This is the first comprehensive guide to the saxophone, its history, technical development and repertoire. Extensively researched and including much new information, the volume is written by some of the finest performers and experts on the instrument. The Cambridge Companion to the Saxophone incorporates detailed historical developments in the classical, jazz and rock fields, provides practical performance guides, and has a chapter on teaching the instrument.

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level clarinet with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

This book contains nine pieces selected from ABRSM's Grade 4 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book). Contents: Valse sous le vent [Valerie Rousse / Joel Littorie] Allegro (fourth movement from Sonata in F, HWV 369, Op. 1 No. 11) [George Frideric Handel] A la Gavotte (No. 1 from Street Beats) [Karen Street] Chanson de Matin [Edward Elgar] Bess, you is my woman now [George Gershwin / Ira Gershwin] Pas de deux [Errollyn Wallen] Abracadabra [Ruth Byrchmore] Tango (from All Styles) [Mark Fielding] Entry of the Gladiators, Op. 68, arr. Ian Denley [Julius Fucik]

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

The Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.

This book contains nine pieces selected from ABRSM's Grade 4 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Allegro (fifth movement from Sonata No. 2, Methodical Sonatas, Book II, TWV 41:c3) [Georg Philipp Telemann] Basse Danse (from 'Capriol Suite') [Peter Warlock] Minuet: No. 9 from 'Twenty Four Five' [Lynne Williams] Romanze (from Eine Kleine Nachtmusik, K. 525, second movement) [Wolfgang Amadeus Mozart] Heather Hill (No. 1 from 'Two Contrasts for Clarinet and Piano') [Freda Swain] Tonight (from 'West Side Story') [Leonard Bernstein / Stephen Sondheim] For Latin Lovers [Brian Chapple] A Nakht in Gan Eydn [Trad. Klezmer] Bauhinia Soft-Shoe [Raymond Yiu]

Paul Harris: The Clarinet is the seminal guide to every facet of clarinet playing. In this comprehensive companion, acclaimed author Paul Harris shares his unique insights towards gaining mastery of the instrument, inspiring both students (from intermediate level) and professionals alike to develop an individual clarinet personality. In-depth, clear and universally relevant, The Clarinet is Paul Harris's complete philosophy of playing, equipping clarinettists with innovative ways to overcome the instrument's technical, musical and practical challenges and ultimately, enhance the enjoyment of their art. Chapter by chapter Harris reveals how each aspect of playing is interdependent, from posture and preparing to play to the science of sound production. Practical exercises target each area, covering breathing, embouchure, articulation and finger-work, and sit alongside a plethora of excerpts from the clarinet canon. An all-encompassing approach, Harris discloses his expert advice on stylistic performance through to instrument maintenance, supported by diagrams and illustrations. Including a unique map of clarinet dynasties, recordings and repertoire timings, The Clarinet leads the player on a path of limitless learning, from practice to performance. "This book is a wonderful addition to the clarinet community. Understanding the mysteries of the clarinet helps bring us closer to the instrument." Karl Leister, Clarinettist "This book is nothing short of essential reading for anyone learning the clarinet... when reading, you can easily imagine being in a lesson with a great teacher... This is the 'ultimate companion', and the level of detail matches this description." Paul Saunders, Music Teacher Magazine, July 2022

This book contains nine pieces selected from ABRSM's Grade 3 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Il mio tesoro (from Don Giovanni, K. 527) [Wolfgang Amadeus Mozart] Study in Pink (from 'Fresh Air') [Sarah Watts] Witching Hour in the Castle (from Clarinet Stories/Klarinettengeschichten) [Hermann Regner] Lotus Talk [Colin Evans] Lydia, Op. 4 No. 2 [Gabriel Faure] Venetianisches Gondellied (No. 6 from Lieder ohne worte, Op. 19b) [Felix Mendelssohn] Waltzing Lil the Pterodactyl [Colin Cowles] Cha-Cha Chart (from 'The Quintessential Clarinet Vol 1') [Mike Mower] Jaiden's Adventures with Toy Cars, Swings and Roundabouts [Bobbie-Jane Gardner]

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level tenor saxophone with piano accompaniment, plus commentary from YolanDa and downloadable backing tracks.

This book contains nine pieces selected from ABRSM's Grade 6 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Corrente (Second movement from Partita No. 2 in D minor, BWV 1004) [Johann Sebastian Bach] Allegro Danzante [Nino Rota] Allegro ma non troppo (First movement from Sonata No. 5) [Xavier Lefevre] Adagio (Second movement from Clarinet Quintet No. 3, Op. 23) [Heinrich Baermann] Fantasiestuck (No. 4 from Fantasiestucke, Op. 43) [Niels Wilhelm Gade] Prelude (from 'Victorian Kitchen Garden Suite') [Paul Reade] Tamoio [Chiquinha Gonzaga] Groove on a Plate (from 'The Quintessential Clarinet Vol. 2') [Mike Mower] Marche en rondeau [Terence Greaves]

The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertory of the instrument from its origins to the present day, as well as practical guidance on teaching and playing from historical performance to contemporary techniques and jazz. Informed by the experience of distinguished professional players and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.

This is the first book to offer a complete introduction to the recorder. Eight contributors from four different countries write on topics such as the recorder and its music through the centuries, the recorder as orchestral instrument, the professional recorder player through history and today, and the phenomenon of the recorder revival. The Companion also contains basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations that provide a history of the instrument. The Cambridge Companion to the Recorder will be of interest to performers and students as well as to music enthusiasts.

This book contains nine pieces selected from ABRSM's Grade 1 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Senti! La danza invitaci (from Lucrezia Borgia) [Gaetano Donizetti] Menuet in G, BWV Anh. II 114 [Christian Petzold] Muss i denn [Trad. German] Arirang [Trad. Korean] Promenade [Paul Harris] Rainbow's End [Althea Talbot-Howard] Coffee at Ten [Joseph Atkins] Wallace and Gromit Theme [Julian Nott] Chimpanzee Cha Cha (from 'Zoo Time !') [James Rae]

This book contains nine pieces selected from ABRSM's Grade 3 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book). Contents: Le Petit Chien (from 'The Good-Tempered Saxophone') [Mike Mower] The Miller of Dee [Trad. English] Allegro (first movement from Concerto in E, 'La Primavera', Op. 8 No. 1, RV 269) [Antonio Vivaldi] Swan Song [Lloyd Coleman] Pavane pour une infante defunte [Maurice Ravel] The Church at Errislannan [Althea Talbot-Howard] America (from 'West Side Story') [Leonard Bernstein] My Horse has Cast a Shoe (from 'Pacific 1860') [Noel Coward] Listen Up! [Charlotte Harding]

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 1 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 1 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 5 Clarinet syllabus from 2022. Key features: - Nine pieces in a range of styles, chosen from Lists A, B and C- Classic repertoire and newly commissioned pieces and arrangements- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 5 Clarinet exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

This book contains nine pieces selected from ABRSM's Grade 3 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Prelude from Te Deum, H. 146 [Marc-Antoine Charpentier] Study in F (No. 7 from 30 Etudes faciles et progressives pour la flute) [Giuseppe Gariboldi] Tiptoe and Tango [Sarah Watts] Mazurka Op. 138 [Aleksandr Tikhonovich Grechaninov] Distant Shores: No. 6 from 42 More Modern Studies for Solo Flute [James Rae] Pokarekare Ana [Trad. Maori / P. H. Tomoana] Blanche-Neige au bois Dormant (from Fantaisies, No. 5) [Octave Juste] The St Louis Rag [Tom Turpin] He's a Pirate (from 'Pirates of the Caribbean: The Curse of The Black Pearl') [Hans Zimmer / Klaus Badelt / Geoff Zanelli]

This book contains nine pieces selected from ABRSM's Grade 5 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book). Contents: Study in B flat (No. 15 from 'Tonleiter-Studien' from Elementarschule fur Klarinette) [Friedrich Demnitz] Marche militaire, D. 733 No. 1 [Franz Schubert] Troubadour (No. 6 from Six pieces faciles) [Iwan Muller] Deserto e il luogo (from I Capuleti e i Montecchi) [Vincenzo Bellini] Forlana [Gerald Finzi] The Pool Among the Rushes [Joan Trimble] Witches' Dance [Barbara Arens] Hackensack [Thelonious Monk] Spanischer Tanz (No. 2 from Spanische Tanze, Op. 12) [Moritz Moszkowski]

This book contains nine pieces selected from ABRSM's Grade 5 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book)

This book contains nine pieces selected from ABRSM's Grade 4 Flute syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.- Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book) Contents: Allegretto (first movement from Sonata in C, Op. 54 No. 5) [James Hook] Allegro: 3rd movement from Sonata in A minor [Wilhelmine von Bayreuth] Midwinter [Hilary Taggart] Siciliana (third movement from Sonata in G minor ('La Lumague'), Op. 2 No. 4) [Michel Blavet] Sea Horses (No. 5 from Just Me!, Book 4) [Roma Cafolla] Cantabile (second movement from Sonata No. 2 in A minor) [Louis Drouet] Holiday-Time (from Travels with My Flute) [Tony Cliff] Ragged Robin [Oliver Ledbury] Fantaisie Valse (from Couleurs Caraibe) [Joel Littorie / Valerie Rousse]

This book contains nine pieces selected from ABRSM's Grade 1 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book). Contents: Study in C [Henry Lazarus] Promenade from Simple Suite No. 3 [John Reeman] Suite in Eb - II. Dantz. [Paul Peuerl] Chanson de ma patrie [Althea Talbot-Howard] Song of the Volga Boatmen [Trad. Russian] Persuasive Waltz [Jeffery Wilson] I'd Do Anything (from Oliver!) [Lionel Bart] Strolling [Philip Herbert] L'elephant (from Le carnaval des animaux) [Camille Saint-Saens]

Johann Joachim Quantz's On Playing Flute has long been recognized as one of the most significant and in-depth treatises on eighteenth-century musical thought, performance practice, and style. This classic text of Baroque music instruction goes far beyond an introduction to flute methods by offering a comprehensive program of studies that is equally applicable to other instruments and singers.
The work is comprised of three interrelated essays that examine the education of the solo musician, the art of accompaniment, and forms and style. Quantz provides detailed treatment of a wide range of subjects, including phrasing, ornamentation, accent, intensity, tuning, cadenzas, the role of the concertmaster, stage deportment, and techniques for playing dance movements. Of special interest is a table that relates various tempos to the speed of the pulse, which will help today's musicians solve the challenge of playing authentic performance tempos in Baroque music. This edition includes 224 musical examples from Quantz's original text and features a new introduction by translator Edward R. Reilly that considers recent scholarship on Quantz's significant role in eighteenth-century musical activity.
On Playing the Flute vividly conveys the constancy of musical life over time and remains a valuable guide for contemporary musicians.

What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Isso School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by Yeats. Her ethnographic approach draws on interviews with performers and case studies, as well as her personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. She argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition.