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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies
How can we be sure the oppressed do not become oppressors in their
turn? How can we create a feminism that doesn't turn into yet
another tool for oppression? It has become commonplace to argue
that, in order to fight the subjugation of women, we have to unpack
the ways different forms of oppression intersect with one another:
class, race, gender, sexuality, disability, and ecology, to name
only a few. By arguing that there is no single factor, or arche,
explaining the oppression of women, Chiara Bottici proposes a
radical anarchafeminist philosophy inspired by two major claims:
that there is something specific to the oppression of women, and
that, in order to fight that, we need to untangle all other forms
of oppression and the anthropocentrism they inhabit. Anarchism
needs feminism to address the continued subordination of all
femina, but feminism needs anarchism if it does not want to become
the privilege of a few. Anarchafeminism calls for a decolonial and
deimperial position and for a renewed awareness of the somatic
communism connecting all different life forms on the planet. In
this new revolutionary vision, feminism does not mean the
liberation of the lucky few, but liberation for all living
creatures from both capitalist exploitation and an androcentric
politics of domination. Either all or none of us will be free.
Best known by her stage name, La Goulue (the Glutton), Louise Weber
was one of the biggest stars of fin de siecle Paris, renowned as a
cancan dancer at the Moulin Rouge. The subject of numerous
paintings and photographs, she became an iconic figure of modern
art. Her life, however, has consistently been misrepresented and
reduced to a footnote in the stories of men such as Henri de
Toulouse-Lautrec. Where most accounts dismiss her rise and fall as
brief and rapid, the truth is that her career as a performer
spanned five decades, during which La Goulue constantly reinvented
herself-as a dancer, animal tamer, sideshow performer, and muse of
photographers, painters, sculptors, and filmmakers. With Beyond the
Moulin Rouge, the first substantive English-language study of La
Goulue's career and posthumous influence, Will Visconti corrects
persistent myths. Despite a tumultuous personal life, La Goulue
overcame loss, abusive relationships, and poverty to become the
very embodiment of nineteenth-century Paris, feted by royalty and
followed as closely as any politician or monarch. Visconti draws on
previously overlooked materials, including medical records, media
reports across Europe and the United States, and surviving pages
from Louise Weber's diary, to trace the life and impact of a woman
whose cultural significance has been ignored in favor of the men
around her, and who spent her life upending assumptions about
gender, morality, and domesticity in France during the fin de
siecle and early twentieth century.
The ideals of the French Revolution inflamed a longing for
liberty and equality within courageous, freethinking women of the
era--women who played vital roles in the momentous events that
reshaped their nation and the world. In "Liberty," Lucy Moore
paints a vivid portrait of six extraordinary Frenchwomen from
vastly different social and economic backgrounds who helped stoke
the fervor and idealism of those years, and who risked everything
to make their mark on history.
Germaine de Stael was a wealthy, passionate Parisian
intellectual--as consumed by love affairs as she was by
politics--who helped write the 1791 Constitution. Theroigne de
Mericourt was an unhappy courtesan who fell in love with
revolutionary ideals. Exuberant, decadent Theresia Tallien was a
ruthless manipulator instrumental in engineering Robespierre's
downfall. Their stories and others provide a fascinating new
perspective on one of history's most turbulent epochs.
In original essays drawn from a myriad of archival materials,
Society Women and Enlightened Charity in Spain reveals how the
members of the Junta de Damas de Honor y Merito, founded in 1787 to
administer charities and schools for impoverished women and
children, claimed a role in the public sphere through their
self-representation as civic mothers and created an enlightened
legacy for modern feminism in Spain.
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