Different conceptions of the world and of reality have made witchcraft possible in some societies and impossible in others. How did the people of early modern Europe experience it, what was it, and what was its place in their culture? The news essays in this collection illustrate the latest trends in witchcraft research and in cultural history in general. After three decades in which the social analysis of witchcraft accusations has dominated the subject, they turn instead to its significance and meaning as a cultural phenomenon—to the "languages" of witchcraft, rather than its causes. As a result, witchcraft seems less startling than it once was, yet more revealing of the world in which it occurred.

The figure of the witch still has the ability to exert a powerful fascination on the modern mind. The vision of the elderly crone begging for charity at the crossroads, an object of fear and revulsion for her local community, has combined with the memory of prolonged judicial persecution and oppression to inspire contemporary movements as far removed from each other as Wiccans and women's liberation. In tackling such an emotive issue, where misogyny and violence combine with superstition and the basest of human instincts, Scarre and Callow chart a clear and refreshingly level-headed approach to the subject. Distinguishing between fact and fiction, they set the witch trials firnly back within the context of their own times and, without seeking to exonerate those responsible, demonstrate how it was possible for judiciaries and social elites to believe wholeheartedly in the reality and efficacy of witchcraft as a valid system of belief and as a dangerous threat to the fabric of society in which they lived. This new edition has been comprehensively updated to take account of the vast expansion in interest and scholarly research that has taken place in the field since the publication of the first edition. This work provides a provocative thesis for those seeking to understand the basis for the politics of persecution and a firm interpretative basis around which further exploratory research may be conducted.

Women known as "shriekers" howled, screamed, convulsed, and tore their clothes. Believed to be possessed by devils, these central figures in a cultural drama known as klikushestvo stirred various reactions among those who encountered them. While sympathetic monks and peasants tended to shelter the shriekers, others analyzed, diagnosed, and objectified them. The Russian Orthodox Church played an important role, for, while moving toward a scientific explanation for the behavior of these women, it was reluctant to abandon the ideas of possession and miraculous exorcism. Possessed is the first book to examine the phenomenon of demon possession in Russia. Drawing upon a wide range of sources-religious, psychiatric, ethnographic, and literary-Worobec looks at klikushestvo over a broad span of time but focuses mainly on the nineteenth and early twentieth centuries, when all of Russian society felt the pressure of modernization. Worobec's definitive study is as much an account of perceptions of the klikushi as an analysis of the women themselves, for, even as modern rationalism began to affect religious belief in Russia, explanations of the shriekers continued to differ widely. Examining various cultural constructions, Worobec shows how these interpretations were rooted in theology, village life and politics, and gender relationships. Engaging broad issues in Russian history, women's history, and popular religious culture, Possessed will interest readers across several disciplines. Its insights into the cultural phenomenon of possession among Russian peasant women carry rich implications for understanding the ways in which a complex society treated women believed to be out of control.

For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In "Renaissance Magic and the Return of the Golden Age" John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.

To find out why reasonable people are drawn to the seemingly bizarre practices of magic and witchcraft, Tanya Luhrmann immersed herself in the secret lives of Londoners who call themselves magicians. She came to know them as friends and equals and was initiated into various covens and magical groups. She explains the process through which once-skeptical individuals--educated, middle-class people, frequently of high intelligence--become committed to the ideas behind witchcraft and find magical ritual so compellingly persuasive. This intriguing book draws some disturbing conclusions about the ambivalence of belief within modern urban society.

The result of a perfect storm of factors that culminated in a great moral catastrophe, the Salem witch trials of 1692 took a breathtaking toll on the young English colony of Massachusetts. Over 150 people were imprisoned, and nineteen men and women, including a minister, were executed by hanging. The colonial government, which was responsible for initiating the trials, eventually repudiated the entire affair as a great ""delusion of the Devil."" In Satan and Salem, Benjamin Ray looks beyond single-factor interpretations to offer a far more nuanced view of why the Salem witch-hunt spiraled out of control. Rather than assigning blame to a single perpetrator, Ray assembles portraits of several major characters, each of whom had complex motives for accusing his or her neighbors. In this way, he reveals how religious, social, political, and legal factors all played a role in the drama. Ray's historical database of court records, documents, and maps yields a unique analysis of the geographic spread of accusations and trials, ultimately showing how the witch-hunt resulted in the execution of so many people - far more than any comparable episode on this side of the Atlantic.

In early modern England, the practice of ritual or ceremonial magic - the attempted communication with angels and demons - both reinforced and subverted existing concepts of gender. The majority of male magicians acted from a position of control and command commensurate with their social position in a patriarchal society; other men, however, used the notion of magic to subvert gender ideals while still aiming to attain hegemony. Whilst women who claimed to perform magic were usually more submissive in their attempted dealings with the spirit world, some female practitioners employed magic to undermine the patriarchal culture and further their own agenda. Frances Timbers studies the practice of ritual magic in the sixteenth and seventeenth centuries focusing especially on gender and sexual perspectives. Using the examples of well-known individuals who set themselves up as magicians (including John Dee, Simon Forman and William Lilly), as well as unpublished diaries and journals, literature and legal records, this book provides a unique analysis of early modern ceremonial magic from a gender perspective.

In the courtrooms of seventeenth-century Russia, the great majority of those accused of witchcraft were male, in sharp contrast to the profile of accused witches across Catholic and Protestant Europe in the same period. While European courts targeted and executed overwhelmingly female suspects, often on charges of compacting with the devil, the tsars' courts vigorously pursued men and some women accused of practicing more down-to-earth magic, using poetic spells and home-grown potions. Instead of Satanism or heresy, the primary concern in witchcraft testimony in Russia involved efforts to use magic to subvert, mitigate, or avenge the harsh conditions of patriarchy, serfdom, and social hierarchy.

Broadly comparative and richly illustrated with color plates, Desperate Magic places the trials of witches in the context of early modern Russian law, religion, and society. Piecing together evidence from trial records to illuminate some of the central puzzles of Muscovite history, Kivelson explores the interplay among the testimony of accusers, the leading questions of the interrogators, and the confessions of the accused. Assembled, they create a picture of a shared moral vision of the world that crossed social divides. Because of the routine use of torture in extracting and shaping confessions, Kivelson addresses methodological and ideological questions about the Muscovite courts' equation of pain and truth, questions with continuing resonance in the world today. Within a moral economy that paired unquestioned hierarchical inequities with expectations of reciprocity, magic and suspicions of magic emerged where those expectations were most egregiously violated.

Witchcraft in Russia surfaces as one of the ways that oppression was contested by ordinary people scrambling to survive in a fiercely inequitable world. Masters and slaves, husbands and wives, and officers and soldiers alike believed there should be limits to exploitation and saw magic deployed at the junctures where hierarchical order veered into violent excess.

The books in this bite-sized new series contain no complicated techniques or tricky materials, making them ideal for the busy, the time-pressured or the merely curious. First Steps in Witchcraft is a short, simple and to-the-point guide to the works of Witchcraft. In just 96 pages, the reader will learn all about the God and Goddess, the Wiccan Rede and much more. Ideal for the busy, the time-pressured or the merely curious, First Steps in Witchcraft is a quick, no-effort way to break into this fascinating topic. discover the god and goddess learn the power of the four elements join a coven perform magic celebrate wiccan festivals

Voices from the Pagan Census provides insight into the expanding but largely unstudied religious movement of Neo-Paganism in the United States. The authors present the findings of ""The Pagan Census"", which was created and distributed by Berger and Andras Corban Arthen of the Earthspirit Community. Analysing the most comprehensive and largest-scale survey of the Neo-Pagans to date, the authors offer a portrait of this emerging religious community, including an examination of Neo-Pagan political activism, educational achievements, family life, worship methods, experiences with the paranormal and beliefs about such issues as life after death. A collection of religious groups whose practices evolved from Great Britain's Wicca movement of the 1940s, Neo-Paganism spread to the US in the 1960s. While the number of people who identify themselves with the religion has continued to rise, quantitative study of Neo-Paganism has been difficult given the movement's lack of centralized leadership and doctrine and its development into scattered, independent groups and individuals. Endorsed by all major Neo-Pagan leaders, the results of this census provide in-depth information about the group.

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550 1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of "witches," accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced."

A landmark contribution to women's history that sheds new light on the Salem witch trials and one of its most crucial participants, Tituba of The Crucible In this important book, Elaine Breslaw claims to have rediscovered Tituba, the elusive, mysterious, and often mythologized Indian woman accused of witchcraft in Salem in 1692 and immortalized in Arthur Miller's The Crucible. Reconstructing the life of the slave woman at the center of the notorious Salem witch trials, the book follows Tituba from her likely origins in South America to Barbados, forcefully dispelling the commonly-held belief that Tituba was African. The uniquely multicultural nature of life on a seventeenth-century Barbadan sugar plantation—defined by a mixture of English, American Indian, and African ways and folklore—indelibly shaped the young Tituba's world and the mental images she brought with her to Massachusetts. Breslaw divides Tituba’s story into two parts. The first focuses on Tituba's roots in Barbados, the second on her life in the New World. The author emphasizes the inextricably linked worlds of the Caribbean and the North American colonies, illustrating how the Puritan worldview was influenced by its perception of possessed Indians. Breslaw argues that Tituba’s confession to practicing witchcraft clearly reveals her savvy and determined efforts to protect herself by actively manipulating Puritan fears. This confession, perceived as evidence of a diabolical conspiracy, was the central agent in the cataclysmic series of events that saw 19 people executed and over 150 imprisoned, including a young girl of 5. A landmark contribution to women's history and early American history, Tituba, Reluctant Witch of Salem sheds new light on one of the most painful episodes in American history, through the eyes of its most crucial participant.

Dictionary of Witchcraft is a must-have resource for anyone interested in witchcraft, pagan religions, and the occult. This historical dictionary was the first reference work to seriously document superstitions, manifestations, magic, and superstitions. The author s interest was to compile a vast amount of matter that would interest, entertain and instruct others. This dictionary was consulted by some of the greatest Romantic writers, notably by Hugo. Collin de Plancy followed the tradition of many previous demonologists of cataloguing demons by name and title of nobility, as it happened with grimoires like Pseudomonarchia Daemonum and The Lesser Key of Solomon among others. It is considered a major work documenting beings, characters, books, deeds, and causes which pertain to the manifestations and magic of trafficking with Hell; divinations, occult sciences, grimoires, marvels, errors, prejudices, traditions, folktales, the various superstitions, and generally all manner of marvelous, surprising, mysterious, and supernatural beliefs. This edition was translated and introduced by occultist Wade Baskin. Collin de Plancy (1794 1881) was a French occultist, demonologist, author, and translator. His best-known work, Dictionary of Witchcraft (Dictionnaire Infernal), was published in 1818 but didn t receive wide acclaim until 1863 when a set of 69 illustrations by Louis Breton were added. Later in life, de Plancy converted to Catholicism and focused his studies on Catholic histories and mysticisms.

Magic and witchcraft have been important components of almost every human culture throughout history, and continue to be so in the present day, both globally and in the West. These topics have attracted an enormous amount of scholarship, but publications are often scattered, and scholars working in one area rarely address research produced in others. These volumes bring together important representative publications spanning antiquity to the present day, and setting Western developments in a global context. Significant attention has been given to the major witch hunts of early modern Europe, because scholarship on early modern witchcraft has often driven the field. But other periods and regions are not neglected. Important theoretical issues are also addressed, such as the conceptual relationship between magic, science, and religion, and the role of gender in the perception (and persecution) of magical practices in many parts of the world.

This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.

Contrarreste los efectos del "mal de ojo," limpie su nueva vivienda de energA-as negativas, incremente su poder de seducciA3n, interprete sus sueAos profA(c)ticos. Obtenga todo lo que desea a travA(c)s de Hechizos y Conjuros. Por medio de velas, hierbas o cualquier cosa que tenga a la mano, aprenderA la prActica de la magia folklA3rica basada en viejas tradiciones europeas y africanas.

The history of a unique reign of terror. A thoroughly readable book on the lives and careers of possibly the most sadistic group of people of the sixteenth and seventeenth centuries, the great age of witch-hunting in Europe and North America. From the doyen of witch-hunters, the Jesuit del Rio, to the British Matthew Hopkins, not to mention Pierre de Lancre, a judge who was responsible for burning 600 women, Maxwell-Stuart charts the progress of these fierce and dangerous zealots, while providing an insight into the world they perceived as evil and which they sought to destroy.

On Wednesday 14 February 1945, the body of Charles Walton was discovered on the lower slopes of Meon Hill near the sleepy Warwickshire village of Lower Quinton, his torso pinned to the ground by a pitchfork. Myths and rumours soon swirled about the crime. Accounts claim Walton, a retired labourer and a lifelong resident of Lower Quinton, was believed by many to be a clairvoyant who could talk to birds and exercise control over animals. It has even been reported that many villagers attributed Walton's death to ritual witchcraft. But what is fact and what is fiction? The most famous police officer in Britain, Chief Inspector Robert Fabian, was promptly dispatched by Scotland Yard to solve this increasingly peculiar and foreboding mystery. 'Fabian of the Yard' was not a man prone to superstition and had dealt with some of the most notorious killers of his time - but there was something strange about the Walton murder. Did the clues point to ritual witchcraft as the modus operandi, or was the black magic angle merely a ruse? With the villagers unable - or unwilling - to shed light on the matter, Fabian faced, for the only time in his glittering career, the daunting prospect of failure. The Case That Foiled Fabian lays out for the first time what actually happened and distills the truth from the many myths about this case that are today mistaken for facts.

This work about witchcraft, sorcery, black magic, neuromancy, damnation, satanism and every kind of magic and occult is written by the undisputed scholar in the field and is a work of unprecedented authority, of interest to all who are connected with the subject.

This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery.
The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.

This ground-breaking biography of Bishop Francis Hutchinson (1669-1739) provides a detailed and rare portrait of an early eighteenth century Irish bishop and witchcraft theorist. Drawing upon a wealth of printed primary source material, the book aims to increase our understanding of the eighteenth-century established clergy, both in England and Ireland. It illustrates how one of the main skeptical texts of the seventeenth and eighteenth centuries, the "Historical Essay Concerning Witchcraft" (1718), was constructed and how it fit into the wider intellectual and literary context of the time, examining Hutchinson's views on contemporary debates concerning modern prophecy and miracles, demonic and Satanic intervention, the nature of Angels and hell, and astrology.

This book will be of particular interest to academics and students in the areas of history of witchcraft, and the religious, political and social history of Britain and Ireland in the late seventeenth and early eighteenth centuries.