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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Wind instruments
Outstanding and renowned teacher Geraldine Cotter guides students through all forms of traditional Irish music with step-by-step examples, exercises and diagrams. This all encompassing book is beautifully presented and contains prints, photographs and clearly legible notation. The generous section of repertoire pieces includes "The Jolly Banger", "Lucky In Love" and "The Galway Rambler". The accompanying 2 CD demonstration recording is included, and features all one hundred tunes from the final section of the book.
A collection of repertoire books of enjoyable, interesting, and stimulating material for use in the early stages of learning. Pieces are in chronological order, with brief notes placing them in history.
One chanter, three drones, three regulators, thirteen keys, too many near-extinctions to mention and 300 years of heroes: that, with a frisson of fairies on moonlit knolls, is the Irish uilleann ('ill-in') pipes. The Wheels Of The World presents an epic tale of triumph and survival, where the soulful heart of a nation has been kept alive across ages by a slender thread of guardians - blind men, eccentrics, self-aggrandisers, noble heroes, bloody-minded revivalists and at least three people compared to Jimi Hendrix. Uilleann piping is Ireland's equivalent to the story of the blues in America, save that here the trail of legends and lore is richer and deeper by far. It is the sound of 18th-century blues - a microtonal virtuoso machine wielded by misfits and geniuses, often one and the same. This is the story of a continuum, from John McSherry, a 21st-century icon, backwards in time through Paddy Keenan, Liam O'Flynn, Finbar Furey, Seamus Ennis, Willie Clancy, Johnny Doran, Leo Rowsome and Patsy Touhey - at the dawn of recorded sound - and thence to find a litany of unrecorded legends before them. It is also a snapshot of professional Irish traditional musicians, after the gold rush of the late 20th century, keeping calm and carrying on.
This is the first comprehensive guide to the saxophone, its history, technical development and repertoire. Extensively researched and including much new information, the volume is written by some of the finest performers and experts on the instrument. The Cambridge Companion to the Saxophone incorporates detailed historical developments in the classical, jazz and rock fields, provides practical performance guides, and has a chapter on teaching the instrument.
How to get a good sound, read music, and master a variety of styles-including classical, pop, jazz, and Latin Listening to a trumpet trilla series of high notes during a military march or wail longingly during a blues rendition-is a pleasure second to none. And masters, including Wynton Marsalis and Louis Armstrong, have made the trumpet truly Gabriel's horn, one of the most eloquent voices in classical music and jazz. Yet even a virtuoso begins somewhere. This down-to-earth and user-friendly guide shows those new to the trumpet everything they need know to play the instrument-from basic technique (including getting a good sound), caring for a trumpet, and learning pieces from many musical genres.Demonstrates how to play classical, pop, jazz, and Latin-with audio samples on the enclosed CD-ROMIncludes tips on how to buy or rent the best instrument An ideal guide for students just learning the trumpet, or students who need a little boost, or fans of the trumpet who've never got around to learning it, here is the complete guide to making one of the world's most popular-and beloved instruments-their own. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
The second edition of Susan J. Maclagan's A Dictionary for the Modern Flutist presents clear and concise definitions of more than 1,600 common flute-related terms that a player of the Boehm-system or Baroque flute may encounter. Fully illustrated with more than 150 images, the entries describe flute types, flute parts; playing techniques; acoustics; articulations; intonation; common ornaments; flute-making and repairs; flute history; flute music books, and many more topics. Unique to the second edition are entries on beatbox techniques and muscles of the face and throat. Entries now also feature bibliographic cross-references for further research. Carefully labeled illustrations for many flute types, parts, mechanisms, and accessories help make definitions easier to visualize. Appendixes provide further information on such subjects as flute classifications, types of flutes and their parts, key and tone hole names, head joint options, orchestra and opera audition excerpts, and biographies of people mentioned in the definitions. Contributed articles include "An Easy Guide to Checking Your Flute Tuning and Scale" by Trevor Wye; "Flute Clutches" by David Shorey; "Early Music on Modern Flute" by Barthold Kuijken; and "Crowns and Stoppers" and "Boehm Flute Scales from 1847 to the Present:The Short Story" by Gary Lewis. Maclagan's A Dictionary for the Modern Flutist, second edition is an essential reference volume for flutists of all levels and for libraries supporting student, professional, and amateur musicians.
The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertory of the instrument from its origins to the present day, as well as practical guidance on teaching and playing from historical performance to contemporary techniques and jazz. Informed by the experience of distinguished professional players and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.
Wind Talk for Brass provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for brass instruments found in school instrumental programs. With thorough coverage of the most common brass instruments - trumpet, horn, trombone, baritone/euphonium, and tuba/sousaphone - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching brass instruments (articles, websites, audio recordings). Without question, Wind Talk for Brass stands alone as an invaluable resource for woodwinds!
(Artist Books). This inspiring collection of seasonal music tells the tale of the men and women who braved a rough ocean crossing to come to America from Northern Ireland, full of hope and strength. Includes a wide range of music from spirited jigs to touching melodies, arranged for flute and piano with a separate pull-out section for the flutist.
This is the first book to offer a complete introduction to the recorder. Eight contributors from four different countries write on topics such as the recorder and its music through the centuries, the recorder as orchestral instrument, the professional recorder player through history and today, and the phenomenon of the recorder revival. The Companion also contains basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations that provide a history of the instrument. The Cambridge Companion to the Recorder will be of interest to performers and students as well as to music enthusiasts.
for bassoon and piano
(Trumpet Instruction). From Bix Beiderbecke and Louis Armstrong to Herb Alpert and Chuck Mangione, take a look at the genesis of pop trumpet. This book/CD package provides solo transcriptions in standard notation, lessons on how to play them, biographies, instrument information, photos, history, and more. The accompanying CD contains full-band demo tracks and accompaniment-only tracks for every trumpet solo in the book. For PC and MAC users, the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch Songs include: Cherokee (Indian Love Song) * Cherry Pink and Apple Blossom White * Does Anybody Really Know What Time It Is? * Feels So Good * Hello, Dolly * Holding Back the Years * MacArthur Park * Misirlou * Penny Lane * Salt Peanuts * So What * Zanzibar * and more.
for unaccompanied flute (alternating with piccolo)
(Artist Books). Must-have flute transcriptions of the brilliant playing of Sir James Galway. Features 30 selections from throughout his prolific career, including: Annie's Song * Ashokan Farewell * Beauty and the Beast * Berceuse * Can You Feel the Love Tonight? * Clair De Lune * Danny Boy/Londonderry Air * The Flight of the Bumblebee * The Girl from Ipanema * I Will Always Love You * Memory * My Heart Will Go On * Riverdance * Shenandoah * Waltzing Matilda * The Wind Beneath My Wings * and more.
(Instrumental Folio). This monstrous collection includes instrumental solos of more than 70 Disney classics: Beauty and the Beast * Can You Feel the Love Tonight * Friend like Me * It's a Small World * Mickey Mouse March * A Pirate's Life * Reflection * The Siamese Cat Song * A Spoonful of Sugar * Trashin' the Camp * Under the Sea * We're All in This Together * Written in the Stars * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and dozens more.
(Instrumental Folio). 10 songs from Leonard Bernstein's classic musical arranged for solo instrumentalists: America * Cool * I Feel Pretty * I Have a Love * Jet Song * Maria * One Hand, One Heart * Something's Coming * Somewhere * Tonight. The accompaniment CD is playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch.
In what is primarily an instructional book, Jack Brymer places the instrument in the broad context of its role in the orchestra and in chamber music, expressing stimulating and controversial views. Perhaps his most original and valuable contribution is to be found in the long section on acoustics, the down-to-earth section on the practical clarinettist, and the illuminating passages on artistic approach. Brymer writes for the teacher of the clarinet, as well as for beginners and advanced players, and the unique appendix on the clarinet repertoire is particularly comprehensive. Modern science has revealed facets of the clarinet's harmonic structure previously only dimly perceived, and the author points the way to a future full of promise.
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