for flute, clarinet, and bassoon (or bass clarinet)
Three short pieces for intermediate woodwind players.

As the sound-producing mechanism for the bassoon, the reed is a vital component in the sound of the entire instrument. While pre-manufactured reeds are widely available for purchase at music stores, this one-size-fits-all option hardly does justice to the unique needs of the musician and the piece. Many bassoonists, including seasoned professional bassoonist Eric Arbiter, instead choose to craft their own reeds. A nuanced and difficult craft to master, reed-making involves specialized machinery and necessitates special attention to the thickness, and even topography, of the reed itself. When done correctly, however, this process results in a reed that not only produces a more beautiful sound, but also holds up to even the most demanding musical performances. In The Way of Cane, Arbiter demystifies this process for bassoonists of all levels of experience. Drawing from his decades-long experience as both musician and reed-maker, Arbiter provides a comprehensive yet accessible overview of the craft, from the differing sound qualities produced by changing the dimensions of the reed's blades to the changes in the reed's behaviors as it passes through cycles of wetting and drying during production. Small changes in each of these variables, Arbiter explains, contribute to the ultimate goal of producing a bassoonist's ideal sound. With step-by-step instructions, detailed photos that further illuminate the reed-making process, and a companion website featuring the author's own recordings. The Way of Cane emphasizes the importance of the reed to the bassoon's sound, as well as the harmony between reed and musician.

(Brass Solo). Attractive solo literature for the intermediate level student. Contents: Air from Orchestra Suite No. 3, BWV 1068 (J. S. Bach) * Petite Piece concertante (Balay) * Sure on this shining night from Four Songs, Op. 13 (Barber) * The Girl with the Flaxen Hair from Preludes, Book I (Debussy) * Honor and Arms from Samson (Handel) * Les Folies d'Espagne from Pieces de viole, Book II (Marais) * Concert Rondo in E-flat Major, K. 371 (Mozart) * The Dog Star from A Fool's Preferment (Purcell) * Allegro spiritoso from Sonata No.5 (Senaille) * Allegro from Concerto in D Major (Torelli) * Lento from Concertino for Trumpet and Piano (Whitney).

9 songs arranged to be easy-to-play on electronic keyboards. Titles include: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

(Brass Solo). An ideal collection for a student performing in a contest or recital after 3-4 years of study. Contents: Marmotte, Op. 52 (Beethoven) * Lovely Moon (Bellini) * Sarabande and Gavotte (Corelli) * A Favorite Place (Mendelssohn) * Love Song (Mendelssohn) * Fear not, beloved from Idomeneo (Mozart) * Let Her Believe from La fanciulla del West (Puccini) * Nymphs and Shepherds (Purcell) * The Picture of the Rose (Reichardt) * Air from Rosamunde (Schubert) * About Strange Lands and People from Scenes from Childhood (Schumann) * All Souls' Day (Strauss) * The Ash Grove (Traditional). Recordings feature Bernhard Scully, principal horn of the Saint Paul Chamber Orchestra, and pianist Vincent Fuh.

This book contains nine pieces selected from ABRSM's Grade 3 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Prelude from Te Deum, H. 146 [Marc-Antoine Charpentier] Study in F (No. 7 from 30 Etudes faciles et progressives pour la flute) [Giuseppe Gariboldi] Tiptoe and Tango [Sarah Watts] Mazurka Op. 138 [Aleksandr Tikhonovich Grechaninov] Distant Shores: No. 6 from 42 More Modern Studies for Solo Flute [James Rae] Pokarekare Ana [Trad. Maori / P. H. Tomoana] Blanche-Neige au bois Dormant (from Fantaisies, No. 5) [Octave Juste] The St Louis Rag [Tom Turpin] He's a Pirate (from 'Pirates of the Caribbean: The Curse of The Black Pearl') [Hans Zimmer / Klaus Badelt / Geoff Zanelli]

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe's prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument's place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe's appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument's social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

(Saxophone Play-Along). The Saxophone Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the CD to hear how the saxophone should sound, and then play-along using the separate backing tracks. The mleody and lyrics are also included in the book to help you follow along. The audio CD is playable on any CD player. For PC and Mac users, the CD also contains Amazing Slowdowner Software so you can adjust the recording to any tempo without changing pitch. Volume 4 includes: Boulevard of Broken Dreams * Harlem Nocturne * Night Train * Peter Gunn * The Pink Panther * St. Thomas * Tequila * Yakety Sax.

Contains advice on equipment, instructions for an effective embouchure and comfortable posture, and an explanatory section on reading music. This book also includes music, including duets, rounds and ensemble pieces, tests to check progress and comprehension, and useful pull out chart giving all fingerings.

Beginning by describing 'a sound never heard before', Michael Segell explores the young history of the saxophone, recalling how it was once outlawed for its influence before finally being credited with changing the face of music and popular culture.

Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21, and here presents five variants that are, in his own words, 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair, and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

15 duets for any combination of these instruments, including: Alfie * Blue Skies * Let's Fall in Love * Star Dust * Unforgettable * When Sunny Gets Blue * When You Wish Upon a Star * and more.