In an era when women were supposed to be disciplined and obedient, Anna proved to be neither. Defying 16th-century social mores, she was the frequent subject of gossip because of her immodest dress and flirtatious behavior. When her wealthy father discovered that she was having secret, simultaneous affairs with a young nobleman and a cavalryman, he turned her out of the house in rage, but when she sued him for financial support, he had her captured, returned home and chained to a table as punishment. Anna eventually escaped and continued her suit against her father, her siblings and her home town in a bitter legal battle that was to last 30 years and end only upon her death.

Drawn from her surviving love letters and court records, The Burgermeister's Daughter is a fascinating examination of the politics of sexuality, gender and family in the 16th century, and a powerful testament to the courage and tenacity of a woman who defied the inequalities of this distant age.

This book offers a unique focus on the roles of women in contemporary art, cultural production and arts institutions in the Gulf. argues that the Gulf Cooperation Council (GCC) countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates have been largely excluded from the critical discourse about, and display of, contemporary Middle Eastern art. addresses this oversight by providing an examination of the work of several contemporary women artists from the Gulf region. discusses the role of women in museums and cultural institutions in the region, as well as the education systems available to emerging women artists. will be essential reading for scholars and students engaged in the study of art history, visual culture, museums and heritage, and women and gender studies

Migration is a multifaceted phenomenon that plays a critical role in today's world, yet there have been few attempts to look beneath the surface of the mass movements of people. Particularly, the changing face of migration is becoming more feminized, with women increasingly moving as independent or single migrants rather than as the wives, mothers, or daughters of male migrants. Yet, in literature on migration, the voices of women are still silent. This creates an urgent need to advance academic research on female international migration by examining women as independent migrants. Immigrant Women's Voices and Integrating Feminism Into Migration Theory comprehensively documents the experiences of immigrant women across the globe and the important theories that define their experiences. The chapters give firsthand accounts of women speaking about their own experiences on migration and topics associated with women and migration. This book aims to give women their own voice and to stand apart from previous literature in which male relatives spoke on behalf of immigrant women to tell their stories for them. While highlighting topics on women in migration including feminism, gendered social roles, first-person narratives, and the female identity, this book is ideally for professionals in social science disciplines as well as practitioners, stakeholders, researchers, academicians, and students wanting to expand their knowledge on women and migration, gender violence, and women empowerment.

Fertile Visions conceptualises the uterus as a narrative space so that the female reproductive body can be understood beyond the constraints of a gendered analysis. Unravelling pregnancy from notions of maternity and mothering demands that we think differently about narratives of reproduction. This is crucial in the current global political climate wherein the gender-specificity of pregnancy contributes to how bodies that reproduce are marginalised, controlled, and criminalised. Anne Carruthers demonstrates fascinating and insightful close analyses of films such as Juno, Birth, Ixcanul and Arrival as examples of the uterus as a narrative space. Fertile Visions engages with research on the foetal ultrasound scan as well as phenomenologies, affect and spectatorship in film studies to offer a new way to look, think and analyse pregnancy and the pregnant body in cinema from the Americas.

Questioning hegemonic masculinity in literature is not novel. In the nineteenth century, under the July Monarchy (1830 1848), several French writers depicted characters who did not conform to gender expectations: hermaphrodites, castrati, homosexuals, effete men and mannish women. This book investigates the historical conditions in which these protagonists were created and their success during the July Monarchy. It analyses novels and novellas by Balzac, Gautier, Latouche, Musset and Sand in order to determine how these literary narratives challenged the traditional representations of masculinity and even redefined genders through their unconventional characters. This book also examines the connections and the disparities between these literary texts and contemporary scientific texts on sexual difference, homosexuality and intersexuality. It thus highlights the July Monarchy as a key period for the redefinition of gender identities.

Prostitution, gambling, and saloons were a vital, if not universally welcome, part of life in frontier boomtowns. In Saloons, Prostitutes, and Temperance in Alaska Territory, Catherine Holder Spude explores the rise and fall of these enterprises in Skagway, Alaska, between the gold rush of 1897 and the enactment of Prohibition in 1918. Her gritty account offers a case study in the clash between working-class men and middle-class women, and in the growth of women's political and economic power in the West. Where most books about vice in the West depict a rambunctious sin-scape, this one addresses money and politics. Focusing on the ambitions and resources of individual prostitutes and madams, landlords and saloon owners, lawmen, politicians, and reformers, Spude brings issues of gender and class to life in a place and time when vice equaled money and money controlled politics. Women of all classes learned how to manipulate both money and politics, ultimately deciding how to practice and regulate individual freedoms. As Progressive reforms swept America in the early twentieth century, middle-class women in Skagway won power, Spude shows, at the expense of the values and vices of the working-class men who had dominated the population in the town's earliest days. Reform began when a citizens' committee purged Skagway of card sharks and con men in 1898, and culminated when middle-class businessmen sided with their wives - giving them the power to vote - and in the process banned gambling, prostitution, and saloons. Today, a century after the era Spude describes, Skagway's tourist industry perpetuates the stereotypes of good times in saloons and bordellos. This book instead takes readers inside Skagway's real dens of iniquity, before and after their demise, and depicts frontier Skagway and its people as they really were. It will open the eyes of historians and tourists alike.

Supercharge your game and claim your victory with this powerful collection of uplifting words from kickass women in sport Inside every woman is a lioness just waiting to break free. This feisty feline is independent, brave, strong and agile. She is ready to acknowledge and shout about her power. She wants to crush her goals. She believes she deserves to live her life courageously and to the full. All she needs is for you to open your heart and set her free. This small-but-mighty book is the perfect companion on your journey to attaining the unshakeable confidence of a lioness. Inside you'll find empowering quotes from sporting legends all the way from Billie Jean King right up to Leah Williamson. Let these bold words from badass women inspire you to find your pride of supportive sisters, reach for your dreams, and celebrate every success along the way. Stay fierce and fearless - unleash your inner lioness and hear her roar!

A Vindication of the Rights of Woman, Mary Wollstonecraft's passionate work supporting women's rights, is considered to be among the very first examples of feminist philosophy. When it appeared in 1792, Wollstonecraft's treatise sets out a range of what were at the time radical beliefs; she thought all women should have a formal education, so that they may raise their children to be keener in mind as well as prove able conversationalists with their husbands. Wollestonecraft by no means unreservedly supports marriage: she states that women should not be thought of merely as items to be bandied about and wed, but as human beings capable of great intellect. Wollstonecraft also lambastes the prevailing social picture of women; that they have a number of fixed, narrow and often domestic duties. She also singles out how women are expected to behave, criticizing in particular the notion that the highest aspiration of a woman is to be a sentimental heroine in a popular romance novel.