"An in-depth look at three important French-language women writers who tackle gender stereotypes, desire, the body, language and empowerment, this richly documented study is rigorous, thorough, illuminating and highly readable, with broader implications for contemporary feminism and women's writing within and beyond France and Quebec. A major contribution." (Lori Saint-Martin, Professor of Literary Studies, University of Quebec in Montreal) This book is the first comparative study of the work of Francophone authors Annie Ernaux (France), Nancy Huston (Alberta and France) and Nelly Arcan (Quebec) and explores their representation of sex, sexuality and the body from a feminist perspective. In particular, this study examines their narrative treatment of dominant sexual discourses, sexual difference and diverse feminine bodily experience. In so doing, this book reveals these writers' distinctive contribution to contemporary women's writing in French and different feminisms, which takes the form of a unique, "frank" French feminism. This frank French feminist approach, this book shows, is concerned with tackling gender inequality, sexism and misogyny, but also recognises the difficulties involved in feminist action, and acknowledges that adherence to allegedly oppressive gender stereotypes can actually prove enjoyable and empowering for women. This book examines the authors' earliest to latest publications and a broad range of genres and media, including fictional and autofictional novels, autobiographies, critical essays, photo-texts, diaries, journals, illustrated oeuvres, media addresses and newspaper articles. This book project was the Winner of the 2021 Peter Lang Young Scholars Competition in Contemporary Women's Writing in French.

_______________ 'An autobiographical meditation on feminism, power and womanhood ... Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of "machismo", combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende - a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will 'light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.' _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende's love for women is palpable' - Sydney Morning Herald

In Imaginary Empires, Maria O'Malley examines early American texts published between 1767 and 1867 whose narratives represent women's engagement in the formation of empire. Her analysis unearths a variety of responses to contact, exchange, and cohabitation in the early United States, stressing the possibilities inherent in the literary to foster participation, resignification, and rapprochement. New readings of The Female American, Leonora Sansay's Secret History, Catharine Maria Sedgwick's Hope Leslie, Lydia Maria Child's A Romance of the Republic, and Harriet Jacobs's Incidents in the Life of a Slave Girl confound the metaphors of ghosts, haunting, and amnesia that proliferate in many recent studies of early US literary history. Instead, as O'Malley shows, these writings foreground acts of foundational violence involved in the militarization of domestic spaces, the legal impediments to the transfer of property and wealth, and the geopolitical standing of the United States. Racialized and gendered figures in the texts refuse to die, leave, or stay silent. In imagining different kinds of futures, these writers reckon with the ambivalent role of women in empire-building as they negotiate between their own subordinate position in society and their exertion of sovereignty over others. By tracing a thread of virtual history found in works by women, Imaginary Empires explores how reflections of the past offer a means of shaping future sociopolitical formations.