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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies
In step with the #MeToo movement and third wave feminism, women's
roles provoke lively debate in today's evangelical sphere. The
Southern Baptist Convention (SBC) has a complicated past regarding
this issue, and determining what exactly women's roles in home,
church, and society should be, or even what these roles should be
called, has been a contentious subject. In A Marginal Majority:
Women, Gender, and a Reimagining of Southern Baptists, editors
Elizabeth H. Flowers and Karen K. Seat and eight other contributors
examine the SBC's complex history regarding women and how that
history reshapes our understanding of the denomination and its
contemporary debates. This comprehensive volume starts with women
as SBC fundraisers, moves to the ways they served Southern Baptist
missions, and considers their struggles to find a place at Southern
Baptist seminaries as well as their launching of "teaching" or
"women's" ministries. Along the way, it introduces new
personalities, offers fresh considerations of familiar figures, and
examines the power dynamics of race and class in a denomination
that dominated the South and grew into a national behemoth.
Additionally, the essay collection provides insights into why the
SBC has often politically aligned with the right. Not only did the
denomination become increasingly oriented toward authoritarianism
as it clamped down on evangelical feminism, but, as several
contributors reveal, even as Southern Baptist women sought agency,
they often took it from others. Read together, the chapters strike
a somber tone, challenging any triumphal historiography of the
past. By providing a history of contentious issues from the
nineteenth century to the present day, A Marginal Majority provides
invaluable context for the recurrent struggles women have faced
within the United States' largest Protestant denomination.
Moreover, it points to new directions in the study of American
denominational life and culture.
In contrast to other literary genres, drama has received little
attention in southern studies, and women playwrights in general
receive less recognition than their male counterparts. In
Marginalized: Southern Women Playwrights Confront Race, Region, and
Gender, author Casey Kayser addresses these gaps by examining the
work of southern women playwrights, making the argument that
representations of the American South on stage are complicated by
difficulties of identity, genre, and region. Through analysis of
the dramatic texts, the rhetoric of reviews of productions, as well
as what the playwrights themselves have said about their plays and
productions, Kayser delineates these challenges and argues that
playwrights draw on various conscious strategies in response. These
strategies, evident in the work of such playwrights as Pearl
Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman,
and Shay Youngblood, provide them with the opportunity to lead
audiences to reconsider monolithic understandings of northern and
southern regions and, ultimately, create new visions of the South.
Sweden has gained a worldwide reputation for its family friendly
policies and the high share of women in paid employment. This book
discusses the particular importance of early activation policies in
the increase of women's paid employment and in changing gender and
family relations. It explores how the integration of women into
paid work was actually accomplished: on what ideational grounds,
and using what concrete measures, were the conditions created for
increasing the employment ratio of women? A number of activation
measures are analyzed in more detail: vocational training,
opinion-shaping, persuading activities and the work done by
activating inspectors, specially installed to initiate housewives
into paid labor. The book showcases how early activation policies
contributed to the transformation of gender and family relations
and thus to a farewell to male breadwinning. The book will appeal
to undergraduates as well as graduate students, lecturers and
researchers in gender studies, social and public policy and across
the fields of politics, European studies, and contemporary history.
New England has nurtured countless women who shook off traditional
gender roles to forge their own destinies. Their achievements are
legion. Narragansett tribal historian Princess Red Wing served as a
delegate to the United Nations and co-founded Rhode Island's
Tomaquag Museum. Boston iconoclast Isabella Stewart Gardner had the
acute artistic vision to establish the museum that bears her name.
Harriet Beecher Stowe ignited public opinion against slavery,
arguably hastening the Civil War, as displays in her Hartford home
make clear. Pioneering naturalist Rachel Carson jumpstarted the
modern environmental movement with her writings about the rocky
beaches and quivering tidepools of Southport, Maine. New England's
Notable Women shines the spotlight on 45 of these trailblazers and
achievers and directs readers to the homes and sites throughout New
England where their stories come to life.
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Poems from the Asylum
(Hardcover)
Martha Nasch; Contributions by Janelle Molony; Introduction by Jodi Nasch Decker
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R717
R676
Discovery Miles 6 760
Save R41 (6%)
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A Primer for Teaching Women, Gender, and Sexuality in World History
is a guide for college and high school teachers who are teaching
women, gender, and sexuality in history for the first time, for
experienced teachers who want to reinvigorate their courses, for
those who are training future teachers to prepare their own
syllabi, and for teachers who want to incorporate these issues into
their world history classes. Merry E. Wiesner-Hanks and Urmi
Engineer Willoughby present possible course topics, themes,
concepts, and approaches while offering practical advice on
materials and strategies helpful for teaching courses from a global
perspective in today's teaching environment for today's students.
In their discussions of pedagogy, syllabus organization, fostering
students' historical empathy, and connecting students with their
community, Wiesner-Hanks and Willoughby draw readers into the
process of strategically designing courses that will enable
students to analyze gender and sexuality in history, whether their
students are new to this process or hold powerful and personal
commitments to the issues it raises.
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