This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 3 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - Classic repertoire and newly commissioned pieces and arrangements - Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 3 Flute exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

The Social Media Handbook explores how social media are changing disciplinary understandings of the internet and our everyday lives. In addition to person-to-person social networking services like Facebook and Twitter, this volume considers a broad range of networked information services that support in-depth social interaction, community formation, and collaboration in the Web 2.0 era. Rather than considering social media in terms of specific technologies, the chapters in this book engage topics across a range of research, techniques, practices, culture and society, and theories. These broader topics-including community, gender, fandom, disability, and journalism-are entryways through which students and faculty can explore ways of thinking about social media and find new paradigms for analysis.

(Instrumental Folio). Play 50 of your favorite pop tunes on your instrument of choice This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving * Blowin' in the Wind * Clocks * Don't Stop Believin' * Every Breath You Take * Fireflies * Hey, Soul Sister * In My Life * Love Story * My Girl * Nights in White Satin * Sweet Caroline * Unchained Melody * Viva La Vida * What a Wonderful World * You've Got a Friend * and more.

For the first time the exercises and teaching methods of world-renowned flutist William Bennett are featured in one workbook. After more than a decade of study with Bennett and many of his students, Roderick Seed has documented the tools that have made Bennett known for his ability to give the flute the depth, dignity, and grandeur of the voice or the stringed instrument. Topics range from how to overcome basic technical difficulties, such as pitch control, to the tools for phrasing, prosody, tone, and intonation needed for playing with different dynamics and ranges of expression. Advanced musicians will find useful exercises and techniques in this book that will deepen their knowledge and enjoyment of making music and help them in their quest to master the flute.

Recorded by his quartet in a single session in 1964, A Love Supreme is widely considered John Coltrane's magnum opus and one of the greatest jazz albums of all time.
In Beyond A Love Supreme, Tony Whyton explores both the musical complexities of A Love Supreme and the album's seminal importance in jazz history. Marking Coltrane's transition from the bebop and hard bop of his earlier recordings to the free jazz style perfected throughout the rest of his career, the album also embodies the deep spirituality that characterized the final years of his life. The titles of the four part suite--"Acknowledgment," "Resolution," "Pursuance," and "Psalm"--along with the poem Coltrane composed for inclusion in the liner notes, which he "recites" instrumentally in "Psalm," reflect the religious aspect of the album, a quality that contributes to its mystique and symbolic importance within the canon of major jazz recordings. But Whyton also shows how A Love Supreme challenges many of the traditional, unreflective assumptions that permeate jazz culture--the binary oppositions between improvisation and composition, black music and white music, live performance and studio recording. He critically examines many of the mythologizing narratives about how the album was conceived and recorded and about what it signifies in terms of the trajectory of Coltrane's personal life. Sifting through the criticism of late Coltrane, Whyton suggests ways of listening to these recordings that go beyond the conventional ideologies of mainstream jazz practice and open the music to a wider range of responses.
Filled with fresh insights into one of the most influential recordings in jazz history, Beyond A Love Supreme is an indispensable resource for jazz scholars, jazz musicians, and fans and aficionados at all levels.

The Social Media Handbook explores how social media are changing disciplinary understandings of the internet and our everyday lives. In addition to person-to-person social networking services like Facebook and Twitter, this volume considers a broad range of networked information services that support in-depth social interaction, community formation, and collaboration in the Web 2.0 era.

Rather than considering social media in terms of specific technologies, the chapters in this book engage topics across a range of research, techniques, practices, culture and society, and theories. These broader topics including community, gender, fandom, disability, and journalism are entryways through which students and faculty can explore ways of thinking about social media and find new paradigms for analysis.

Contributors: Axel Bruns, Francesca Coppa, Katie Ellis, Gerard Goggin, Alexander Halavais, Andrew Herman, Jeremy Hunsinger, Angus Johnston, Alice Marwick, Safiya Umoja Noble, Zizi Papacharissi, Toni Sant, Theresa Senft

Buzz to Brilliance engages students personally, technically and musically as they begin their study on the trumpet. The book journeys with students from the moment they first open their trumpet case to years later as they prepare for college auditions. It abounds with technical information and practical tips including buying a new trumpet, mouthpiece selection, adjusting to braces, and marching band.
Chapters on practice skills, sight-reading, and performing are a must-read for any musician, while special features give students a window into diverse worlds, from the workbench of a master repairman to the French horn studio of a master teacher. Drawings, diagrams and pictures invite students into each page, making even advanced technical concepts easy to understand.
Following the written portion of the book, a comprehensive set of scales and technique-building exercises address topics including breathing, high range, pedal tones, lip slurs, accuracy, articulation, and pedal tones. With practice schedules, mouthpiece comparison chart, pitch tendencies and more, this book is a treasure for any trumpet player.
Buzz to Brilliance is the perfect companion for any beginning method book, and the first text on the market that provides a comprehensive set of essential studies selected specifically for beginning and intermediate players.

Georges Barr`ere (1876-1944) holds a preeminent place in the history of American flute playing. Best known for two of the landmark works that were written for him-the Poem of Charles Tomlinson Griffes and Density 21.5 by Edgard Var`ese-he was the most prominent early exemplar of the Paris Conservatoire tradition in the United States and set a new standard for American woodwind performance. Barr`ere's story is a musical tale of two cities, and this book uses his life as a window onto musical life in Belle Epoque Paris and twentieth-century New York. Recurrent themes are the interactions of composers and performers; the promotion of new music; the management, personnel, and repertoire of symphony orchestras; the economic and social status of the orchestral and solo musician, including the increasing power of musicians' unions; the role of patronage, particularly women patrons; and the growth of chamber music as a professional performance medium. A student of Paul Taffanel at the Paris Conservatoire, by age eighteen Barr`ere played in the premiere of Debussy's Prelude to the Afternoon of a Faun. He went on to become solo flutist of the Concerts Colonne and to found the Societe Moderne d'Instruments a Vent, a pioneering woodwind ensemble that premiered sixty-one works by forty composers in its first ten years. Invited by Walter Damrosch to become principal flute of the New York Symphony in 1905, he founded the woodwind department at the Institute of Musical Art (later Juilliard). His many ensembles toured the United States, building new audiences for chamber music and promoting French repertoire as well as new American music. Toff narrates Barr`ere's relationships with the finest musicians and artists of his day, among them Isadora Duncan, Yvette Guilbert, Andr'e Caplet, Paul Hindemith, Albert Roussel, Wallingford Riegger, and Henry Brant. The appendices of the book, which list Barr`ere's 170 premieres and the 50 works dedicated to him, are a resource for a new generation of performers. Based on extensive archival research and oral histories in both France and the United States, this is the first biography of Barr`ere.

Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Flute Grades 4-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally `going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria.

John Coltrane's unique and powerful saxophonic sound is commonly recognized among jazz scholars and fans alike as having a "spiritual" nature, imbued with the perfomer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature of the music that has kept his sound alive - and thriving - on the contemporary jazz scene. Edited by prominent jazz musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom is a timely exploration of Coltrane's sound and its spiritual qualities as they relate to Black American music culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in jazz studies and performance-Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Dwight Andrews, Tammy Kernodle, Salim Washington, Eric Jackson, and TJ Anderson (foreword)- the book examines the full spectrum of Coltrane's legacy. Each essay approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture. The contributors address Coltrane as the Black intellectual, the visionary master of musical syntax, the man and the media icon, and ultimately the symbol of the spiritual core of Black American music.

Music from all three films arranged for string instruments. Desirable and collectible, these instrumental folios are loaded with full-color photos of scenes from all three films. They are printed on top-quality antique paper stock, and the covers showcase the new "trilogy" artwork. The string series was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are the twelve major themes from the blockbuster trilogy: from The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider; from The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas; from The Return of the King: Into the West * The Steward of Gondor * Minas Tirith.

More Graded Studies for Saxophone Book One, by Paul Harris, brings together saxophone study repertoire spanning the entire spectrum of technique from the 19th Century onward, and provides a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, this comprehensive collection apply the Simultaneous Learning approach to instrumental technique. Book One begins at Elementary level and progresses to Intermediate (approx. Grades 1-5).The studies are arranged in order of increasing difficulty according to a carefully planned technical progression, and each study comes with a list of Simultaneous Learning musical ingredients for players to explore in preparation for the music.

(Instrumental Folio). Play the recognizable riffs from 30 stand-out hits in instrumental solo arrangements. Includes: Aqualung * Barracuda * Crazy Train * Eye of the Tiger * I Feel Fine * Layla * Money * Owner of a Lonely Heart * Proud Mary * Smells like Teen Spirit * Smoke on the Water * Sweet Home Alabama * Walk This Way * and many more.

(Artist Books). Flute solos from 18 Jethro Tull songs have been transcribed for this collection. Songs include: Bungle in the Jungle * Cross-Eyed Mary * Fire at Midnight * Look into the Sun * Nothing Is Easy * Thick as a Brick * The Witch's Promise * and more.

Acclaimed author of The Baroque Clarinet, Albert R. Rice, now presents a comprehensive study of the clarinet in use through the classical period, from 1760 to 1830. During the early part of this intensive period of musical experimentation, the clarinet was transformed from a typically baroque instrument to an essential piece of the classical ensemble. Barely a half century later, in 1812, Iwan Mueller developed the thirteen-keyed clarinet, which brought the instrument into the Romantic age.
The Clarinet in the Classical Period provides a detailed review of the achievements of the period's most important clarinet makers, including James Wood, Teobaldo Monzani, Jean-Francois Simiot, as well as the innovations of creative performers such as Iwan Mueller and Cesar Janssen. Rice offers new research regarding the practice of clef notation by Italian, French, and German composers, clarifying their use of transposing clarinets. The book also explores the creative relationships of two key trios of composer, maker, and performer - Carl Maria von Weber, Heinrich Baermann, and Jean-Jacques Baumann; and Mozart, Anton Stadler, and Theodore Lotz - examining how clarinet construction and performance practice developed in tandem with musical styles.
Essential reading for clarinetists and for those who love their music, The Clarinet in the Classical Period recounts a fascinating chapter in the instrument's history.

The Brass Instrument Owner's Handbook is the second in a series of musical instrument owner's handbooks. Following the structure of The String Instrument Owner's Handbook (2015), this book provides professionals, musicians, teachers, students, and individuals interested in brass instruments with an abundance of knowledge. A touchstone work for both uninitiated and advanced players, The Brass Instrument Owner's Handbook provides a roadmap for every step of the owning process from selecting and buying (or renting) to maintaining, repairing, modifying, upgrading, and even re-selling your instrument. Chapters answer such questions as: Where did these instruments come from? What are the different kinds of historical and contemporary brass instruments? How do these instruments work? Who makes them and how? How do I choose and buy a brass instrument? How do I rent one? How do I take care of my brass instrument? And so much more. The book also provides readers with an instrument diary and in-depth glossary of terms. This work is an invaluable addition to the libraries of not only every professional brass player, but also of students, teachers, technicians, and parents.