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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Wind instruments
More Graded Studies for Saxophone Book One, by Paul Harris, brings
together saxophone study repertoire spanning the entire spectrum of
technique from the 19th Century onward, and provides a firm
foundation for progress. Featuring core studies alongside specially
composed pieces by Paul Harris, this comprehensive collection
applies the Simultaneous Learning approach to instrumental
technique. Book One begins at Elementary level and progresses to
Intermediate (approx. Grades 1-5). The studies are arranged in
order of increasing difficulty according to a carefully planned
technical progression, and each study comes with a list of
Simultaneous Learning musical ingredients for players to explore in
preparation for the music.
The Wind Band Music of Henry Cowell studies the compositions for
wind band by twentieth-century composer Henry Cowell, a significant
and prolific figure in American fine art music from 1914-1965. The
composer is noteworthy and controversial because of his radical
early works, his interest in non-Western musics, and his
retrogressive mature style-along with notoriety for his
imprisonment in San Quentin on a morals charge. Eleven chapters are
organized both topically and chronologically. An introduction,
conclusion, series of eight appendices, bibliography, and
discography complete this comprehensive study, along with an audio
playlist of representative works, hosted on the CMS website.
(Music Sales America). An unusual collection of music arranged for
the recorder containing over fifty pieces from over 300 years of
music. Contents: Allegro (Haydn) * Andante (Gluck) * Andante
Grazioso (Mozart) * Anglaise (Handel) * Ballet Anglois (Fischer) *
Beautiful Heaven (Fernandez) * Bourree (J.S. Bach) * Corrente Terza
(Frescobaldi) * English Dance (J.C.F. Bach) * Gavotte * La Diane
(Couperin) * Londonderry Air * March (J.S. Bach) * Minuet (Handel)
* Moscow Nights * Musette (J.S. Bach) * Orientale (Cui) * Original
Rags (Joplin) * Passepied * Poeme (Fibich) * Polovetsian Dances
(Borodin) * Santa Lucia * Sarabande (J.S. Bach) * Scarborough Fair
* Serenade (Drigo) * Siciliana (Muffat) * The Entertainer (Joplin)
* The Lorelei * Theme from Symphony No. 6, Op. 68 "Pastoral"
(Beethoven) * Transcription of a Gavotte by Gluck * Victory Dance
and Festival (Kuhnau) * Waltz (W.F.E. Bach) * Wiegenlied.
(Music Sales America). These are the original editions of the
ever-popular instruction books for various instruments by C. Paul
Herfurth. The books are packed full of lessons, illustrations,
fingering charts, daily practice records, test questions, and
manuscript paper for homework. Perfect for use in group lessons,
school classes, or for individual lessons.
Encompasses every aspect of the saxophone, including its history,
the instrument, teaching and repertoire. The book also features
music examples and photographs.
(Instructional). Living sax legend Jackie McLean is one of the
greatest alto players of the post-Parker era. For this book, he has
assembled essential warm-up exercises to help students become
familiar with playing through different keys ascending and
descending chromatically. Includes a biography, an interview, many
exercises, and transcriptions of his solos in "Bluesnik" and "Dig."
A comprehensive text teaching elements of jazz phrasing,
articulation, vibrato, harmony, and technical studies leading to
improvisation. For the flute student beginning the serious study of
jazz and contemporary styles, this book will help in many ways.
Phrasing and interpretation of rhythms are studied through
exercises and original pieces. Scale and arpeggio studies will help
the student learn both the music theory and technical skills needed
to improvise.
The Social Media Handbook explores how social media are changing
disciplinary understandings of the internet and our everyday lives.
In addition to person-to-person social networking services like
Facebook and Twitter, this volume considers a broad range of
networked information services that support in-depth social
interaction, community formation, and collaboration in the Web 2.0
era. Rather than considering social media in terms of specific
technologies, the chapters in this book engage topics across a
range of research, techniques, practices, culture and society, and
theories. These broader topics-including community, gender, fandom,
disability, and journalism-are entryways through which students and
faculty can explore ways of thinking about social media and find
new paradigms for analysis.
Although in 2000 he became the first sideman inducted into the Rock
& Roll Hall of Fame, "King Curtis" Ousley never lived to accept
his award. Tragically, he was murdered outside his New York City
home in 1971. At that moment, thirty-seven-year-old King Curtis was
widely regarded as the greatest R & B saxophone player of all
time. He also may have been the most prolific, having recorded with
well over two hundred artists during an eighteen-year span. Soul
Serenade is the definitive biography of one of the most influential
musicians of the 50s, 60s, and early 70s. Timothy R. Hoover
chronicles King Curtis's meteoric rise from a humble Texas farm to
the recording studios of Memphis, Muscle Shoals, and New York City
as well as to some of the world's greatest music stages, including
the Apollo Theatre, Fillmore West, and Montreux Jazz Festival.
Curtis's "chicken-scratch" solos on the Coasters' Yakety Yak
changed the role of the saxophone in rock & roll forever. His
band opened for the Beatles at their famous Shea Stadium concert in
1965. He also backed his "little sister" and close friend Aretha
Franklin on nearly all of her tours and Atlantic Records
productions from 1967 until his death. Soul Serenade is the result
of more than twenty years of interviews and research. It is the
most comprehensive exploration of Curtis's complex personality: his
contagious sense of humor and endearing southern elegance as well
as his love for gambling and his sometimes aggressive temperament.
Hoover explores Curtis's vibrant relationships and music-making
with the likes of Buddy Holly, Sam Cooke, Isaac Hayes, Jimi
Hendrix, Aretha Franklin, Otis Redding, Sam Moore, Donny Hathaway,
and Duane Allman, among many others.
Brass Mix is an original series of graded pieces that can be played
by any brass instrument. Book 1 covers Grades 1-3 and contains 12
new arrangements of traditional tunes and works by a diverse range
of composers. The pieces have been selected and arranged by brass
specialists to align with ABRSM grade levels. Many are featured on
the ABRSM 2023 Brass syllabus and in addition, all are ideal
choices for Performance Grade exams. There are piano and brass duet
accompaniments for all pieces, providing useful flexibility for
students and teachers. Key features:-one piece at each grade and
list of the ABRSM 2023 Brass syllabus, for all instruments
-distinctive and engaging repertoire from which to build a
programme for a Practical or Performance Grade exam -accompaniments
for a pianist or a second brass player -a single student book that
can be used by treble- and bass-clef brass including Eb Tuba
-separate Bb, Eb and F piano accompaniment books -a downloadable
part for Bb Tuba. Contents: Les Matadors: from Minuets, Cotillons
and Country Dances [Ignatius Sancho] Xiao Baicai [Trad. Chinese]
Takeda Lullaby [Trad. Japanese] The Barnyard Rag [Billy Johnson /
Chris Smith] The March of the Women [Cicely Hamilton / Ethel Smyth]
Jinkli Nona [Trad. Malaysian] On a Southern Balcony: No. 4 from
Southland Sketches [Blanche Ray Alden] Wade in the Water
[African-American Spiritual] On Parade [Amanda Ira Aldridge] Oh,
the Summer [Samuel Coleridge-Taylor] The Deserted Garden [Florence
Price] A Canadian Boat Song [Maurice Arnold]
Beginning by describing 'a sound never heard before', Michael
Segell explores the young history of the saxophone, recalling how
it was once outlawed for its influence before finally being
credited with changing the face of music and popular culture.
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