Before her death in 2001, Naomi Schor was a leading scholar in feminist and critical theory and a founding coeditor of differences: A Journal of Feminist Cultural Studies. This issue takes as its starting point Schor's book Bad Objects: Essays Popular and Unpopular (1995), in which she discussed her attraction to the "bad objects" the academy had overlooked or ignored: universalism, essentialism, and feminism. Underpinning these bad objects was her mourning of the literary, a sense that her work-and feminist theory more generally-had departed from the textual readings in which they were grounded. Schor's question at the time was "Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?" The contributors take literariness-the "bad object" of this issue-seriously. They do not necessarily engage in debates about reading, theorize new formalisms, or thematize language; rather, they invigorate and unsettle the reading experience, investigating the relationship between language and meaning. Contributors. Lee Edelman, Frances Ferguson, Peggy Kamuf, Ramsey McGlazer, Thangam Ravindranathan, Denise Riley, Ellen Rooney, Elizabeth Weed

Confrontation is a memoir based on real events. Set in the early nineties, it follows the journey of a child growing up in South Africa’s season of change.

But all is not as it seems – biologically, domestically, emotionally – three words that immediately takes shape like the head, neck and tail of a monster brooding beneath the bed. Domestic unrest casts a thick veil over a much greater problem.

“One of your greatest challenges in this world, my darling, would be men... It’s a shame because you think you’re the relationship type?” So-called advice from a friend who suggested being gay might be a better option than what she was contemplating. Not that she had a choice. She wasn’t entirely herself yet, and that was the problem.

Kirsty Steinberg is the pen name for the author. Confrontation is her debut work.

This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to motherhood, childbirth, sex, and building a career. Forensic evidence is also treated for the actual bodies of ancient women. Women in Antiquity is edited by two experts in the field, and is an invaluable resource to students of the ancient world, gender studies, and women's roles throughout history.

Cynthia Kaplan takes us on a hilarious and sometimes heartbreaking journey through her unique, uncensored world--her bungled romantic encounters and unsung theatrical experiences; her gadget-obsessed father, her pill-popping therapist, and her eccentric grandmothers; her fearless husband, whom she engages in an ongoing battle over which of them is the most popular person in their apartment; and, of course, her vengeful, power-hungry one-year-old son.

Kaplan's voice is a lot like the one in our heads--the one that most of us are only willing to listen to late at night . . . maybe while locked in a closet. What a relief it is that someone finally admits that she is afraid of nearly everything; that she is jealous even of people whose lives are on the verge of collapse; and that she has, at times, tried to pass for a gentile.

From popular humor writer and social media sensation Anna Lind Thomas comes the second book of charming and uproarious essays that capture our universal need for life to just slow down-we weren't ready for this! Anna Lind Thomas wants everyone to just calm down and give her a minute, okay? She's not ready for this! In fact, through her latest collection of laugh-out-loud essays, she'll prove she's never been ready for anything in her life. Adult decisions, marriage, parenting, crow's feet, large pores, skinny jeans--you name it, she ain't ready for it! Don't even get her started on that one time she appeared on national TV in a blazer two sizes too small because she thought she'd lose twenty pounds before the shoot. Good grief, she just wasn't ready! I'm Not Ready for This will give you the encouragement you need to: Embrace the unexpected aspects of life Appreciate the incredible power of vulnerability Let God push you forward, even if you feel like you're not ready Through her signature wit, charm, and painful relatability, Anna reminds us that no one's truly ready for anything--so we might as well go for it and see what happens. She bets it'll be real good--or at the very least, real funny.

Although US history is marred by institutionalized racism and sexism, postracial and postfeminist attitudes drive our polarized politics. Violence against people of color, transgendered and gay people, and women soar upon the backdrop of Donald Trump, Tea Party affiliates, alt-right members like Richard Spencer, and right-wing political commentators like Milo Yiannopoulos who defend their racist and sexist commentary through legalistic claims of freedom of speech. While more institutions recognize the volatility of these white men's speech, few notice or have thoughtfully considered the role of white nationalist, alt-right, and conservative white women's messages that organizationally preserve white supremacy. In Rebirthing a Nation: White Women, Identity Politics, and the Internet, author Wendy K. Z. Anderson details how white nationalist and alt-right women refine racist rhetoric and web design as a means of protection and simultaneous instantiation of white supremacy, which conservative political actors including Sarah Palin, Donald Trump, Kellyanne Conway, Sarah Huckabee Sanders, and Ivanka Trump have amplified through transnational politics. By validating racial fears and political divisiveness through coded white identity politics, postfeminist and motherhood discourse functions as a colorblind, gilded cage. Rebirthing a Nation reveals how white nationalist women utilize colorblind racism within digital space, exposing how a postfeminist framework becomes fodder for conservative white women's political speech to preserve institutional white supremacy.

Based on the African American Women's Voices Project, Shifting reveals that a large number of African American women feel pressure to com-promise their true selves as they navigate America's racial and gender bigotry. Black women "shift" by altering the expectations they have for themselves or their outer appearance. They modify their speech. They shift "White" as they head to work in the morning and "Black" as they come back home each night. They shift inward, internalizing the searing pain of the negative stereotypes that they encounter daily. And sometimes they shift by fighting back.

With deeply moving interviews, poignantly revealed on each page, Shifting is a much-needed, clear, and comprehensive portrait of the reality of African American women's lives today.

Women and Resistance in the Early Rastafari Movement is a pioneering study of women's resistance in the emergent Rastafari movement in colonial Jamaica. As D. A. Dunkley demonstrates, Rastafari women had to contend not only with the various attempts made by the government and nonmembers to suppress the movement, but also with oppression and silencing from among their own ranks. Dunkley examines the lives and experiences of a group of Rastafari women between the movement's inception in the 1930s and Jamaica's independence from Britain in the 1960s, uncovering their sense of agency and resistance against both male domination and societal opposition to their Rastafari identity. Countering many years of scholarship that privilege the stories of Rastafari men, Women and Resistance in the Early Rastafari Movement reclaims the voices and narratives of early Rastafari women in the history of the Black liberation struggle.