 from 42 More Modern Studies for Solo Flute [James Rae] Pokarekare Ana [Trad. Maori / P. H. Tomoana] Blanche-Neige au bois Dormant (from Fantaisies, No. 5) [Octave Juste] The St Louis Rag [Tom Turpin] He's a Pirate (from 'Pirates of the Caribbean: The Curse of The Black Pearl') [Hans Zimmer / Klaus Badelt / Geoff Zanelli]

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 4 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - Classic repertoire and newly commissioned pieces and arrangements - Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 4 Flute exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

13 songs from the Broadway sensation arranged for solo instrumentalists with a great accompaniment CD. Songs include: As Long As You're Mine * Dancing Through Life * Defying Gravity * For Good * I'm Not That Girl * Popular * The Wizard and I * and more.

(Music Sales America). This pack is made up of books 1 and 2, plus selections from the performance book. Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune a Day series has revolutionized music making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune a Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD, with actual performances and backing tracks, will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: Advice on equipment; Instructions for an effective embouchure and a comfortable posture; Explanatory section on reading music; Easy-to-follow lessons on clear, uncluttered pages; Audio CDs with virtuoso performance, backing tracks, and audio examples; Great music including duets, rounds, and ensemble pieces; Tests to check progress and comprehension; Useful pull-out chart giving all fingerings; A selection of repertoire at the back; and more!

"For one semester/quarter courses in woodwind methods." "Teaching Woodwinds" has draws on the authors thirty-five years of experience teaching woodwinds to students. Organized by specific teach topics from the fundamentals of hand and finger position to articulation and intonation. Drawing on a classic set of 19th century teacher/student duets, the included twenty-five class lessons enable students to learn by doing and by listening as they play duets with the instructor.

Barry Tuckwell was, until his retirement, one of the world's leading horn virtuosos and thus eminently suited to writing this Guide. This versatile musician combines a soloists experience, an orchestral player's inside knowledge and a conductor's broad view of the horn and its music. He tells the fascinating story of the taming of the horn from a loud, rough signalling instrument to one that is mellow and emotive - described by Schumann as the soul of the orchestra. The history of the horn we know today is closely related to technical developments both in playing and in writing, and with a wealth of musical examples Barry Tuckwell tells us of these changes and the people who made them. He then deals with the difficulties of building and maintaining this difficult instrument, providing invaluable insights into the practicalities of the craft. Useful advice is given on all aspects of learning, practising and playing for the beginner, amateur and teacher. Finally the reader is given the benefit of an inside view of the life of a professional horn player, whether rehearsing, recording or performing live down to so basic (and easily overlooked) a consideration as fatigue - the players' need to spread the load - the explanation for what often seems to the concert-goer to be one more horn player than is necessary.