This book contains nine pieces selected from ABRSM's Grade 7 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Allegretto and Allegro con fuoco (second and third movements from 'Phantasy Suite, Op. 91') [Thomas Dunhill] Allegro (First movement from Clarinet Quintet, K. 581) [Wolfgang Amadeus Mozart] Rondino from 'Two Pieces Op.26' [Michael Gryspeerdt] Elegie, BV 286 [Ferruccio Busoni] Allegretto (First movement from Sonata, Op. 167) [Camille Saint-Saens] Allegro tranquillo (First movement from Sonata for Clarinet Solo) [Germaine Tailleferre] 'Valdemosa': No. 2 (from Two Majorcan Pieces) [Joseph Horovitz] Allegro Molto (No. 5 from 'Dance Preludes') [Witold Lutoslawski] Intermezzo (No. 3 from Three Intermezzi, Op. 13) [Charles Villiers Stanford]

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 2 Clarinet syllabus from 2022. Key features: - Nine pieces in a range of styles, chosen from Lists A, B and C- Classic repertoire and newly commissioned pieces and arrangements- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 2 Clarinet exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 5 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 5 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This is the first comprehensive guide to the saxophone, its history, technical development and repertoire. Extensively researched and including much new information, the volume is written by some of the finest performers and experts on the instrument. The Cambridge Companion to the Saxophone incorporates detailed historical developments in the classical, jazz and rock fields, provides practical performance guides, and has a chapter on teaching the instrument.

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 5 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - Classic repertoire and newly commissioned pieces and arrangements - Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 5 Flute exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book contains nine pieces selected from ABRSM's Grade 2 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Menuet II (from 'Royal Fireworks Music', HWV 351) [George Frideric Handel] Study in D major (from Complete Method for the Flute, Part 1, Op. 53) [Heinrich Soussmann] Arethusa [Trad. British] Theme from Berceuse (from Dolly, Op. 56) [Gabriel Faure] Once Upon a Time [Karen Tanaka] Shaker Melody [Trad. American] We're off to see the wizard (from 'The Wizard of Oz') [Edgar Yipsel Harburg / Harold Arlen] Circus Rag [Cecilia McDowall] Cat Walk [Pam Wedgwood]

Creative Clarinet Duets is an ideal companion to Creative Clarinet. Mirroring the progression and styles of the tutor book, Creative Clarinet Duets takes the first steps in developing important ensemble skills-vital to any aspiring clarinettist. The accompanying CD gives performances of the pieces, and is also configured to allow individuals to enjoy duet-playing independently.

Creative Clarinet is a tutor book ideal for beginner and intermediate clarinettists of all ages. Tried-and-tested pieces in a variety of contemporary styles-including rock, swing, funk, blues, and Latin-are presented alongside guidelines on the fundamentals of technique from expert teachers Kellie Santin and Cheryl Clark. As with each book in the series, Creative Clarinet is accompanied by a CD featuring play-along tracks by world-class musicians.

(Music Sales America). These are the original editions of the ever-popular instruction books for various instruments by C. Paul Herfurth. The books are packed full of lessons, illustrations, fingering charts, daily practice records, test questions, and manuscript paper for homework. Perfect for use in group lessons, school classes, or for individual lessons.

Creative Saxophone Improvising is the third book in the series and leads the student towards fluent and idiomatic improvisation using a range of skills and techniques. The book includes 16 new pieces in a range of contemporary styles, each presented with warm ups, scales, and solo ideas or melodic variations to be used as a basis for improvising. BL For intermediate saxophonists of all ages BL Authentic and varied CD backing for all pieces;includes versions for alto and tenor saxophone

for flute, harpsichord, and strings or flute and piano The instrumentation is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from `a Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes forth most strongly in the final Rondeau with its characteristically forward-driving rhythms and beautiful melodic lines. Evoking an 'antique' spirit, each movement is based on a Baroque or Classical style. Full scores and parts are available on hire.

This follow-up edition presents a continuation and expansion of the techniques presented in Scale Studies, with a special emphasis on chordal concepts. It includes innovative exercises and solos that will help sax players learn melody, harmony, rhythm and improvisation techniques.

A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.

The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.

With a huge reward on the line, the Stockwell Park Orchestra will need to play on a whole new scale to win big... After a brief and disastrous Resident Poet episode, Stockwell Park Orchestra is invited to take part in a TV competition for classical music. For a GBP50,000 prize some competitors are tempted to stretch the genre to 'crossover' and beyond. Can a full concert orchestra compete with jazz bands, horn quartets, harp ensembles, and Mrs Ford-Hughes singing in Portuguese with nine cellos? Or will the competition be derailed by the poet's return, this time sporting live Ambient Sounds? The TV producers aren't worried: they know a good fight means great ratings. What was supposed to be a quirky diversion threatens to take over the orchestra's rehearsals for their own concert, but discovering a voting scam means they must fix things in the TV studio first. What people are saying about Life, Death and Cellos: "I was charmed... a very enjoyable read." Marian Keyes "Life, Death and Cellos is a witty and irreverent musical romp, full of characters I'd love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series." Claire King, author of The Night Rainbow "Life, Death and Cellos is that rare thing - a funny music book. Rogers knows the world intimately, and portrays it with warmth, accuracy and a poetic turn of phrase. Sharp, witty and richly entertaining." Lev Parikian, author of Why Do Birds Suddenly Disappear? "With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra." Isabel Costello, author of Paris Mon Amour "Dodgy post-rehearsal curries, friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra. Throw in a stolen Stradivarius, an unexpected fatality and the odd illicit affair and you have Life, Death and Cellos, the first in a new series by Isabel Rogers." Rebecca Franks, BBC Music Magazine "...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra" Ian Critchley

In his eulogy of saxophonist Johnny Hodges (1907-70), Duke Ellington ended with the words, "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyesthis was Johnny Hodges. This is Johnny Hodges." Hodges' unforgettable tone resonated throughout the jazz world over the greater part of the twentieth century. Benny Goodman described Hodges as "by far the greatest man on alto sax that I ever heard," and Charlie Parker compared him to Lily Pons, the operatic soprano. As a teenager, Hodges developed his playing style by imitating Sidney Bechet, the New Orleans soprano sax player, then honed it in late-night cutting sessions in New York and a succession of bands lead by Chick Webb, Willie "The Lion" Smith, and Luckey Roberts. In 1928 he joined Duke Ellington, beginning an association that would continue, with one interruption, until Hodges' death. Hodges' celebrated technique and silky tone marked him then, and still today, as one of the most important and influential saxophone players in the history of jazz. As the first ever biography on Johnny Hodges, Rabbit's Blues details his place as one of the premier artists of the alto sax in jazz history, and his role as co-composer with Ellington.

This is the first comprehensive study of the Wheatstone English concertina and its music, players, and audiences in Victorian England - at its height of popularity. Developed by the physicist Sir Charles Wheatstone about 1830, the instrument quickly found a home on the leading concert stages and in upper-class salons. It attracted such composers as Macfarren, Benedict, Barnett, and Molique, who supplied its repertory with concertos, character pieces, and chamber works, while its two great virtuosos, Giulio Regondi and Richard Blagrove, drew the plaudits from audiences and critics alike. Illustrated with music examples throughout, this study also contains a unique Appendix containing five pieces written specially for the instrument by the composers of the day.

What do the world's most prominent oboists have to say about their musical ideas, performance techniques, and teaching strategies? Michele L. Fiala and Martin Schuring, themselves skilled oboists, undertook the project of asking twenty-six of them about their musicianship and pedagogy. The results are collected in Great Oboists on Music and Musicianship, which provides a unique window into how these virtuosi of wind instruments think about their craft. Each chapter paints an engaging portrait of a leading oboist that allows them to share-in their own words-their insights on the performance techniques, learning strategies, and career moves that propelled them to their current stature. The captivating prose chapters that Fiala and Schuring composed from the interviews allow each artist's personality to shine through as they convey their hard-won wisdom on topics such as musical interpretation, the relationship between vocal and instrumental music, being a good ensemble player, and warm-up routines. The diverse array of musicians portrayed in this book includes orchestral and solo performers from across North America, Europe, and Australia. Their practical advice will resonate not just with oboists but also with players and teachers of other instruments as they pursue their own musical journeys.

A collection of repertoire books of enjoyable, interesting, and stimulating material for use in the early stages of learning. Pieces are in chronological order, with brief notes placing them in history.

A collection of repertoire books of enjoyable, interesting, and stimulating material for use in the early stages of learning. Pieces are in chronological order, with brief notes placing them in history.

The first edition of this book was published in 1962 and quickly established itself as the classic guide to all aspects of horn-playing, with chapters on tone-production, exercises, legato and staccato playing, and the art of practising. For this new edition the author has greatly enlarged the Repertoire List, which gives details of over 1,000 pieces from the solo, chamber, and orchestral repertoires which include one or more horns. The author draws attention to key works in each genre. There are also a number of corrections and up-datings throughout the text and a new preface outlining recent developments in the horn world.