'Eleanor Porter is a major new voice in historical fiction.' Tim Clayton Where will her loyalty lead her?Once accused of witchcraft Martha Spicer is now free from the shadow of the gallows and lives a safe and happy life with her husband, Jacob. But when Jacob heads north to accompany his master, he warns Martha to keep her healing gifts a secret, to keep herself safe, to be a good wife. Martha loves Jacob but without him there to protect her, she soon comes under the suspicious eye of the wicked Steward Boult, who's heard of her talent and forces her to attend to him. If she refuses, he promises to destroy the good life she has built for herself with Jacob. Desperate and alone, Martha faces a terrible decision: stay and be beholden to Boult or journey north to find Jacob who is reported to have been killed.. The road ahead is filled with danger, but also the promise of a brighter future. And where her gifts once threatened to be her downfall, might they now be the very thing that sets Martha free...? The brilliant follow-up to Eleanor Porter's first novel of love, betrayal, superstition and fear in Elizabethan England. A story of female courage, ingenuity and determination, this is perfect for fans of Tracy Chevalier. 'Eleanor Porter is a major new voice in historical fiction. With her beautiful use of language and compelling storytelling she conjures the past with a vividness that lingers in the mind long after the final page.' Tim Clayton Praise for The Wheelwright's Daughter:'It's a gripping story and such accomplished writing. I really enjoyed every moment of working on it.' Yvonne Holland, editor of Philippa Gregory and Tracy Chevalier 'A brilliant debut novel' 'An interesting read and an impressive debut novel' 'A wonderfully written story' 'A skilfully crafted story of love, betrayal, superstition and fear in 16th century England.' 'This is a story of courage, trust, betrayal and love.' 'A great historical novel I loved.'

Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy—The Devil and Satan—trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era.The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth. Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought.Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s. This major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.